Willie Best Movies
African American actor Willie Best made his screen debut in Harold Lloyd's Feet First (1930). When Best, a veteran of a travelling show, came to Hollywood, he immediately fell prey to the stereotyping of the era. Promoted as a "new Stepin Fetchit," Best was transformed into a shuffling, "Yassuh boss" character billed as "Sleep 'N' Eat." Studio press releases of the 1930s made outrageous claims that not only did Best enjoy humiliating himself in "darkie" roles, but that the only compensation he wanted for his screen work was three square meals a day and a warm place to sleep. Despite the demeaning nature of his roles, Best performed them with consummate skill and razor sharp comic timing. Bob Hope, who worked with Best in The Ghost Breakers (1940) and Nothing But the Truth (1941), once referred to Willie as "the finest actor I knew." In the 1950s, Willie Best was a fixture at the Hal Roach Studios, playing supporting roles in such Roach-produced TV series as My Little Margie, The Stu Erwin Show and Mark Saber. ~ Hal Erickson, All Movie Guide
After a string of winners, Roy Rogers faltered a bit with South of Caliente. Rogers, playing himself, is the owner of a trailer-van service who is hired to transport a prize horse across the Mexican border. En route, Roy is bushwhacked and the horse stolen. The animal's owner Doris Stewart (Dale Evans) suspects that Roy is the thief, but the actual crook is within her own circle of employees. The supporting cast includes burlesque funster Pinky Lee (checkered cap and all) and character actor Leonard Penn, the father of current screen favorites Sean and Christopher Penn. Though not Roy Rogers' best film, South of Caliente still scores in the action department. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Rogers, Dale Evans, (more)
- 1948
In this mystery, a detective encounters a woman in a nightclub. He finds that she is being blackmailed by a dancer who is murdered that very night. Of course, the woman becomes the main suspect. She and the gumshoe team up and begin searching for the real killer. The police are in hot pursuit. It does not take them long to find the culprit. ~ Sandra Brennan, All Movie Guide
- Starring:
- Kent Taylor, Peggy Knudsen, (more)
- 1948
Even after three appearances as oriental sleuth Charlie Chan, Roland Winters showed no interest in taking the role seriously. Shanghai Chest finds Charlie in the employ of the U.S. government, assigned to solve a series of puzzling murders. The victims all appear to have died by snakebite, which would have been impossible under the circumstances. Further confusing the issue is the fact that all fingerprints at the scenes of the crime have been left by a man who's supposed to be dead. Even with the dubious assistance of son Tommy (Victor Sen Yung) and chauffeur Birmingham Brown (Mantan Moreland), the clever Mr. Chan cracks the case. ~ Hal Erickson, All Movie Guide
- Starring:
- Roland Winters, Mantan Moreland, (more)
- 1948
In this courtroom drama, two opposing lawyers lead a double life. In the courtroom they are ruthless toward each other, but once the day is over they become passionate lovers. Unfortunately their newest case may well threaten their relationship as the defense attorney is defending a corrupt district attorney who happens to be her ex-husband. The prosecutor knows nothing of their past relationship; all he knows is he wants to nail the crook and his cronies to the wall. Unfortunately, the truth comes out in court and mayhem ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Brian Aherne, Iris Adrian, (more)
- 1947
As indicated by the title, Sepia Cinderella is an updated retelling of the classic fairy tale, featuring a cast of African-American performers. The "Cinderella" is this instance is a young man, played by Ruble Blakely. A struggling songwriter, Blakely scores an unexpected hit, then finds that he can't cope with success. He is brought down to earth by his faithful girlfriend (Sheila Guyse). Though produced by blacks for a predominantly black audience, Sepia Cinderella is strictly white-bread when honoring the conventional cliches. There's even the scene in which the hero must choose between a high-society debutante and the "regular" girl he left behind. ~ Hal Erickson, All Movie Guide
