Ron Rifkin Movies

A family's dirty laundry get aired out in public, and not everyone is happy about it in this dark comedy from director Barry W. Blaustein. Nathan (Ben Schwartz) is a writer who has recently published a best-selling novel that's being made into a major motion picture. Nathan is feeling very good about himself, but his siblings aren't so happy for him -- the book is a very thinly disguised version of his family's wildly dysfunctional history, and nearly everyone close to him can see themselves in its key characters. Nathan's older sister, Cheri (Sarah Silverman), a struggling actress, is so outraged that she's considering taking her brother to court, especially since the film version of the book is being shot outside her apartment and her father's new (and much younger) girlfriend (Alicia Witt) has been cast in the role patterned after her. Nathan's book has also become a thorn in the side of wildly irresponsible Joel (Rainn Wilson), who is on the run from loan sharks, and Jack (Michael C. Hall), whose career as an architect is crumbling almost as quickly as his marriage to Laura (Judy Greer). When the family gathers to celebrate the 70th birthday of their father (Ron Rifkin), along with their mother (Lesley Ann Warren) and her new husband (Nicholas Hormann), it makes for an evening with explosive potential. Peep World also features narration by comedian Lewis Black. ~ Mark Deming, Rovi

When wireless technology puts humans into contact with an unstoppable force that's determined to claim the lives of the living for the souls of the damned, it's up to a group of determined teens to close the gate before it's too late in director Jim Sonzero's remake of Kiyoshi Kurosawa's apocalyptic horror classic. A doorway between the human realm and the spiritual realm has been opened, and now the technology that once made humankind the ruler of the planet has become its digital Achilles heel. With every call made and every e-mail checked, life is slowly being stolen from the living and claimed for the dead. With no way of turning off the connection and no means of reasoning with a force they cannot understand, a desperate group of college students must discover a means of stopping the takeover before the entire planet is transformed into a cosmic haunting ground for wayward souls in search of a home. ~ Jason Buchanan, Rovi

Despite its late start in January of 2005 after a hiatus of eight months, the fourth season of Alias more than made up for lost time with a plethora of trials, tribulations, jaw-dropping revelations, big-time betrayals, and near-death experiences for the series' secret-agent heroine, Sydney Bristow (Jennifer Garner). Reeling from the disillusionment and embarrassment of her demotion, Sydney quits the CIA flat; however, it turns out that this is part of a master plan hatched by new CIA director Hayden Chase (Angela Bassett) to arrange Sydney's membership in Authorized Personnel Only (APO), a top-top secret black-ops organization. Sydney's co-workers at APO include several longtime associates: her father, Jack (Victor Garber); her partner and sometime lover, Michael Vaughn (Michael Vartan); her steadfast previous partner Dixon (Carl Lumbly) -- and, much to our heroine's surprise, her duplicitous ex-chief, Sloane (Ron Rifkin), who has proven time and again that he can't be trusted. For her first APO assignment, Sydney is sent to Rio, where she has a fateful encounter with her latest adversary, Tamasaki (Rick Yune), a self-styled 21st century samurai. Previously a recurring character, Sydney's half-sister, Nadia Santos (Mía Maestro), becomes a full regular this season, the better to throw a monkey wrench into Sydney's volatile relationship with her father, Jack -- and to share with Jack a startling secret about Sydney's supposedly dead, supposedly traitorous mother. At the same time, Vaughn has a great deal of difficulty overcoming the treachery of his former wife, Lauren, and an equal amount of difficulty assimilating new and disturbing information about his own father. Major developments this season include a huge revival of interest in the Rambaldi code, which when broken may spell the doom of humankind; the surprising temporary recruitment of another of Sydney's longtime enemies, Julian Sark (David Anders), for a special APO mission; a grim prognostication that Sydney and Nadia are destined to duke it out to the death; and the resurrection of a long-presumed-dead central character, who will reveal anew to Sydney that she can never completely rely upon anyone or believe in anything, not even the evidence of her own eyes. Though the season ends with the good news that Sydney and Vaughn are engaged, any hopes for lasting happiness are dashed by still another shocking revelation -- and a spectacular car crash. ~ Hal Erickson, Rovi

