Willie Best Movies

Ann Harding stars as Anne Talbot, the wife of prominent physician Michael Talbot (Herbert Marshall). Despite his happy marriage, the good doctor's head has been turned by much-younger socialite Jerry Mannerly (Margaret Lindsay). A "modern woman," Anne gallantly steps aside, confident that Michael will eventually tire of his new flame and come to his senses. And of course, he does, but not without the help of his wise old dad (Edward Ellis). This harmless romantic drama was raked over the coals by the American and Canadian Glass Blowers' Union, who complained that beer was served in a tin can in one scene (special-interest pressure groups were definitely not a phenomenon of the 1990s!). ~ Hal Erickson, All Movie Guide

The old Edward Peble play The Littlest Rebel was gussied up in 1935 as a Shirley Temple vehicle. The curly-topped child star plays Virgie Cary, who lives in Southern-Plantation splendor with her dad Herbert (John Boles) and mom (Karen Morley). The family's idyllic existence is shattered when the Civil War breaks out. A captain in the Confederacy, Herbert Cary marches off to the battlefield, leaving his faithful family retainers -- including philosophical old Uncle Billy (Bill "Bojangles" Robinson) -- to watch over Virgie and Mrs. Cary. No one, however, is prepared for the ravages of war, thus Virgie is forced to endure the destruction of her family home and the death of mom after lingering illness. Desperately trying to make his way home for one last reunion with his wife, Herbert is arrested as a Southern spy. Fortunately, Yankee colonel Morrison (Jack Holt) takes a liking to the tenacious Virgie and tries to escort the girl and her father to safety. As a result, Morrison is arrested for desertion, and both he and Herbert are sentenced to be shot. Making her way to Washington in the company of faithful Uncle Billy, Virgie secures a pardon for both her father and Col. Morrison from an avuncular Abraham Lincoln (Frank McGlynn Sr.) The stereotypical treatment of black characters in The Littlest Rebel is more offensive than usual, with "happy darkies" nervously pondering the prospect of being freed from slavery and shivering in their boots when the Yankees arrive. But Bill Robinson manges to cut through the color line with his astonishing terpsichorean talents, especially in his closing "challenge dance" with Shirley Temple. ~ Hal Erickson, All Movie Guide

The Nitwits are Johnny (Bert Wheeler) and Newt (Robert Woolsey), cigar-counter proprietors in the building owned by music publisher Lake (Hale Hamilton). Johnny spends his spare time spooning with his sweetheart, Lake's secretary Mary (Betty Grable), while Newt tinkers with his inventions, the latest of which is an electric chair which compels the occupant to tell the truth. A none too lovable man, Lake has made enemies of several people, including his shifty assistant Lurch (Arthur Aylesworth) and disgruntled songwriter Clark (Erik Rhodes); he is also on the outs with Mrs. Lake (Evelyn Brent), who caught her husband "coming on" to the reluctant Mary. Thus it is that practically anyone could be the dreaded "Black Widow," a mysterious blackmailer-murderer who's been trying to extort money from Lake. Hired at a substantial fee to protect the publisher from the Black Widow is private detective Darrell (Fred Keating), but Lake is murdered in his office all the same. Suspicion immediately falls upon Mary, the last person to see Lake alive. Johnny gallantly takes the blame for the killing to protect Mary, while Newt, believing Johnny to be guilty, does his best to protect his pal from the cops. All of this seems rather heavy going for a Wheeler & Woolsey vehicle, but be assured that The Nitwits is definitely a comedy, with the stars at their peak under the direction of George Stevens. The beauty of the film is that it sustains its momentum even after Newt's "truth chair" reveals the identity of the killer to the audience (but not to our rather dense heroes); especially hilarious is a nocturnal chase through a costume warehouse, utilizing several gags lifted from Stevens' "Boy Friends" 2-reelers of the early 1930s. Nineteen-year-old Betty Grable doesn't have too much to do, though she proves a charming subject for the film's best song, Dorothy Fields and Jimmy McHugh's "Music in My Heart". Co-written by Stuart Palmer, of "Hildegarde Withers" fame, The Nitwits was the last of Wheeler & Woolsey's truly worthwhile films. ~ Hal Erickson, All Movie Guide

Perhaps the most memorable of all of the movies based on Damon Runyon's story because of the winning presence of Shirley Temple (although it was remade three times), this is the story of a little girl who is left as a marker for a $20.00 bet. Temple's father kills himself and the bookie doesn't know what to do with the young girl. Needless to say, she wins over the hearts of all and sundry and the bookie turns over a new leaf to make this little girl happy. Through all the complications the bookie runs in to, including eventually marrying his long-time girlfriend to provide a home for the child, there is a tenor of love and joy that was not matched in any of the remakes. ~ Tana Hobart, All Movie Guide

Virtuous Husband was adapted from Apron Strings, a play by Dorrance Davis. Though his mother has been dead several years, wealthy young Daniel Curtis (Elliot Nugent) has never been able to cut himself loose from her smothering influence. Even when he marries the lovely Barbara Otwell (Jean Arthur), Daniel bases all his decisions upon letters left behind by his late mother. One of the missives even offers advice as to how to successfully orchestrate the couple's honeymoon night! Only when Barbara rears up and destroys the letters does Daniel learn to stand on his own two feet. Reportedly, Elliot Nugent had been violently opposed to playing the part of namby-pamby Daniel, but upon being forced to do so, admitted "it didn't kill me." ~ Hal Erickson, All Movie Guide