- Starring:
- Freddie Bartholomew, Ruble Blakey, (more)
- 1947
A post-WWII romantic comedy that explores the effects of the war on American marriage, this film stars Fred MacMurray and Paulette Goddard as Peter and Mary Morley, a pair of constantly fighting attorneys. They are on the verge of breaking up their marriage when the war breaks out. Mary goes into the Women's Army Corps, and when she returns after the war, she's no longer sure if she wants a divorce. In her absence, however, Peter has hooked up with Gloria Fay (Arleen Whelan), who demands that he sign the divorce papers. In turn, Jack Lindsay (MacDonald Carey, one of Peter's clients, has fallen for Mary, but he doesn't want to move in with her until the divorce is official. ~ Michael Betzold, All Movie Guide
- Starring:
- Paulette Goddard, Fred MacMurray, (more)
- 1947
Under the aegis of veteran program-feature producer Bryan Foy, the fledgling Eagle-Lion company made great strides during its first year of existence. Filmed in Cinecolor, The Red Stallion is on the surface a standard yarn about a ranch boy and his beloved horse, replete with a mortgage-on-the-ranch plot wrinkle. With Ted Donaldson as the boy and Jane Darwell as his down-to-earth Grandmother, however, the film is far better acted than many of its ilk. As Joel Curtis (Donaldson) tries to raise his pet foal into a race horse, he faces innumerable obstacles, both financial and natural. In the latter category, there's a particularly suspenseful throughlne involving the enmity between the horse and a wild bear. Though the outcome of The Red Stallion is predictable, what leads up to that outcome is well worth the price of admisison. ~ Hal Erickson, All Movie Guide
- Starring:
- Willie Best, Robert Bice, (more)
- 1946
Director William "One Take" Beaudine handles Face of Marble with his usual hasty professionalism. John Carradine stars as Professor Randolph, a brilliant brain surgeon. At the moment, Randolph and his assistant David Cochran (Robert Shayne) are experimenting with restoring the dead to life. But there's an unfortunate side-effect: the deceased sailor upon whom Randolph conducts his first human experiment promptly turns to marble when he's revived from the dead. All of this is eventually tied in with the clandestine romance between Cochran and Randolph's faithless wife Elaine (Claudia Drake), and with the sinister incantations of voodoo practitioner Marika (Rosa Rey). John Carradine is quite good, considering the circumstances. ~ Hal Erickson, All Movie Guide
- Starring:
- John Carradine, Claudia Drake, (more)
- 1946
In this episode of the popular detective series, Chan, along with Number Two Son, are aboard a ship bound for Pago Pago. On route a federal agent is murdered. The two sleuths investigate. The film is also titled "Charlie Chan in Dangerous Money." ~ Sandra Brennan, All Movie Guide
- 1946
Charmless films like The Bride Wore Boots helped to kill the postwar revival of the "screwball comedy" genre almost before it began. Here's the deal: Breeding-farm owner Sally (Barbara Stanwyck) loves horses. Novelist Jeff (Robert Cummings) hates horses, but loves Sally. Jeff and Sally marry, only to break up over their equestrian differences. They spend the rest of the film trying to get back together again, despite such hurdles as flirtatious Southern belle Mary Lou Medford (Diana Lynn) and charming "other man" Lance Gale (Patric Knowles). Is it any surprise that the film ends with a Big Race, and that horse-hating Jeff is astride the winning steed? ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Robert Cummings, (more)
- 1946
Charlie Chan (Sidney Toler) heads south of the border in this so-so series entry. With the help of Mexican police official Luis (Fortunio Bonanova), Chan looks high and low for a stolen atomic-bomb formula. The oriental detective is also "aided" by his son Tommy (Benson Fong) and his chauffeur Chattanooga (Willie Best, subbing for Mantan Moreland) two of the most inept assistants in the history of the movies. The gimmick in this film is a mysterious murder weapon which seemingly disappears from the face of the earth the moment it has been used. Though more expensive looking than most of Monogram's Charlie Chan films, The Red Dragon isn't one of the series' more exciting efforts. ~ Hal Erickson, All Movie Guide
