Gary Riley

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, All Movie Guide

Against his parents' orders, Mike (Kirk Cameron) goes for a ride on a dirt bike, only to suffer a painful fall. The trick now is to hide his injuries from Maggie (Joanna Kerns) and Jason (Alan Thicke), to say nothing of hiding his guilt and humiliation. Elsewhere, Ben (Jeremy Miller]) begins suffering traumatic nightmares, which are "analyzed" by Carol as part of a school project--a fact which Ben tries to turn to his financial advantage. ~ Hal Erickson, All Movie Guide

Adam Horovitz, of Beastie Boys fame, plays a troublesome teen who is shipped off by his wealthy parents to an institute for "problem" youths. This is the sort of place where any sign of rebellion is dealt with in draconian fashion. The strapped-down Horovitz tells his life story to psychiatrist Donald Sutherland. In flashback, we see a fairly docile young Horovitz, whose chance involvement in a rumble instigated by gang leader Don Bloomfield leads to an arrest. Appearing in court, Horovitz is railroaded into the institute by his father, more as a means of getting even with his divorced wife than out of any concern for his son. Sutherland tries to help, but Horovitz betrays the doctor's trust once too often. Only by extricating himself from the influence of Bloomfield does Horovitz have any chance for redemption--and only by undergoing a domestic reversal of his own is Sutherland truly able to aid the boy. ~ Hal Erickson, All Movie Guide

Were it not for its profanity-laden opening scenes, John Hughes' Planes, Trains and Automobiles might have been suitable family entertainment: certainly it's heaps less violent and mean-spirited than Hughes' Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del's invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del's annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That's when Del delivers the anticipated (but always welcome) "I don't judge, why should you?"-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there's a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it's still a fun ride. The best bit: a half-asleep Del thinking that he's got his hand tucked between two pillows -- until his bedmate, Neal, bellows "Those aren't pillows!" ~ Hal Erickson, All Movie Guide

This drama follows an unlikely "ratboy" (S.L. Baird) after he is discovered living in a makeshift shelter in a garbage dump. Along comes Nikki Morrison (Sondra Locke, also the director) who meets the half-rodent, half-human creature and takes him over. She talks to a Hollywood producer and holds forth about him on a television talk show but when she brings ratboy to a press conference, he bolts for freedom -- enough is enough. The garbage dump was better. From that point onward, Nikki begins to change her mind about her treatment of the misbegotten creature and he develops an ambivalent feeling for her. ~ Eleanor Mannikka, All Movie Guide

Based on the Stephen King short story The Body, Rob Reiner's easygoing nostalgia piece is set in Castle Rock, OR, over Labor Day weekend, 1959. A quartet of boys, inseparable friends all, set out in search of a dead body that one of the boys overhears his brother talking about. The foursome consists of intellectual Gordie (Wil Wheaton), born leader Chris (River Phoenix), emotionally disturbed Teddy (Corey Feldman), and chubby hanger-on Vern (Jerry O'Connell). The boys' adventures en route to the elusive body are colored by the personal pressures brought to bear on all of them by the adult world. Richard Dreyfuss, playing the grown-up Gordie, narrates the film, while Kiefer Sutherland dominates every scene he's in as a brutish high-school bully. ~ Hal Erickson, All Movie Guide

In a early starring assignment, Keanu Reeves plays the head of a teenaged vigilante society. Reeves and his overachieving buddies intend to rid their school and neighborhood of drug users and vandals. But as their power increases, the vigilantes become more abusive and dangerous. Produced by the powerhouse Hollywood team of Jon Peters and Peter Guber, Brotherhood of Justice was designed as the pilot for a weekly series. The made-for-TV melodrama premiered May 18, 1986. ~ Hal Erickson, All Movie Guide

Comprised of classic teen movie elements scattered like croutons over a salad, this undistinguished high school drama involves several inconsequential stories at once, set in a seven-day period before the beginning of school. Tom Drake (Christopher Penn, Sean's brother) is a high-school wrestler who loves Eileen (Jenny Wright), but she is more than just a little dubious about their relationship. Since her lecherous boss (Rick Moranis) will not leave her alone, men are at a low ebb in her life. Bill Conrad (Eric Stoltz) is a friend of Tom's who has already graduated and who asks him to share his apartment for awhile to help him out financially. Bill then decides to split with his girlfriend Anita (Lea Thompson), who is suddenly too young for his new status as a high-school grad. Miffed at his rejection, Anita starts a liaison with David Curtiss (Hart Bochner), without knowing that David is married and a father. Other than Bill's 15-year-old brother Jim (Ilan Mitchell-Smith), who follows a Vietnam vet around in adulation, the entire focus of the film is on teen love relationships played by twentysomethings from the vantage point of tensomethings, more or less. ~ Eleanor Mannikka, All Movie Guide