Thelma Ritter Movies
At the tender age of eight, Thelma Ritter was regaling the students and faculty of Brooklyn's Public School 77 with her recitals of such monologues as "Mr. Brown Gets His Haircut" and "The Story of Cremona". After appearing in high school plays and stock companies, Ritter was trained at the American Academy of Dramatic Arts. Throughout the Depression years, she and her actor husband Joe Moran did everything short of robbing banks to support themselves; when vaudeville and stage assignments dried up, they entered slogan and jingle contests. Moran forsook performing to become an actor's agent in the mid-1930s, while Ritter also briefly gave up acting to raise a family. She started working professionally again in 1940 as a radio performer. In 1946, director George Seaton, an old friend of Ritter, offered her a bit role in the upcoming New York-lensed Miracle on 34th Street. Ritter's single scene as a weary Yuletide shopper went over so well that 20th Century-Fox head Darryl F. Zanuck insisted that the actress' role be expanded. After Ritter garnered good notices for her unbilled Miracle role, Joseph L. Mankiewicz wrote a part specifically for her in his 1948 film A Letter to Three Wives (1949). She was afforded screen billing for the first time in 1949's City Across the River. During the first few years of her 20th Century-Fox contract, Ritter was Oscar-nominated for her performance as Bette Davis' acerbic maid in All About Eve, and for her portrayal of upwardly mobile John Lund's just-folks mother in The Mating Season (1951). In all, the actress would receive five nominations -- the other three were for With a Song in My Heart (1952), Pickup on South Street (1953) and Pillow Talk (1959) -- though she never won the gold statuette. Ritter finally received star billing in the comedy/drama The Model and the Marriage Broker (1952), in which she assuages her own loneliness by finding suitable mates for others. After a showcase part as James Stewart's nurse in Hitchcock's Rear Window (1954), Ritter made do with standard film supporting parts and starring roles on TV. In 1957, Ritter appeared as waterfront barfly Marthy in the Broadway musical New Girl in Town, a bowdlerization of Eugene O'Neill's Anna Christie. Ritter interrupted her still-thriving screen career in 1965 for another Broadway appearance in James Kirkwood's UTBU. Shortly after a 1968 guest appearance on TV's The Jerry Lewis Show, Ritter suffered a heart attack which would ultimately prove fatal; the actress' last screen appearance, like her first, was a cameo role in a George Seaton-directed comedy, What's So Bad About Feeling Good? (1968). Ritter's daughter, Monica Moran, also pursued an acting career from the 1940s through the 1970s. ~ Hal Erickson, All Movie Guide
Edmund Gwenn plays Kris Kringle, a bearded old gent who is the living image of Santa Claus. Serving as a last-minute replacement for the drunken Santa who was to have led Macy's Thanksgiving Parade, Kringle is offered a job as a Macy's toy-department Santa. Supervisor Maureen O'Hara soon begins having second thoughts about hiring Kris: it's bad enough that he is laboring under the delusion that he's the genuine Saint Nick; but when he begins advising customers to shop elsewhere for toys that they can't find at Macy's, he's gone too far! Amazingly, Mr. Macy (Harry Antrim) considers Kris' shopping tips to be an excellent customer-service "gimmick," and insists that the old fellow keep his job. A resident of a Long Island retirement home, Kris agrees to take a room with lawyer John Payne during the Christmas season. It happens that Payne is sweet on O'Hara, and Kris subliminally hopes he can bring the two together. Kris is also desirous of winning over the divorced O'Hara's little daughter Natalie Wood, who in her few years on earth has lost a lot of the Christmas spirit. Complications ensue when Porter Hall, Macy's nasty in-house psychologist, arranges to have Kris locked up in Bellevue as a lunatic. Payne represents Kris at his sanity hearing, rocking the New York judicial system to its foundations by endeavoring to prove in court that Kris is, indeed, the real Santa Claus! We won't tell you how he does it: suffice to say that there's a joyous ending for Payne and O'Hara, as well as a wonderful faith-affirming denouement for little Natalie Wood. 72-year-old Edmund Gwenn won an Oscar for his portrayal of the "jolly old elf" Kringle; the rest of the cast is populated by such never-fail pros as Gene Lockhart (as the beleaguered sanity-hearing judge), William Frawley (as a crafty political boss), and an unbilled Thelma Ritter and Jack Albertson. Based on the novel by Valentine Davies, Miracle on 34th Street was remade twice: once for TV in 1973, and a second time for a 1994 theatrical release, with Richard Attenborough as Kris Kringle. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, John Payne, (more)