- Starring:
- Sidney Toler, Fortunio Bonanova, (more)
- 1945
Columbia Pictures, as usual, cast a lesser-known player -- in this case the handsome but rather stolid Robert Lowery -- in the starring role of The Monster and the Ape, a rough-and-tumble serial released in 15 chapters. Lowery played Ken Morgan, an agent for a company manufacturing the newly invented Metalogen, a metal that can render a robot invincible. An evil professor attempts to steal the metal, using a trained gorilla as his weapon. Not one of the studio's better chapterplays -- to put it mildly -- The Monster and the Ape stayed mercifully forgotten until reappearing on early-morning television in the late '60s. ~ Hans J. Wollstein, All Movie Guide
- 1945
This curious mixture of comedy, romance and melodrama teams up comic actor Eddie Bracken and glamour girl Veronica Lake, two of Paramount's most popular stars of the mid-1940s. He plays Ogden Spencer Trulow III, a wealthy kleptomaniac; she plays Sally Martin, who may or may not provide the "cure" for the lovesick Trulow. As it turns out, Sally is a professional thief, part of a gang planning to rip off the Romanoff necklace. Trulow tries to prevent this, and in so doing divest himself of his own kleptomania. Sally's cohorts aren't at all interested in Trulow's problems, and accordingly spend half the film trying to bump him off. Buried somewhere in the glossy silliness of Hold That Blonde is a pre-WW1 play by Paul Armstrong; some of the sight gags in the film are even older than the Armstrong original. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Bracken, Veronica Lake, (more)
- 1945
Rosalind Russell plays yet another independent career woman in She Wouldn't Say Yes. This time she's a psychiatrist who sees no need for a man in her life. Her resolve weakens a bit when she meets Lee Bowman, a dashing combat sketch artist suffering from wartime emotional problems. Bowman falls in love with the shrink and determines to establish a beachhead, while Russell is equally determined to hold her ground. She doesn't say yes for the first 80 minutes of the film, but does in the last six. Even Rosalind Russell made jokes concerning the inordinate number of look-alike films she made in this vein. ~ Hal Erickson, All Movie Guide
- 1945
Yes, even Ida Lupino occasionally starred in screwball comedies during the 1930s and 1940s. Pillow to Post casts Lupino as free-spirited travelling saleswoman Jane Howard, who has trouble finding suitable lodgings during the wartime housing shortage. In order to secure a room at a motor camp catering exclusively to married servicemen, Jane pretends to be the wife of hapless young lieutenant Don Mallory (William Prince). Misunderstanding piles upon misunderstanding, and before long poor Mallory is facing a general court-martial. While Lupino pushes the envelope a bit in the leading role, the film's comedy content is also in the capable hands of Sidney Greenstreet, Stu Erwin and Willie Best. Pillow to Post is adapted from a stage play by Rose Simon Kohn. ~ Hal Erickson, All Movie Guide
- Starring:
- Ida Lupino, Sydney Greenstreet, (more)
- 1944
Lorna Gray, shortly before changing her professional name to Adrian Booth, plays the title character in Republic's The Girl Who Dared. Gray is one of several vacationers who makes a side trip to a remote island in Georgia. It isn't long before one of the tourists is murdered. As an act of self-preservation (she is both a suspect and a likely future victim), Gray decides to play detective and solve the mystery. Clocking in at a neat 54 minutes, The Girl Who Dared was based on Medora Field's short story "Blood on Her Shoe." ~ Hal Erickson, All Movie Guide
- 1944
