Ron Rifkin Movies

In this adaptation of a stage play by Jon Robin Baitz, a successful head of a New York publishing firm unravels after the death of his wife. Isaac Geldhart (Ron Rifkin) is a German Jewish survivor of the Holocaust who has been emotionally scarred by the traumas of his childhood, during which he spent many days hiding in an attic full of books. He has grown into a demanding perfectionist of a businessman, but his company is failing despite a sterling reputation for quality. He becomes obsessed with publishing a four-volume work on the techniques used in the Nazi genocide. His son Aaron (Tony Goldwyn) pleads with his father to try more commercially viable books, especially a hip contemporary first novel written by Val (Gil Bellows), who turns out to be Aaron's lover. But neither Aaron nor Isaac's long-suffering assistant Miss Barzakian (Elizabeth Franz) can dissuade the publisher from carrying out his financially disastrous plan. Aaron calls his two siblings Sarah (Sarah Jessica Parker), a children's TV show personality, and Martin (Timothy Hutton), a college professor, to a family meeting to try to resolve things, but their father blows up. Aaron's siblings sign over their shares in the publishing company to Aaron, effectively freezing out their father, who stubbornly sets up his own company and proceeds with his Holocaust project, which in the end proves a disappointment to him. Isaac's world falls apart as he becomes more belligerent, and Martin moves in with him to take care of him. ~ Michael Betzold, All Movie Guide

In this screen adaptation of the award-winning play by Herb Gardner (who also directed the film), Nat Moyer (Walter Matthau) and Midge Carter (Ossie Davis) are two elderly men who sit on the same park bench each afternoon and have developed a relationship based on playful verbal sparring. Nat is an eccentric Jewish leftist who uses a dizzying variety of voices and assumed personalities to get his way, while Midge is the African-American superintendent of an apartment building who is afraid that he's going to be put out to pasture, as he's about to turn 80. Nat tries to encourage Midge to join him in his good-natured con games (which are performed for good causes and not for profit), but Midge remains wary. While Midge sweats out a possible retirement, Nat is trying to deal with his daughter Clara (Amy Irving), who wants to put him in a nursing home. Meanwhile, a drug dealer called The Cowboy (Craig T. Nelson) has claimed the park as his own territory, and Nat, impersonating a Mafia don, tries to run him out, while he befriends Laurie (Martha Plimpton), a young woman hooked on dope. ~ Mark Deming, All Movie Guide

Christmas and Hanukkah are simultaneously acknowledged during the holiday season at the ER. The faith of Holocaust survivor Hannah Steiner (Joan Copeland) is sorely tested when she is injured in a carjacking and her baby granddaughter is apparently kidnapped; and a priest (Tony Plana) who has been mortally wounded in a shooting at his own church prays that this tragedy will not result in wholesale gang war. As for the staffers, Greene (Anthony Edwards) sullenly prepares to spend his first Christmas without his wife; and Shep (Ron Eldard) finally expresses his true feelings toward Carol (Julianna Margulies). ~ Hal Erickson, All Movie Guide

Though Ross (George Clooney) has been redeemed in the eyes of his superiors thanks to his heroic rescue of a 12-year-old trapped in a flooded culvert, he still gets into a violent argument with Greene (Anthony Edwards), who, it is learned, is suffering from problems above and beyond professional pressures. Elsewhere, Carol Hathaway (Julianna Marguiles), who the previous year had attempted suicide, forms a close bond with a 17-year-girl (Miriam Reichmeister) who has likewise tried to end her life -- and in the process, a serious wedge is driven between Carol and Shep (Ron Eldard). Lewis (Sherry Stringfield) discovers that the woman (Angela Paton) she is considering as Suzy's babysitter is suffering from a terminal blood disease. And Benton (Eriq La Salle) finds out that Jeanie (Gloria Reuben) has not quite divorced her husband, Al. ~ Hal Erickson, All Movie Guide

Jack Nicholson becomes a werewolf in this bizarre comedy-horror film directed by Mike Nichols. Nicholson plays Will Randall, a book editor with a testosterone deficit who has just been sacked at his publishing firm by a new boss, Raymond Alden (Christopher Plummer). A colleague, Stewart Swinton (James Spader), whom Randall thought was his friend, betrays him. Randall's personality changes after he hits a wolf with his car and gets bitten by the creature. He immediately feels more powerful, has heightened hearing and vision, and sets about to right the wrongs in his life. He visits Alden at the publisher's mansion to protest his dismissal, and he is asked to leave -- but Alden's daughter Laura (Michelle Pfeiffer) asks him to stay for lunch. Laura loves to defy her father. Will tells her about the wolf bite, and she becomes attracted to him. But because werewolves usually kill the ones they love, Laura is in danger. Will reasserts his place in the publishing world, supported by his loyal secretary Mary (Eileen Atkins), and his relationship with Laura deepens. ~ Michael Betzold, All Movie Guide