Three wives, played by Jeanne Crain, Ann Sothern and Linda Darnell, are about to embark on a boat trip when each receives a letter, written by a mutual friend named Addie, informing her that Addie is about to run off with one of their husbands. In flashback, each wife wonders if it is her marriage that is in jeopardy. Deborah (Crain) recounts her fish-out-of-water relationship with her up-and-coming hubby (Jeffrey Lynn); businesswoman Rita (Sothern) asks herself if she's been too rough on her professorial spouse (Kirk Douglas); and Lora May (Darnell), a girl from (literally) the wrong side of the tracks, questions the security of her marriage to a brash business executive (Paul Douglas). The voice of Addie, who is never seen, is provided by Celeste Holm. Thelma Ritter shows up in a hilarious unbilled bit as a slatternly domestic, while an equally uncredited Carl "Alfalfa" Switzer makes a quick entrance and exit as a bellhop. Written with perception and not a little witty condescension by director Joseph L. Mankiewicz, A Letter to Three Wives won two Oscars ,both for Mankiewicz. Based on a novel by John Klempner, the property was remade for television in 1985, with Ann Sothern back again in a supporting part. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Linda Darnell, (more)
- 1949
This slightly bowdlerized version of Irving Shulman's The Amboy Dukes was used by Universal-International to showcase several of its new male contractees. Set in the slums of Brooklyn, the film follows the exploits of the Amboy Dukes, a teenaged street gang. Foremost among the Dukes is Frank Cusack (Peter Fernandez), who loses all opportunity to escape his grim existence when he accidentally kills his high-school teacher. The film tries to demonstrate that the so-called "code of the streets"--never rat on a pal--is possibly more destructive than any brass knuckle or switchblade. Maxwell Shane and Dennis Cooper's screenplay resists any temptation to sentimentalize the kids or trivialize their plight; the closest the film comes to comedy relief are the shattered romantic illusions of the near-moronic Crazy Perrin. Prominent among the supporting players are Thelma Ritter as Frank Cusack's anguished mother, Stephen McNally as a community center counselor, and Anthony (Tony) Curtis as the leather-jacketed gang leader. ~ Hal Erickson, All Movie Guide
- Starring:
- Stephen McNally, Thelma Ritter, (more)
- 1949
First came 20th Century-Fox's Mother Was a Freshman; then, a few months later, the same studio's Father Was a Fullback. Fred MacMurray stars as college football coach George Cooper, whose team can't win a game to save its life. George finds some comfort in the arms of his wife Elizabeth (Maureen O'Hara), but his young daughters Connie (Betty Lynn) and Ellen (Natalie Wood) are too concerned with boys to pay their dad any attention. Connie causes no end of trouble for George by printing a highly imaginative article about her various romances. On the verge of losing his job, George is saved by the arrival of football champ Joe Burch (Richard Tyler). Rudy Vallee virtually repeats his stuffy-suitor characterization from Mother is a Freshman in Father Was a Fullback. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Maureen O'Hara, (more)
Based on the story The Wisdom of Eve by Mary Orr, All About Eve is an elegantly bitchy backstage story revolving around aspiring actress Eve Harrington (Anne Baxter). Tattered and forlorn, Eve shows up in the dressing room of Broadway mega-star Margo Channing (Bette Davis), weaving a melancholy life story to Margo and her friends. Taking pity on the girl, Margo takes Eve as her personal assistant. Before long, it becomes apparent that naïve Eve is a Machiavellian conniver who cold-bloodedly uses Margo, her director Bill Sampson (Gary Merill), Lloyd's wife Karen (Celeste Holm), and waspish critic Addison De Witt (George Sanders) to rise to the top of the theatrical heap. Also appearing in All About Eve is Marilyn Monroe, introduced by Addison De Witt as "a graduate of the Copacabana school of dramatic art." This is but one of the hundreds of unforgettable lines penned by writer/director Joseph L. Mankiewicz, the most famous of which is Margo Channing's lip-sneering admonition, "Fasten your seat belts. It's going to be a bumpy night." All About Eve received 6 Academy Awards, including Best Picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Anne Baxter, (more)
- 1950
The Ben Hecht-Charles MacArthur Broadway comedy Ladies and Gentlemen formed the basis of the Warner Bros. laughspinner Perfect Strangers. The title characters are Terry Scott and David Campbell, played by Ginger Rogers and Dennis Morgan. She's a divorcee, he's a husband and father. Terry and David are thrown together by fate -- or rather, the LA judicial system. While serving as jurors on a murder trial, the two fall in love. Ironically, the woman on trial allegedly killed her husband because he'd asked for a divorce. The seriocomic tension develops on two levels: will juror Isobel Bradford (Margolo Gillmore) be able to sway the others to vote for the death penalty, and will Terry and David continue to pursue their romance at the expense of the happiness of others? ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Dennis Morgan, (more)