They say the heart goes where it will, and six people find theirs following a very complicated road map with a seventh creating some unexpected detours in this dark romantic comedy. Dag (Ron Eldard) is a successful director of television commercials who shares his home with his beautiful girlfriend, Halley (Kyra Sedgwick). Dag, however, has a serious case of roving eye and is given to frequent flings with other women. Halley tries to turn a blind eye to Dag's infidelity, but when she discovers he had a one-night stand with Rebecca (Marley Shelton), a beautiful but troubled dancer who is dating Dag's close friend Peter (Patrick Breen), she decides things have gone too far. Halley gives Dag his walking papers and she soon makes the acquaintance of Andre (Taye Diggs), a very handsome and well-mannered classical musician. Andre, however, is married to Colleen (Sarita Choudhury), a woman with exotic sexual tastes who meets up with Peter, now suddenly without a girlfriend, on an airline flight. Meanwhile, Peter's very angry confrontation with Dag attracts the attention of Paula (Marisa Tomei), a mysterious but very sexy woman who has taken a decidedly carnal interest in Peter. However, as Paula makes her way through Peter's daisy-chained circle of friends, events begin taking a strange turn as her new acquaintances begin dropping like flies. Just a Kiss was the first feature film directed by actor-turned-filmmaker Fisher Stevens. ~ Mark Deming, Rovi

Cunningly presaged by the cliffhanger at the end of season one, the first episode of Alias' second season confirmed what heroine Sydney A. Bristow (Jennifer Garner) -- college student by day, counterespionage agent the rest of the time -- had feared most: that "The Man," the evil leader of a vast criminal cartel, was no man at all, but instead Sydney's supposedly dead mother, former KGB agent Irina Derevko (played by new series regular Lena Olin). Though Irina would eventually claim to have reformed and insisted that she was looking out for Sydney's best interests, her actions -- which included innumerable double-crosses, sellouts, and betrayals -- would seem to indicate otherwise. Even so, nothing that was ever "indicated" on Alias was ever quite what it appeared on the surface. Meanwhile, both of the spy organizations for which Sydney worked, the CIA and the more sinister SD-6, were dedicated to destroying the cartel formerly run by Irina and now in the hands of her mercurial lieutenant, Sark (played by another new series regular, David Anders). The two rival agencies also continued their search for the missing Rambaldi fragments, which when assembled would become a terrifying weapon of mass destruction, as well as "The Bible," the operations manual used by Irina's old criminal empire.

Still embittered by the knowledge that she had been used all her life by SD-6, Syd persisted in covertly working against the organization by throwing in with the CIA, under the supervision of agent Michael C. Vaughn (Michael Vartan), who by the time season two rolled around, was making no secret of his love for Syd. Two other SD-6 operatives, computer genius Marshall Flinkman (Kevin Weisman) and agent Marcus Dixon (Carl Lumbly), likewise crossed over to the CIA, with tragic results for at least one of them. Syd was given even more reason to despise the espionage business when she learned that, as a child, she had been a guinea pig for a program designed to indoctrinate spies at an early age -- a program developed by her own father, Jack Bristow (Victor Garber). There was another "father figure" in Syd's life in the form of her SD-6 boss, Arvin Sloane (Ron Rifkin), who despite his cruel cunning and ruthlessness was genuinely fond of both Bristows. Sloane would launch a second career as a solo villain when, disillusioned by the SD-6, he bolted the organization and set about to harness the awesome power of the Rambaldi device for his own purposes. His replacement at SD-6 was the no-nonsense Geiger (Rutger Hauer), who, shall we say, harbored no great love for either Syd or Jack. In addition to Rutger Hauer, season two of Alias would feature guest-star turns by Faye Dunaway as the duplicitous head of SD-6 counterintelligence; Richard Lewis as a CIA counterintelligence analyst investigating Vaughn; and Christian Slater as a scientist who was kidnapped by the renegade Sloane -- and whose past life experiences bore striking resemblances to those of the Bristow family.

