Michael Ripper Movies

This chilling monster film metaphorically examines the horrors brought home by British colonialism. Harry and Valerie (Ray Barrett, Jennifer Daniel) inherit the Cornwall home of Harry's brother, who died under mysterious circumstances. The local villagers are tight-lipped and afraid, and the couple's neighbor, the hostile Dr. Franklin (Noel Willman), hides in a large mansion with his frightened daughter Anna (Jacqueline Pearce) and a strange foreign man (Marne Maitland). The truth is that Franklin had been investigating a secret tribe of snake-people on his last trip to Borneo, and they had reacted to his intrusion by making Anna one of them. As a result, the girl turns into a hideous cobra-woman every winter, with bulging eyes, a scaly face, and large, venomous fangs. Other than the unusual monster, The Reptile may as well be a direct remake of Hammer's The Mummy, a film which this one apes in many of its contrivances. Director John Gilling does manage some effective setpieces, such as the sulfur-spring below the mansion, which keeps Anna warm as she writhes beneath a blanket to shed her skin. Underrated character-actor Michael Ripper appears in one of his more substantial roles as Tom, the local pub-owner, who goes from avoidance to digging up graves and risking his life to save the couple. There are some inconsistencies in Anthony Hinds' script, but the film is handsomely mounted and delivers its share of shocks. ~ Robert Firsching, All Movie Guide

This cheap, but colorful British period horror piece follows an ill-fated archaeological expedition to the cursed tomb of the pharaoh, Ra-Antef, whose sarcophagus the team's leader opts to sell to a smooth-talking American promoter who intends to set it up as part of an exploitive side-show attraction. No sooner has the tomb reached the States than the foul-tempered pharaoh is released; he then begins stalking and strangling all those who have desecrated his resting place. The bandaged one's vendetta doesn't stop there; he also has a score to settle with the reincarnation of a man who betrayed him eons ago. This rather dull mummy muddle was originally double-billed with Hammer Studio's superior chiller The Gorgon. ~ Cavett Binion, All Movie Guide

Based on the novel by John Le Carre, The Spy Who Came in from the Cold stars Richard Burton as a dispirited, end-of-tether British secret agent. He comes in from "the cold" (meaning he is pulled out of field operations) to act as a undercover man behind the Iron Curtain. To make his staged defection seem genuine, Burton goes on an alcoholic toot and is imprisoned and publicly humiliated. Once he has been accepted into East German espionage circles, Burton discovers that what he thought was his mission was a mere subterfuge--and that he's been set up as a pawn for an entirely different operation. Though Ireland and England "stand in" for East Berlin, Spy Who Came In From the Cold has the air of authenticity throughout, thanks in great part to the bleak black and white photography by Oswald Morris. The film was condemned as incomprehensible by those filmgoers accustomed to the simplistic melodramatics of James Bond; seen today, the double-crosses and double-double crosses seem all too clear and credible. ~ Hal Erickson, All Movie Guide

Upon their defeat by Francis Drake, a ship's crew which served in the Spanish Armada anchors near a small coastal village in England to make repairs on their vessel. While there, the cuthroat Captain Robeles (Christopher Lee) leads his men to take control of the town in an opportunistic move, claiming to have won a naval battle. Fortunately for the villagers, they are not without means defending themselves -- especially as one crewman decides to jump ship to help them. Screenwriter Jimmy Sangster, known mostly for his horror tales, contributed yet another character for Lee as he did previously in Curse of Frankenstein, Horror of Dracula, The Mummy, and Scream of Fear. ~ Kristie Hassen, All Movie Guide

Alf (Joe Brown) is a young man from London's East End who tries to rise above his impoverished conditions. His parents worry that he will fall into a life of crime hanging around his neighborhood buddies. When he is inspired to write the song "What A Crazy Gang", his efforts pique the interest of a songwriting publisher. His parents still worry about Alf finding steady employment despite the promise of a financial windfall in this teen beat musical. The most famous of the groups to perform in the film are Freddy and The Dreamers, who would later score top ten hits on both sides of the Atlantic with "I'm Telling You Now", "You Were Made For Me"and the novelty smash dance hit "The Freddy." Led by frantic Freddy Garrity, his lively and comical stage machinations belied his vast musical and songwriting talents directly inspired by the late Buddy Holly. ~ Dan Pavlides, All Movie Guide