- 1950
I'll Get By is an updated remake of the 1940 20th Century-Fox musical Tin Pan Alley. William Lundigan and Dennis Day play William Spencer and Freddie Lee respectively, successful song publishers who make hits out of such numbers as "I Got a Gal in Kalamazoo", "Deep in the Heart of Texas", "You Make Me Feel So Young", "There Will Never Be Another You", and other favorites (the rights to all of these songs were conveniently held by 20th Century-Fox). The partnership has some hard times, especially during the feud between ASCAP and the radio networks, when only public-domain songs like "I Dream of Jeannie" were permitted to be broadcast. Still, Spencer and Lee remain pals throughout, while the boys' romances likewise weather the years. Steve Allen makes a rare film appearance as a wisecracking disc jockey (what a stretch!) while Harry James, Jeanne Crain, Reginald Gardiner, Victor Mature and Dan Dailey show up in uncredited cameos. ~ Hal Erickson, All Movie Guide
- Starring:
- June Haver, William Lundigan, (more)
Based on a story by Paddy Chayefsky, this is the tale of a man who is being forced to retire from his job, at the age of 65, and decides to fight back. Impersonating the head of the company, he sets out to convince them to get rid of their outmoded retirement policy and gives a creditable speech on the dignity of man, gaining national attention. This movie features good performances, but it will probably be remembered more for the bit part played by a young Marilyn Monroe as the boss' secretary. ~ Tana Hobart, All Movie Guide
- Starring:
- Monty Woolley, Thelma Ritter, (more)
- 1951
The model (Jeanne Crain) is stuck in an unhappy relationship with a married man. The marriage broker (Thelma Ritter) doesn't like this and tries to match the model with a lonely x-ray technician (Scott Brady). The model is so grateful that she tries to find an eligible bachelor for the broker. The broker resists this largesse, but then realizes that the only reason she meddles in other people's lives is to make up for the emptiness of her own. The Model and the Marriage Broker resists the temptation of poking fun at the less attractive clients of the marriage broker; this is especially true in the case of Frank Fontaine, whose performance as a lovesick Swede is quite moving. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Scott Brady, (more)
- 1951
A pair of top 20th Century Fox contractees were loaned to Paramount as stars of The Mating Season. Gene Tierney plays globe-trotting socialite Maggie Carleton, while Thelma Ritter is cast as Ellen McNulty, the hash-slinging mother of Maggie's husband, Val (John Lund). Perceiving that her son is embarrassed by his lower-class origins, Ellen poses as a maid when she attends Maggie and Val's wedding reception. Even after Val expresses displeasure at this deception, Ellen refuses to reveal her true identity, leading to a series of funny and poignant consequences. Miriam Hopkins co-stars as Ellen's blue-blooded mother, whose third-act arrival heralds the film's inevitable "moment of truth." Rest assured, The Mating Season is never dull. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Tierney, John Lund, (more)
With a Song in My Heart is the story of popular 1930s songstress Jane Froman, here portrayed by Susan Hayward. We first see Ms. Froman as a humble staff singer at a Cincinnati radio stations, but it doesn't take her long to rise to the uppermost rungs of network radio fame. Jane gratefully marries her agent (David Wayne), but soon both realize they're not truly in love. While touring with the USO during World War II, Jane is in a plane crash, which severely injures her. She nonetheless valiantly makes a professional comeback, and begins a relationship with the pilot (Rory Calhoun) who rescued her. Jane Froman herself provided the vocals for With a Song in My Heart, with Susan Hayward doing a topnotch miming job. Watch for Robert Wagner in his starmaking cameo as a shell-shocked GI. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Rory Calhoun, (more)
- 1953
The Farmer Takes a Wife is a musicalized remake of the 1935 film of the same name. Betty Grable and Dale Robertson star in the roles originally essayed by Janet Gaynor and Henry Fonda. Set in the early 19th century, the plot details the trials and tribulations of those hardy souls who settled along the Erie Canal. Grable plays Molly Larkin, the girlfriend of rough-and-tumble canal-boat captain Jotham Klore (John Carroll). Much to Klore's dismay, she hires mild-mannered farmer Daniel Harrow (Robertson) to work on the boat. Molly and Daniel fall in love and marry, but there's many a heartbreak and letdown before a happy ending can be reached. Though not in any way a "typical" Betty Grable musical, Farmer Takes a Wife was misleadingly advertised as such: one promotional still showed a grinning Grable anachronistically garbed in tight jeans and a bare-midriff blouse! Both versions of The Farmer Takes a Wife were adapted from the stage play by Frank B. Elser and Marc Connelly. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Dale Robertson, (more)