Elsewhere, it was business as usual for crusading journalist Will Tippin (Bradley Cooper), who doggedly continued his crusade to expose and destroy SD-6 and all the other agencies in the Alliance of Twelve. The basic through line of Alias took off on a radical and wholly unanticipated new direction with its January 26, 2003, episode "Phase One." In this truly shocking entry, Syd's roommate, Francie (Merrin Dungey), was murdered and replaced by an exact double, thereby further blurring the series' distinction between its heroes and its villains. Also in that episode, the CIA put an end to SD-6, thus freeing Sydney from her double-agent balancing act and allowing her and Vaughn to finally express their feelings for each other. But even those developments paled in comparison with Alias' second-season cliffhanger finale, in which after being rendered unconscious in a fight with the "bad" Francie, Syd awoke to discover that two whole years had passed -- and her erstwhile lover Michael Vaughn was now beyond her reach! ~ Hal Erickson, Rovi

In this supernatural thriller, Kevin Costner plays Joe Darrow, a physician mourning the death of his wife Emily (Susannah Thompson) in a bus accident in South America, where she was providing medical outreach. Wracked by grief, Joe works extra shifts at the hospital to take his mind off the tragedy, but the intense workload triggers his short temper and some careless mistakes. His officious boss (Joe Morton) forces Joe to take time off, but Joe feels obligated to check in on his wife's pediatric patients, fulfilling a promise he made before she left. Visiting the ward, Joe starts to believe that Emily is using the near-death experiences of her terminal patients to communicate with him, through images the children report seeing in their dreams, and symbols they are inexplicably compelled to draw. While the children see Joe as a kindred spirit, the hospital staff worries about how these interactions are agitating them. At home, Joe begins finding other ethereal evidence of his wife's attempt to contact him from beyond the grave, some of it featuring the image of a dragonfly, which was the shape of the birthmark on her shoulder. His friends and a caring neighbor (Kathy Bates) worry that Joe is losing his marbles, especially as his quest becomes more frantic, putting his job in jeopardy. ~ Derek Armstrong, Rovi

Viewers who tuned into the premiere episode of ABC's espionage series Alias did so already knowing the basic premise: Heroine Sydney A. Bristow (Jennifer Garner) lived a double life, as a "typical" college undergraduate and as an uncover agent for a government organization which she assumed to be the CIA. Sydney never told either her fiancé, Danny Hecht (Edward Atterton), or her roommate, Francie Calfo (Merrin Dungey), about her covert off-campus activities, not out of any great fear of blowing her cover, but merely because she assumed no one would believe her. Then came the fateful day that Sydney let slip her secret to Danny -- who turned up murdered not long afterward. It was then that Sydney began to suspect that her CIA bosses were not all they seemed to be -- and indeed, the truth came out that she wasn't working for the CIA at all, but for a rival agency, SD-6, one of several such organizations gathered together in a rather sinister group known as the Alliance of Twelve. The cruel ruthlessness with which SD-6 went about its business was personified by Sydney's boss, Arvin Sloane (Ron Rifkin), an enigmatic character who was obviously very fond of Syd and the other agents, but who would not hesitate to sell anyone out who got in his way. Sloane was particularly nasty when dealing with those who would dare prevent him to carry out his obsessive, lifelong search for the fragments of the Rambaldi device, a doomsday weapon concocted some 500 years before by a Renaissance artist who happened to possess a Nostradamus-like gift of prophecy. Other perplexing facets of Sloane's personality were revealed in his curious relationship with Sydney's father, veteran SD-6 operative Jack Bristow (Victor Garber), as well as in an ongoing subplot involving Sloane's terminally ill wife, Emily (Amy Irving) -- who happened to be very close to Syd.