Based on Anthony Kimmins' stage success The Amorous Prawn, this British light comedy stars Joan Greenwood as the wife of an Army general (Cecil Parker). Having fallen upon hard times, the wife hits upon a scheme to raise some quick cash. She opens her husband's highland headquarters to visiting salmon fishermen, a circumstance that displeases the general when several of those anglers turn out to be handsome young men. On the assumption that American audiences would think The Amorous Prawn was a film about shrimp instead of salmon, the US distributor added the "Mr." to the original. When filmgoers failed to respond, the picture was re-retitled The Playgirl and the War Minister, a shameless attempt to exploit the then-current Profumo political scandal. ~ Hal Erickson, All Movie Guide

In this high-seas adventure, a wicked one-eyed, one-armed pirate forces a young man, who was wrongfully imprisoned, to take him and his band to his Caribbean island home where the pirate believes great treasure is buried. Once there, the pirate begins fighting for control of the island and begins slaughtering the lad's family and friends. The young man is utterly appalled and with his step-sister, a young woman and her beloved, somehow escape. Later the pirate discovers a large statue of pure gold. He and his men haul it to the beach and put it on a raft. As they are floating toward their ship, they are ambushed by the man and the other survivors causing the precious statue to fall overboard and sink to Davy Jones' locker while the pirate is killed. Later the survivors return to their ravaged home. ~ Sandra Brennan, All Movie Guide

This effective crime caper involves an attempted robbery of no one less than the U.S. Army, a heist which has its beginnings when Turpin (Stanley Baker) is drummed out of the service for his black-market activities. Apparently chaffing at this unjust treatment and also fueled by greed, Turpin enlists two cohorts -- Swavek and Fenner (Helmut Schmid and Tom Bell) to help him carry out his revenge. After much rehearsal of his plan, the three put on uniforms and walk into an army camp just before the troops are mustered out to the Middle East during a crisis over the Suez Canal. The trio's intention is to rob the payroll ($700,000), stash the cash in a spare tire, and drive out of there. That is the plan, but the reality turns out quite different, after one of the three gets a reaction to a vaccination and another is called up for KP duty ("kitchen police"). ~ Eleanor Mannikka, All Movie Guide

In this engaging costume melodrama of skulduggery on the low seas set back in the 18th-century, the swamps of a small seaside town and the nocturnal activities of the towns' men provide the atmosphere and action. The Royal Crown suspects a bit of smuggling is going on in this locale, and they send Captain Collier (Patrick Allen) and his crew to check it out. As the Captain gets into his investigation, mysterious swamp phantoms cloud up the real issue which seems plain enough to see. Captain Collier suspects that the odd village vicar (Peter Cushing) might be hiding something, and what better way to do that than by fortuitous ghosts to scare away the curious -- or by posing as someone he is not? ~ Eleanor Mannikka, All Movie Guide

One in the series of St. Trinian's off-beat, irreverent comedies that began in 1953 and continued strong through the '60s, this farce by Frank Launder features the usual bevy of comely young women who attend the school. This time around, the femmes terribles have just burnt down the school and shock the world by getting acquitted when hauled into the Old Bailey. It seems the judge is keen on Rosalie (Julie Alexander) and besides, an unscrupulous shyster posing as a professor offers to rebuild the school. Instead, he takes the offenders on a bogus tour of Greece and once they are underway, he leads them to his real goal -- forced matrimony to the sons of an Arab sheik. As always, this St. Trinian's comedy is meant for audiences who enjoy its own brand of humor. ~ Eleanor Mannikka, All Movie Guide

Any movie with a title like Petticoat Pirates would be hard to dislike--and equally hard to believe. Anticipating the "feminist" films of the 1970s, the plot concerns a group of female officers in the British Navy. Angered by the sexism inherent in the Admiralty, the uniformed ladies stage a mutiny, taking a timorous male stoker as a sort of hostage. Not terribly credible to begin with, the film ultimately veers off into fantasy. Petticoat Pirates is both innocuous and inconsequential; you may have seen it, but chances are you don't remember it. ~ Hal Erickson, All Movie Guide

Breaking with their usual videotape tradition, the producers of NBC television's Hallmark Hall of Fame decided to commit its 1960 production of Macbeth to film. Maurice Evans stars as the fatally ambitious Scots warrior, with Judith Anderson as Lady MacBeth and Malcolm Keen as Duncan, whom MacBeth murders in order to further his own advancement. The production was a restaging of Hall of Fame's live presentation of the play, which was telecast in 1954. So impressed were Shakespeare scholars by Evans' interpretation of Macbeth that few complaints were made about the rather ruthless cutting of the Shakespearean text. This George Schafer-directed Macbeth was eventually released theatrically in Europe, its running time expanded by outtakes and newly filmed footage. ~ Hal Erickson, All Movie Guide