Jeannine Riley Movies

This comical western chronicles the silly adventures of a bumbling wagonmaster and his clutzy assistant as they attempt to take seven passengers across the prairie. Among the passengers are two wealthy Bostonians, an aspiring showgirl, a teacher, and bachelor. The story is adapted from Dusty's Trail, a television sitcom. ~ Sandra Brennan, All Movie Guide

In The Comic, Dick Van Dyke plays Billy Bright, silent-era film comedian. The opening scene is at his funeral in which his sidekick Cockeye (Mickey Rooney) honors his partner's last request by hitting the preacher in the face with a pie. Van Dyke's voice then narrates the life story of the comic in flashbacks. Steve Allen plays himself and is the man who revives Billy's career towards the end of his life. Bright's life deteriorates as the bitter man becomes a drunk and abusive, alienating his wife Mary (Michele Lee). Van Dyke combines the characters of Buster Keaton, Charlie Chaplin and Stan Laurel for his interpretation of the fictional character Billy Bright. ~ Dan Pavlides, All Movie Guide

Jerry Lewis is aptly cast as The Big Mouth in this production (he also served as producer, director and cowriter). As bad luck would have it, Lewis is the exact double of a notorious gangster. The bad guys who think they've disposed of the gangster are taken aback when they see Jerry strolling about, while several other disreputable characters chase after Lewis in the mistaken assumption that our hero knows the whereabouts of a cache of stolen diamonds. Charlie Callas provides some good moments as a hit man who is so unnerved by Jerry's "resurrection" that he turns into a babbling idiot (so what else is new?) There's also a cute bit involving a Kabuki dance troupe. Overall, however, The Big Mouth suffers from the Curse of Jerry: too much repetition, too many pointless gags (will someone explain why Colonel Sanders makes a guest appearance?) ~ Hal Erickson, All Movie Guide

Strictly speaking, there are but four basic plotlines during the first season of Petticoat Junction. The first concerns the efforts by widow Kate Bradley (Bea Benaderet) to make a financial go of the Shady Rest, the quaint traveler's hotel she owns in the Illinois town of Hooterville. The second involves the romantic travails of Kate's three extremely attractive daughters, Betty Jo (Linda Kaye) , Billie Jo (Jeannine Riley), and Bobbie Jo (Patricia Woodell). The third is devoted to the limitless get-rich-quick schemes hatched by Kate's lazy uncle Joe Carson (Edgar Buchanan), in lieu of seeking out anything resembling gainful employment. And the fourth is manifested in the tireless and fruitless crusade by Homer Bedloe (Charles Lane), scheming troubleshooter for the C.F.&W. Railroad line, to shut down and scrap the Hooterville Cannonball, the line's sole surviving steam locomotive -- thereby throwing venerable engineers Charley Pratt (Smiley Burnette) and Floyd Smoot (Rufe Davis) out of work.
Worth noting this season are the various actors cast as the boyfriends of the Bradley girls, including Ken Osmond of Leave It to Beaver fame in one of his rare non-Eddie Haskell roles; and Jack Bannon, the son of series regular Bea Benaderet and later a regular on Lou Grant. In other casting notes, Elvia Allman, who in subsequent seasons played Kate Bradley's obnoxious social rival Sema Plout, appears in a different role in the episode "A Night at the Hooterville Hilton"; Dennis Hopper, five years removed from Easy Rider, plays a bearded itinerant poet in "Bobbie Jo and the Beatnik"; future Batman leading man Adam West is seen as doctor in "Hooterville vs. Hollywood"; Steve Franken, fresh from his stint as the insufferable Chatsworth Osborne Jr. on Dobie Gillis, is equally insufferable as the son of Homer Bedloe in "Bedloe & Son"; and another Dobie Gillis alumnae, Sheila James (aka Zelda Gillis), joins the three Bradley sisters to form a female version of the Beatles in "The Ladybugs." (No, her character name isn't "Bingo"!) The final episode of the season introduces Hank Patterson and Barbara Pepper as Mr. and Mrs. Ziffel, who would be firmly established as the "parents" of porcine superstar Arnold the Pig on the Petticoat Junction spinoff Green Acres. Ranking fourth in the 1963-1964 Nielsen ratings, the first season of Petticoat Junction was filmed in black-and-white -- and as such, has been removed from the series' all-color syndicated package. ~ Hal Erickson, All Movie Guide

A distinguished cast highlights this film adaptation of a stage drama by Peter Shaffer. Stanley Harrington (Jack Hawkins) is a self-made businessman incapable of expressing his emotions or compromising with others; his wife Louise (Rosalind Russell) imagines herself an intellectual, though her intelligence is more of an affectation than a reality. Stanley and Louise hire Walter (Maximilian Schell), a teacher from Germany, as a tutor for their two teenage children, effeminate Philip (Richard Beymer) and high-strung Pamela (Annette Gorman). Walter tries to ingratiate himself with the family, with little success; when he tries to get to know Louise better, she imagines that he's fallen in love with her, and she's deeply hurt when he confesses that he instead sees her as a motherly figure. Walter is eventually driven to the brink of suicide, which forces the family to reconsider their attitudes toward Walter and each other. ~ Mark Deming, All Movie Guide