The 1912 sinking of the luxury liner Titanic is used as a backdrop for a several fictional subplots, chief of which involves snooty socialite Clifton Webb and his wife Barbara Stanwyck. Stanwyck has booked passage on the ill-fated passenger ship with her daughter (Audrey Dalton) and son (Harper Carter), leaving Webb far behind. Webb manages to board the ship at the last minute, and discovers that Stanwyck plans to divorce him; she further informs him that he is not the father of their son. When the Titanic sideswipes an iceberg and begins its slow descent in the Atlantic, the women and children are put on the lifeboats while the men stay behind to face death (except for cowardly cardsharp Allyn Joslyn, who disguises himself as a woman). The formerly class-conscious Webb acts with conspicuous bravery, seeing to it that several steerage passengers are ushered to safety. He is reunited with his son, who has given up his lifeboat seat to an elderly woman. All misunderstandings swept aside, Webb and his son face their final moments on earth together. In the film's best moment, a miniature recreation of the Titanic is seen sinking beneath the waves as the survivors watch from their lifeboats in numb horror. ~ Hal Erickson, All Movie Guide
- Starring:
- Clifton Webb, Barbara Stanwyck, (more)
Samuel Fuller scarcely used Dwight Taylor's source material, a languid courtroom romance, in crafting this pugnacious potboiler. Pickup on South Street is strictly Fuller film noir -- lean and wicked straight to its core. Barely out of prison, loner and pickpocket Skip McCoy (Richard Widmark) quietly helps himself to the contents of a woman's purse. His beautiful victim, Candy (Jean Peters), turns out to be an unwitting courier for the communist underground; McCoy's booty is actually microfilmed U.S. government secrets, formerly en route to Moscow. Both the FBI and Candy's employers are desperate to retrieve the film. The apolitical and arrogant McCoy has a plan to play both ends against the middle and come up ahead. However, dealing with the authorities may mean life in the clink, and the sadistic communists would rather kill McCoy than pay him off. He quickly becomes embroiled with Candy, who will risk everything to right her wrongs, and eventually even more to save her new man. When McCoy loses a cohort and Candy is almost killed, the cocksure pickpocket finds a stronger motivation than personal gain. ~ Aubry Anne D'Arminio, All Movie Guide
- Starring:
- Richard Widmark, Jean Peters, (more)
Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Grace Kelly, (more)
- 1955
An unusually matronly Jane Wyman plays the title character in Lucy Gallant. Adapted from a novel by Margaret Cousins, the story concerns the efforts by Lucy Gallant to make the wide-open spaces of Texas a mecca for High Fashion. Jilted at the altar, Lucy retreats to a booming oil town, where she courageously opens up a gown shop. Rancher Casey Cole (Charlton Heston) is disdainful of "working women", but he never hides the fact that he's madly in love with Lucy. As the film progresses, Lucy nearly loses her business due to financial reverses, but Casey secretly pumps money into her operation, all the while declaring publicly that she's doomed to failure. Lucy's gowns were actually designed by Edith Head, who makes an appearance towards the end of the film, as does the then-governor of Texas, Allan Shivers. Lucy Gallant was the last of the incredibly successful Pine-Thomas productions for Paramount Pictures; there might have been more had not William H. Pine died shortly after completing the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Wyman, Charlton Heston, (more)
- 1955
This video presents archival footage of the Academy Awards ceremony held in 1955 for movies released in 1954. The program shows an evening hosted by Bob Hope, during which the Elia Kazan anti-union picture On the Waterfront took top honors with eight wins out of twelve nominations, including the prize of Best Picture, while its star, Marlon Brando, won his first Best Actor Oscar after four consecutive nominations. Kazan garnered the Oscar for Best Director as well, while Grace Kelly received the Best Actress Oscar for her performance in The Country Girl. This video also features nominees such as Humphrey Bogart (for The Caine Mutiny) and Bing Crosby (for The Country Girl). ~ Steve Blackburn, All Movie Guide
- 1955
Valuable paintings owned by a New England woman are discovered forcing her to the center of attention. ~ All Movie Guide
- 1955
