Michael Ripper Movies

The fourth and final seven-episode season of the British sitcom Butterflies was initially telecast from September 7 through October 19, 1983. Wealthy businessman Leonard is "Back From New York" in the opening, but will this mean that he and bored housewife Ria (Wendy Craig) will finally consummate their clandestine but heretofore chaste relationship? The title character in the next episode, "Amanda," is an old and dear friend of Ria's husband Ben (Geoffrey Palmer), whose presence makes Ria wonder anew if it would be worth it to chuck Ben in favor of Leonard. Next up, Ben and Ria find that someone -- perhaps their sons Russell (Andrew Hall) and Adam (Nicholas Parkhurst) -- has left a cache of pot in their home during their absence. "Cleaning Windows" represents the latest business enterprise for Adam and Russell. In "Calling," Russell's girlfriend announces that she wants to keep her baby -- but not Russell! "Breaking Up" finds Ria finally calling it quits with Leonard. But in the season closer, "Loose Ends," Ria still hasn't chosen between dashing Leonard and dull old Ben. ~ Hal Erickson, All Movie Guide

This British Christmas special starring the old time radio and movie character Worzel Gummidge finds the lovable, smart-mouthed cad bringing his trademark sense of fun and craziness to a swanky Christmas ball. ~ Cammila Albertson, All Movie Guide

A poor commoner and a young prince each find out how the other half lives in this adventure story based on the classic tale by Mark Twain. Tom Canty (Mark Lester) is a young man from a laboring family who bears a striking resemblance to Prince Edward (also played by Lester), the son of King Henry VIII (Charlton Heston) and heir to his throne. Tom and Edward meet by chance, and they decide to exchange places briefly as a lark; Edward will get to live as an ordinary boy, and Tom will be able to enjoy the perks of royalty. But the two are separated before they can let everyone in on the joke, and Tom discovers as he pretends to be Price Edward that the castle is awash in corruption. Originally released as Crossed Swords, The Prince and the Pauper also features Oliver Reed, Raquel Welch, George C. Scott, and Rex Harrison. ~ Mark Deming, All Movie Guide

A spaceman -- with a raygun -- for hire takes on a crooked land baron in this drama that moves Western themes into outer space. In the year 2021, Bill Kemp (James Olson), the first man to walk on Mars, is an astronaut for hire, renting his services to the highest bidder. J.J. Hubbard (Warren Mitchell) is a multi-millionaire who pays Kemp to help blast an oncoming asteroid out of its orbit so that it will avoid the Earth and crash into the moon. However, Hubbard's goal is hardly benevolent. The moon is being excavated for mineral resources, and since fragments of the asteroid in question resemble jewels, it will allow Hubbard to fraudulently jack up land prices on the lunar surface. Kemp also learns that Hubbard was responsible for the death of the brother of Clementine Taplin (Catherine Schell), the woman he loves. Kemp realizes that he can no longer do business with Hubbard, and he sets out to foil Hubbard's schemes before it's too late. Moon Zero Two was directed by Roy Thomas Baker, who also made a number of pictures for Hammer Films, including the respected sci-fi cult film Quatermass and the Pit. ~ Mark Deming, All Movie Guide

A very popular and fondly remembered British TV series from the Swingin' Sixties, Freewheelers was a "boy's own adventure"-style actioner involving a band of intrepid teenagers. Linking up with a secret government agency, the kids did battle against an exhausting array of villains, beginning with Von Gelb, an ex-Nazi who tried to resuscitate the Third Reich from his motor-launch headquarters. Though played tongue in cheek and larger than life, the series seldom descended into outrageous camp. The large and ever changing cast of regulars included, at one time or another, Hammer Films stalwarts Geoffrey Toone and Michael Ripper, onetime Bugaloos ingenue Caroline Ellis, and future Doctor Who regular Wendy Padbury. Making its Southern Television debut on April 4, 1968, Freewheelers ultimately clocked in at a daunting 104 episodes. ~ Hal Erickson, All Movie Guide

When a young girl is found hanging in the local church with fang marks in her neck, the townsfolk immediately suspect Dracula (Christopher Lee) is behind the evil deed. Although he has supposedly been dead for quite some time, the vile vampire is the prime suspect. The Monsignor (Rupert Davies) is called in to exorcise the local castle where Dracula once lived. The diabolical Dracula forces the holy man's assistant to help him in his thirst for blood. His next victim is the Monsignor's niece, who works at the local pub. The prince of darkness meets his demise when he is impaled on a crucifix -- at least until he can find another script that he and his agent can agree on. ~ Dan Pavlides, All Movie Guide

Nigel Kneale's Quatermass TV series spawned a brief film series produced over an eleven-year period; 1967's Quatermass and the Pit, released in the US as Five Million Years to Earth, was the third and (until 1979's Quatermass Conclusion) last. As in previous chapters in the Kneale saga, the film begins with a baffling scientific discovery. This time it's a bunch of prehistoric skulls, discovered during a subway excavation in the heart of London. Sequestered in a lab, the skulls start to emanate a bizarre force over the populace, resulting in death and destruction. Professor Quatermass (Andrew Keir) concludes that the skulls are the residue of an extraterrestrial invading army -- a theory which (as usual) is scoffed at by the authorities until it's almost too late. Blessed with superb special effects and an expertly sustained tension level, Quatermass and the Pit is easily the best of the short-lived "Quatermass" series. ~ Hal Erickson, All Movie Guide