Upon realizing that she'd been a dupe of sorts, the embittered Syd allowed herself to be enlisted as a counterspy by the real CIA; thereafter, whenever she went on a mission for SD-6, she was given a countermission by her new bosses. Her contact at the CIA was Michael C. Vaughn (Michael Vartan), a man with quite a history of his own. As for Syd's father, Jack, he spent much of season one trying to make amends for so perilously misleading his daughter -- all the while trying to shield her from the truth about her supposedly long-dead mother, Laura, who in keeping with the title of this series was actually Irina Derevko, a KGB agent who'd been assigned to seduce Jack nearly a quarter of a century before. Other recurring characters included Francie's chronically faithless fiancé, Charlie (Evan Dexter Parke); Syd's fellow SD-6 employees, agent Marcus R. Dixon (Carl Lumbly) and computer expert Marshall J. Finkman (Kevin Weisman), who was blessed with a photographic memory; and Will Tippin (Bradley Cooper), investigative journalist for the Los Angeles Chronicle, whose determination to find out the facts behind the death of Danny Hecht and expose the activities of SD-6 rendered him a marked man. Getting back to Syd, she spent most of season one chasing and being chased, never quite knowing her friends from her enemies. A mid-season brush with a dangerous rogue agent (played by filmmaker Quentin Tarantino) put Syd on the trail of a vast criminal cartel, whose leader was known only as "The Man." The season's cliffhanger ending revealed that "The Man" was actually a woman -- none other than Syd's "late" mother. ~ Hal Erickson, Rovi

In this drama that explores greed and corruption in American business, Giovanni Ribisi plays Seth Davis, an intelligent and ambitious college dropout who runs a casino in his apartment. Eager to show his father that he can succeed, Seth lands a job with a small stock brokerage firm. He is given a space in the company's "boiler room," where he makes cold calls to prospective clients. As it turns out, Seth has a genuine talent for cold calling, which gains him the approval of his superiors, the admiration of his father, and the attentions of one of his co-workers, Abby Hilliard (Nia Long). However, the higher up the ladder Seth rises, the deeper he sinks into a quagmire of dirty dealings, until he's breaking the law in order to keep his bosses happy and his paychecks coming. The Boiler Room also features Tom Everett Scott, Scott Caan, Jamie Kennedy, Nicky Katt, and Ben Affleck in a cameo as the headhunter who brings Seth into the firm. Ribisi and Scott also appeared together in That Thing You Do; Ribisi was the drummer replaced by Scott, who then led The One-Ders to fictional pop stardom. ~ Mark Deming, Rovi

Before he broke out with the J.D. Salinger-esque Tadpole in 2002, producer-turned-director Gary Winick filmed this little-seen relationship drama. Fisher Stevens stars as the title character, a writer with one novel under his belt who can't seem to deliver the follow-up. Instead, he spends his time compulsively cheating on his photographer girlfriend, Cass (Annabella Sciorra); giving the runaround to his agent, Richard (Ron Rifkin); and trying to keep his landlord, Murray (Luis Guzman), at bay. Things take a turn for the worse when the husband of one of Sam's conquests (Maria Bello) confronts him, leaving Sam covered in hard-to-explain injuries. Soon, with the help of his barkeep brother, Lorenzo (Saverio Guerra), Sam is holding down a day job for the first time in years and reexamining every aspect of his life. After the success of Tadpole, the Independent Film Channel picked up Sam the Man for broadcast on cable television. The film's cast, filled with notable and lesser-known New York actors, includes George Plimpton, Griffin Dunne, and Rob Morrow. ~ Brian J. Dillard, Rovi

Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress. ~ Mark Deming, Rovi

Reluctant to tell his daughter, Rachel (Yvonne Zima), that he and Jenn (Christine Harnos) are about to get a divorce, Greene (Anthony Edwards) instead takes her ice skating -- and invites Lewis (Sherry Stringfield) along, much to Rachel's open dismay. Elsewhere, Vucelich (Ron Rifkin) has invited his research assistant, Benton (Eriq La Salle), to an exclusive dinner party, whereupon Benton asks Jeanie (Gloria Reuben) to accompany him -- a request that causes no end of embarrassment when he mistakenly thinks that he himself has been uninvited. And Carter (Noah Wyle) can't bring himself to tell Mr. Rubadoux (Red Buttons) that his wife has died. ~ Hal Erickson, Rovi

Benton (Eriq La Salle) strongly suspects that Vucelich (Ron Rifkin) is manipulating the results of his study on the "clamp-and-run" procedure. Elsewhere, rumors buzz throughout the ER that Greene (Anthony Edwards) and Lewis (Sherry Stringfield) are lovers. And Carter (Noah Wyle) risks his career when he goes ballistic while dealing with an alcoholic patient named Nathan (Mark Pellegrino) and Nathan's "enabler" girlfriend, Angel (Charlotte Ross). ~ Hal Erickson, Rovi