This last remake (thus far) of the Jean Webster novel Daddy Long Legs was extensively revised to accommodate the talents of Fred Astaire and Leslie Caron. Fragments of the basic plot remain: American millionaire Astaire is the unknown benefactor of French orphan girl Caron, financing the girl's education on the proviso that his identity never be revealed to her. Moved by Caron's letters of thanks, Astaire's secretary Thelma Ritter advises Astaire to go to France to visit the "child". When he arrives, he finds that his ward has grown up rather nicely, and the two fall in love--though Caron never knows until the very end who Astaire really is. The old story has been updated to allow for an elaborate "cowboy" number and a couple of Eisenhower jokes. Highlights include a solo ballet by Caron and a wonderful Astaire routine involving a set of drums. The score for Daddy Long Legs is unremarkable save for Johnny Mercer's hit "Something's Gotta Give". ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Leslie Caron, (more)
- 1956
Thelma Ritter, previously seen as the delightfully ghoulish nurse in Alfred Hitchcock's 1954 theatrical feature Rear Window, is here cast as babysitter Lottie Slocum. When her most recent client, Mrs. Nash, is murdered, Lottie is interviewed by the cops, but she has no vital information. She does, however, claim to know that Mrs. Nash was cheating on her husband (Theodore Newton), but this she tells to everyone except the cops. As it turns out, Lottie doesn't know anything except that she is infatuated with Mr. Nash...and it is this infatuation which proves to be her undoing. ~ Hal Erickson, All Movie Guide
- 1956
In this war romance, set during WW II, a widow falls for a Marine colonel. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Holden, Deborah Kerr, (more)
Although the main character, Tony Manetta (Frank Sinatra), in this light comedy tends to tip the scales towards being unbelievably unrealistic, the story is pulled off because everyone else is convincing. Tony is a widower in need of a financial bailout for himself and his son, so he asks for help from his brother Mario (Edward G. Robinson), a wealthy New Yorker. Tony owns a small hotel in Miami Beach but his impractical ways have made it a losing proposition. After Mario and his wife (Thelma Ritter) arrive in Miami, thinking of taking custody of Tony's son, they suddenly decide to try to match Tony up with the widowed Mrs. Rogers -- maybe that will teach him some responsibility. This was one of the last movies directed by Frank Capra. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Frank Sinatra, Edward G. Robinson, (more)
The fabulously successful Pillow Talk was essentially Shop Around the Corner for the 1950s. Playboy composer Rock Hudson and interior-decorator Doris Day are obliged to share a telephone party line. Naturally, their calls overlap at the least opportune times, and just as naturally, this leads to Hudson and Day despising each other without ever having met in person. In a cute but convenient coincidence, Doris' boy friend is Tony Randall, who also happens to be Hudson's best pal. Thus Hudson gets a glimpse at Day, and it's love at first sight. To avoid revealing that he's her telephone rival, Hudson poses as a wealthy Texan and turns the charm on Day. But when he starts pitching woo, Day instantly recognizes all the "make-out" lines Hudson has used on the phone with his other conquests. She gets even by decorating Hudson's apartment in a hideous manner. But Hudson loves her all the same; he "kidnaps" her, carrying her through the streets in her nightgown in full view of everyone, including a laughing cop who refuses to intervene. He praises her horrifying interior decoration job effusively, and at this point Day can't help but give in to his marriage proposal. A bit too arch and cute for modern tastes at times, Pillow Talk is still one of the best of the frothy Doris Day-Rock Hudson vehicles; it made a fortune at the box office and garnered five Oscar nominations. ~ Hal Erickson, All Movie Guide
- Starring:
- Rock Hudson, Doris Day, (more)
- 1960
"The Man" is the title of this television drama that tells the story of a disturbed veteran visiting an army buddy's mother. ~ All Movie Guide
- 1961
Though the title suggests that this film is a musical romance built around the song hit of the same name, Second Time Around is actually a comedy western. Debbie Reynolds plays a young widow who in 1912 moves with her children to a wild and wooly Arizona town. At first having trouble coming to grips with frontier life, Reynolds adjusts quite well--to the extent that she is appointed sheriff. She is courted by Andy Griffith and Steve Forrest, both of whom ride to the rescue when Reynolds bites off more than she can chew and she is captured by outlaws. Sheriff Reynolds marries Forrest, while Griffith, presumably, moves on to a new job in Mayberry. The big selling angle of Second Time Around was a very brief farcical scene involving Debbie Reynolds and a bathtub, which ended up plastered all over the advertising material for this film. ~ Hal Erickson, All Movie Guide
- Starring:
- Debbie Reynolds, Steve Forrest, (more)