The Torture Garden is an "omnibus" chiller, adapted from four short stories by Robert Bloch (Psycho). Each is introduced by Burgess Meredith, playing a sinister carnival barker by the name of Dr. Diabolo. The doctor's audience consists of five people, four of whom are apprised of their ultimate fates as Diabolo weaves his stories. In "Enoch," a young playboy falls under the spell of a cannibalistic cat. In "Terror Over Hollywood," a famous movie star is revealed to be an android. In "Mr. Steinway," the "villain" is a killer piano. And in "The Man Who Collected Poe," the title character murders another collector over a valuable Poe manuscript--only to receive retribution from ol' Edgar himself. If we told you anything about the fifth person in Meredith's audience, we'd be giving away the ending, wouldn't we now? The individual episodes tend to rise and fall depending upon the strength of their stars. Among those present in Torture Garden are horror-flick regulars Jack Palance, Peter Cushing, Robert Hutton, Michael Ripper and Niall McGinniss. No, this isn't a Hammer Production; it was put together by Hammer's principal British rival of the 1960s, Amicus Films. ~ Hal Erickson, All Movie Guide

Cartoonist Ronald Searle's delightfully diabolical private-school girls are back in action in The Great St. Trinian's Bank Robbery. Comedian Frankie Howerd plays the head of a train-robbery gang who cleverly hides the loot from their biggest haul (presumably the infamous "Great Train Robbery" of 1963) in a deserted old mansion. The gang waits the traditional seven years for the statute of limitations to run out then returns to the mansion to dig up their $7 million booty. Unfortunately, the joint has been converted into the new site for St. Trinian's School for Girls. Even more unfortunately (for the crooks, but not the audience) those "girls" are all holy terrors. The film's climax occurs during a riotous Parents' Day ceremony, which predictably segues into a wild train chase. Great St. Trinian's Train Robbery might have been funnier had Alastair Sim, the star of the first three "St. Trinian's" entries, made a return appearance. ~ Hal Erickson, All Movie Guide

This chilling monster film metaphorically examines the horrors brought home by British colonialism. Harry and Valerie (Ray Barrett, Jennifer Daniel) inherit the Cornwall home of Harry's brother, who died under mysterious circumstances. The local villagers are tight-lipped and afraid, and the couple's neighbor, the hostile Dr. Franklin (Noel Willman), hides in a large mansion with his frightened daughter Anna (Jacqueline Pearce) and a strange foreign man (Marne Maitland). The truth is that Franklin had been investigating a secret tribe of snake-people on his last trip to Borneo, and they had reacted to his intrusion by making Anna one of them. As a result, the girl turns into a hideous cobra-woman every winter, with bulging eyes, a scaly face, and large, venomous fangs. Other than the unusual monster, The Reptile may as well be a direct remake of Hammer's The Mummy, a film which this one apes in many of its contrivances. Director John Gilling does manage some effective setpieces, such as the sulfur-spring below the mansion, which keeps Anna warm as she writhes beneath a blanket to shed her skin. Underrated character-actor Michael Ripper appears in one of his more substantial roles as Tom, the local pub-owner, who goes from avoidance to digging up graves and risking his life to save the couple. There are some inconsistencies in Anthony Hinds' script, but the film is handsomely mounted and delivers its share of shocks. ~ Robert Firsching, All Movie Guide

This cheap, but colorful British period horror piece follows an ill-fated archaeological expedition to the cursed tomb of the pharaoh, Ra-Antef, whose sarcophagus the team's leader opts to sell to a smooth-talking American promoter who intends to set it up as part of an exploitive side-show attraction. No sooner has the tomb reached the States than the foul-tempered pharaoh is released; he then begins stalking and strangling all those who have desecrated his resting place. The bandaged one's vendetta doesn't stop there; he also has a score to settle with the reincarnation of a man who betrayed him eons ago. This rather dull mummy muddle was originally double-billed with Hammer Studio's superior chiller The Gorgon. ~ Cavett Binion, All Movie Guide

Based on the novel by John Le Carre, The Spy Who Came in from the Cold stars Richard Burton as a dispirited, end-of-tether British secret agent. He comes in from "the cold" (meaning he is pulled out of field operations) to act as a undercover man behind the Iron Curtain. To make his staged defection seem genuine, Burton goes on an alcoholic toot and is imprisoned and publicly humiliated. Once he has been accepted into East German espionage circles, Burton discovers that what he thought was his mission was a mere subterfuge--and that he's been set up as a pawn for an entirely different operation. Though Ireland and England "stand in" for East Berlin, Spy Who Came In From the Cold has the air of authenticity throughout, thanks in great part to the bleak black and white photography by Oswald Morris. The film was condemned as incomprehensible by those filmgoers accustomed to the simplistic melodramatics of James Bond; seen today, the double-crosses and double-double crosses seem all too clear and credible. ~ Hal Erickson, All Movie Guide