Adam Arkin guest stars as George Costas, the Greek-immigrant owner of a New York jewelry business. After killing two intruders in his store, both of whom had long police records, Costas pleads self-defense: "They shoot at me, I shoot back, I killed them." But as all the facts come to light, the D.A.'s office arrives at the conclusion that Costas had appointed himself judge, jury, and executioner long before anyone pulled the trigger. ~ Hal Erickson, All Movie Guide

In this first telecast of Law & Order, a case of fatal criminal negligence takes front and center. During a particularly frantic night in an emergency room, a young woman dies, prompting her father to sue the hospital. Investigating detectives Greevey (George Dzundza) and Logan (Chris Noth) uncover evidence that the E.R.'s chief resident, Dr. Edward Auster (Paul Sparer), has a history of alcoholism, and may have been drinking at the time of the tragedy. D.A. Adam Schiff (Steven Hill) orders his subordinates Stone (Michael Moriarty) and Robinette (Richard Brooks) to charge Auster with murder. ~ Hal Erickson, All Movie Guide

A made for TV movie which serves as much a condemnation of the military establishment as a murder mystery, this film revolves around an upper classman who is falsely accused of responsibility for the death of a student when he begins to investigate the mysterious demise of the young gay cadet. Part of a two-part series, the crux for the upper classman is whether he is willing to jeopardize the future of his own military career to investigate the death of the freshman cadet at this prestigious military academy. ~ Tana Hobart, All Movie Guide

Given the credibility of the story and the sincerity of the players, it is surprising to learn that the made-for-TV Do You Remember Love? is not based on a true story. Joanne Woodward stars as a brilliant college professor and poet, struck down in her prime by Alzheimer's disease. Her husband Richard Kiley tries to cope, but is ultimately disheartened by Woodward's degenerating condition. Even sadder is the fact that Woodward, in her cogent moments, is fully aware that she is losing her ability to function. Written by Vickie Patek, this potentially depressing drama has a logically conceived uplifting finale. Do You Remember Love? was first telecast May 21, 1985. ~ Hal Erickson, All Movie Guide

Made for cable television, The Ratings Game was directed by Danny DeVito, who co-starred in the film with his wife Rhea Perlman. DeVito plays the owner of a New Jersey trucking firm who yearns for a televison career. He offers several TV-series ideas to a receptive network programming head. On the verge of being fired, the network exec decides to have his revenge on his ex-bosses by selecting the very worst of DeVito's concepts. The "born to fail" series becomes a hit, and soon DeVito is the hottest programmer in the industry! More truthful than many of us are willing to admit, The Ratings Game premiered with astonishingly little fanfare over The Movie Channel cable service on December 15, 1984. ~ Hal Erickson, All Movie Guide

Prominently displaying red-white-and-blue title colors, this subtly patriotic fact-based movie about kids who succeed is dated by the fact that all these daring youngsters are white, without any discernible ethnicity. Dickie (Scott Schwartz) is an enterprising kid on a ranch in southern California who puts his business tendencies to practical use in several successful ventures, aided and abetted by his siblings and other friends. When Dickie & Co. become too successful, they are taken to court by their adult business rivals, but they refuse a lawyer and defend themselves. The kids win their case against their adult competitors and their lawyers, leaving the courtroom to cheers and upraised fists from a sea of youngsters outside. Three years of law school at exorbitant costs, plus a two-year internship and years of moving up a densely-runged ladder -- just to lose to an 11-year old, amazing. ~ Eleanor Mannikka, All Movie Guide

Based on the beloved fairy tale, this installment of Shelley Duvall's "Faerie Tale Theatre" tells the well-known tale of a beautiful princess (Bernadette Peters) who is enchanted by an evil fairy and doomed to an eternal sleep unless she receives the kiss of a prince (Christopher Reeve). ~ Iotis Erlewine, All Movie Guide

An all-star (or rather, "all-TV star") cast distinguishes this three-hour filmed re-creation of the great stock market crash on October 29, 1929. Though inspired by a fact-based book on "Black Tuesday," the film is chock full of fabricated soap-opera complications involving dozens of fictional characters, among them a debt-plagued Stock Exchange officer, a group of high-profile embezzlers, a social-climbing couple determined to land a wealthy husband for their hapless daughter, and the inevitable far-sighted individuals who know that the Crash is coming and are determined to may hay while the sun is still in the sky. Overall, the film simplifies a very controversial and complicated moment of history into a cut-and-dried account peopled by blatantly obvious heroes and villains. Originally slated to air on February 1, 1981, The Day the Bubble Burst was inexplicably shelved by NBC for over a year, finally making its debut on February 7, 1982. The fact that it was scheduled opposite the network television premiere of Superman: The Movie was indication enough that NBC had very little confidence in their expensive "factual fiction" piece. ~ Hal Erickson, All Movie Guide