Dismissed by critics as corny and obvious in 1944, this overlong but sincere biopic looks pretty good when seen today, cliches notwithstanding. Fredric March, 47 at the time, convincingly plays American author Sam Clemens, aka Mark Twain, from his early 20s to his death at 75. In typical movie-biography fashion, every single incident that happens in Twain's life is an INSPIRATION: he hears the depth-indication call "Mark Twain" while working on a riverboat and his face lights up; he engages in a jumping-frog contest against Bret Harte (John Carradine) and comes up with his first popular published story; and so on. Alexis Smith is better than usual in the role of Twain's wife Olivia Langdon, even keeping a straight face while Twain courts her in Fluent Quotation ("Everybody talks about the weather but nobody ever does anything about it", he says during a Hollywood-romance cloudburst). Though the script barely touches upon the dark side of Twain's nature, we are not spared his financial reverses (brought about by bad investments and his struggle to publish Ulysses S. Grant's memoirs. The closing sequence, with Tom Sawyer and Huck Finn beckoning the spirit of Mark Twain to heaven as Halley's Comet fills the skies, may seem laughable on paper, but works quite well on film; even director Irving Rapper expressed amazement at the effectiveness of this scene! ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Alexis Smith, (more)
- 1944
In this touching drama, city-slicker Sparke Thorton goes to live on his aunt and uncle's horse farm in the country. The couple have basically retired from horse-breeding and only have one trotter left. Sparks fly when the young man meets the lovely Char and Cri-Cri, the two farm girls who introduce him to the finer aspects of country life including the cool pleasures of the swimming hole. He soon decides that he wants to raise a filly and become a champion racer. His uncle and the handyman help him. Much of the film was shot on location on racetracks in Kentucky, Indiana, and Ohio. There is also a sequence depicting the filly's birth, but it is sensitively handled. ~ Sandra Brennan, All Movie Guide
- Starring:
- Walter Brennan, Lon McCallister, (more)
Like several other Harry Sherman Productions of the 1942-43 season, The Kansan was originally slated for a Paramount release, then redirected to United Artists. Richard Dix and Jane Wyatt, stars of the previous Sherman effort Buckskin Frontier, are reunited herein as western lawman John Bonniwell and rancher's daughter Eleanor Sager. After chasing the James Gang out of town, Bonniwell is appointed marshal by local bigwig Steve Barat (Albert Dekker). It turns out, however, that Barat is a crook with delusions of grandeur, hoping to use Bonniwell as a glorified henchman in his rise to power. Meanwhile, an unorthodox romantic triangle develops between Bonniwell, Eleanor as Barat's brother Jeff (Victor Jory). A powerhouse cast makes this modestly-budgeted western seem more expensive than it really was. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dix, Jane Wyatt, (more)
MGM knew it would take a bath on its all-black musical Cabin in the Sky (few Southern theaters of 1943 would touch the film), but the studio still provided its standard A-plus production values to the film; besides, it served as a training ground for up-and-coming director Vincente Minnelli. Based on the Broadway musical by Lynn Root, John LaTouche, and Vernon Duke, the film tells the story of Joe (Eddie "Rochester" Anderson), a shantytown denizen torn between the affections of faithful wife Petunia (Ethel Waters) and slinky seductress Georgia (Lena Horne). Seriously injured in a barroom brawl, Joe dreams that he is the centerpiece of a celestial power struggle between a heavenly emissary (Kenneth Spencer) and Lucifer Jr. (Rex Ingram, who ironically had played "De Lawd" in The Green Pastures). Joe is given another chance to redeem himself on Earth, lest he fall into the clutches of the Devil's little boy. Louis Armstrong briefly shows up, appropriately cast as "The Trumpeter." Song highlights include "Taking a Chance on Love," "Happiness Is Just a Thing Called Joe," "Life's Full of Consequences," and the title song. A troubled production thanks to the on-set rivalry between Ethel Waters and Lena Horne, Cabin in the Sky is nonetheless an excellent first feature effort from Vincente Minnelli. Thanks to his careful treatment of the material, the expected patronization of the black characters does not impede latter-day enjoyment of the film as much as it might have. ~ Hal Erickson, All Movie Guide
- Starring:
- Ethel Waters, Eddie "Rochester" Anderson, (more)
- 1943
