Carlos Riquelme Movies

It's advisable to know from the beginning of The Milagro Beanfield War that "milagro" is the Spanish word for "miracle". The scene is a rundown Hispanic community in New Mexico, bordering a posh housing development. In full control of the local water rights, the powers-that-be are secure in the belief that they'll be able to expand their development without resistance from the locals. No one can foresee that impoverished farmer Chick Vennera, during a burst of frustrated rage, will accidentally open a heretofore hidden sluice, thereby providing free water for his beanfield. At first, the locals are against Vennera's "insurrection", reasoning that the new housing development will provide jobs. But with the help of John Heard, a burned-out 60s activist who now runs the community newspaper, Vennera becomes the hero of the hour, the spiritual leader of an ever-growing "no development" movement. The evil land developers send their minions to intimidate or coerce Vennera; each time, however, he is seemingly protected from harm by Divine intervention. When Vennera is forced to shoot a trespasser on his land, it looks as though his luck has run out. Chased into the hills by private detective Christopher Walken, Vennera is once more rescued in the nick of time by what appears to be a miracle. And there are more wonders to behold before fadeout time! Whimsical yes, but thanks to its hand-picked ensemble cast (including Sonia Braga, Ruben Blades, James Gammon, Daniel Stern, Freddy Fender, M. Emmett Walsh and Melanie Griffith) the film remains totally credible throughout. Adapted by John Nichols and David Ward from Nichols' own novel, Milagro Beanfield War may be the most likeable "liberal-tract" film of the 1980s. Robert Redford's appropriately Capraesque direction is matched by Dave Grusin's vibrant Oscar-winning musical score. ~ Hal Erickson, All Movie Guide

Child star and teen idol Pedrito Fernández takes the lead role in this slight drama. In the story, he is a young teen who has been abandoned by his family to live his life on the streets of Mexico City. Three university students become acquainted with him and adopt him as their own, cleaning him up, buying him clothes, and feeding him regularly. When the lad falls in love with a girl from a "good" family, they even help him learn how to speak "correct" Spanish. What they can't do is provide him with a background the girl's family will approve of. When the girl's parents learn of his attempt to fabricate his background, they forbid him to see their daughter. Bitter, the lad returns to the streets once again. ~ Clarke Fountain, All Movie Guide

A strange, hallucinatory adaptation of the Malcolm Lowry novel of the same name, John Huston's bleak drama is set during the Mexican "Day of the Dead" ceremony in 1939. Albert Finney stars as Geoffrey Firmin, the booze-besotted former British consul to Cuernevarca, who has cut himself off from his loved ones, the better to drink himself to death while surrounded by all manner of skull-and-skeleton decorations. At the urging of his wife Yvonne (Jacqueline Bisset), his half-brother Hugh (Anthony Andrews) goes on a "heart of darkness" search for his missing sibling. Novelist Lowry was himself a suicidal alcoholic, who poured every drop of his embittered philosophy into the Firmin character. If any director could bring Lowry's difficult novel to life, it was Huston, whose own record for drunken self-destruction is the source of legend. (Huston was actually the seventh director to tackle the novel, which had originally been optioned in 1957 by actor Zachary Scott.) Artists contributing to the fascinating Under the Volcano include the brilliant Mexican cinematographer Gabriel Figueroa, screenwriter Guy Gallo, composer Alex North, and director Emilio Fernandez, cast in a significant cameo as a bartender. ~ Hal Erickson, All Movie Guide

Two avaricious buddies endeavor to swindle a lovely señorita out of her inheritance. But the sting backfires when the lady proves herself to be a much better con artist than they will ever be. ~ Sandra Brennan, All Movie Guide

A relatively content married couple find trouble when one sinks into adultery. ~ John Bush, All Movie Guide

This Mexican-filmed black comedy (distributed in the U.S. seven years after its initial 1955 release date) is one of the minor but no less characteristic works of director Luis Buñuel. The film begins with Archibaldo (Ernesto Alonso) being triggered by a music box into a lengthy reminiscence of his childhood. It was an average, everyday incident, one that undoubtedly has occurred to us all: Archibaldo was caught dressing up in his mother's clothes by his governess, who was then instantly killed by a revolutionary's bullet before she could tell on him. The experience proved to be Archibaldo's "first rush," and he spends the rest of his life trying to re-create the sexual euphoria of that moment -- by murdering attractive women. Buñuel's characteristic perverse black humor then adds a twist, which prevents Archibaldo from fulfilling his desires. Perverse, but darkly funny, Ensayo de un Crimen is a slyly shocking delight. ~ Hal Erickson, All Movie Guide

Completed before his immensely successful Maria Candelaria, Emilio Fernandez' Flor Sylvestre was released second in the US-and not until two years after its initial Mexican release. Also known as Wildflower, the film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza (Dolores Del Rio), granddaughter of a common laborer, and Jose Luis Castro (Pedro Armendariz), the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow. ~ Hal Erickson, All Movie Guide