According to this exuberant Paramount musical, famed pre-Civil War minstrel performer Daniel Decatur Emmett looked and sounded exactly like Bing Crosby! Very loosely based on the real Emmett's life and career, the film is essentially an excuse for an unending stream of Southern-fried ballads and boisterous blackface production numbers. The best scenes involve Emmet's creation of the minstrel tradition, helped along by Billy De Wolfe as the original "Mr. Bones." As Emmet's sweetheart Millie Cook, Dorothy Lamour has less to do than fourth-billed Marjorie Reynolds as Jean Mason, the physically challenged girl whom Emmet ultimately marries. In the midst of several old-time musical numbers, Bing Crosby introduces one of his lasting hits, "Sunday, Monday and Always". ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Dorothy Lamour, (more)
- 1943
Practically everybody on the Warner Bros. lot shows up in the wartime morale-boosting musical extravaganza Thank Your Lucky Stars. Believe it or not, this one has a wisp of a plot. A pair of enterprising producers, played by S.Z. Sakall and Edward Everett Horton, want to hire singer Dinah Shore for their upcoming Cavalcade of Stars. Unfortunately, this means they must deal with Shore's boss, radio comedian Eddie Cantor. The egotistical Cantor insists upon joining the show himself, driving everyone crazy with his take-charge attitude. Meanwhile, singer Dennis Morgan, hoodwinked by a crooked agent into thinking he's signed a contract with Cantor, shows up backstage at Sakall and Horton's rehearsal, only to be given the boot. While all this is going on, aspiring actress Joan Leslie has befriended a bus driver named Joe Simpson--who happens to be a dead ringer for Eddie Cantor (and why not? Ol' "Banjo Eyes" plays both parts). Turns out that Joe is another showbiz wannabe, but he has been denied a break because he looks too much like Cantor. You see what's comin' now, right, folks? Morgan and Leslie will get their big breaks when Joe Simpson impersonates Eddie Cantor, who's been kidnapped by Indians (bet you didn't see that one coming!) All of this expository nonsense is merely an excuse to show off Warners' talent roster in a series of engaging specialty numbers: John Garfield talk-sings Blues in the Night, Jack Carson and Alan Hale do a buck-and-wing, a jitterbug number is performed by Ida Lupino, Olivia de Havilland and George Tobias, Hattie McDaniel and Willie Best strut their stuff in Ice Cold Katie, and so on. Highlights include Errol Flynn's That's What You Jolly Well Get, an English music hall-style sendup of Flynn's movie heroics, and Bette Davis' peerless (and endearingly off-key) rendition of They're Either too Young or Too Old. As a bonus, Humphrey Bogart shows up long enough to be browbeaten and intimidated by S.Z. Sakall ("Gee, I hope none of my movie fans see this!" moans Bogart as the soundtrack plays a mocking rendition of Who's Afraid of the Big Bad Wolf?) Subtle and sophisticated it isn't, but Thank Your Lucky Stars is so entertaining that you'll forget all about its multitude of flaws. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Cantor, Dinah Shore, (more)
- 1942
The Milton Berle starrer Whispering Ghosts was clearly inspired by the Red Skelton comedy-mystery Whistling in the Dark (itself inspired by Bob Hope's The Ghost Breakers). Uncle Miltie is cast as H. H. Van Buren, a radio sleuth who delights in solving real-life mysteries ahead of the official constabulary. At the behest of his sponsor, Van Buren tackles an unsolved case from ten years earlier: the death of an old sea captain. To this end, he visits the ship where the dirty deed took place, accompanied by his nervous valet Euclid (Willie Best, who played much the same role in Ghost Breakers). At first convinced that the ship is haunted, our hero deduces that the "ghosts" are actually a gang of crooks, in search of the treasure left behind by the murdered skipper. The arrival of Elizabeth Woods (Brenda Joyce), the lawful heir to the missing treasure, convinces Van Buren to stick around for a while to solve the decade-old murder and locate the captain's legacy. Why is it that none of Milton Berle's vehicles for 20th Century-Fox--Whispering Ghosts, Over My Dead Body, Margin for Error--have shown up on TV since the 1970s? Now there's a mystery worth solving! ~ Hal Erickson, All Movie Guide
- Starring:
- Milton Berle, Brenda Joyce, (more)
