Richard Riehle Movies

After months of unemployment, young MBA Jenny Morgan (Heidi Noelle Lenhart) applies for what she thinks is an administrative position with the firm owned by handsome business executive Oliver Caldwell (Gregory Harrison). Unforutnately, someone's signals have gotten crossed, and Jenny finds she has been hired as nanny for the widowed Caldwell's spoiled-brat kids Kate (Katie Volding) and Alex (Jake Dinwiddie). Despite her daunting lack of experience as a surrogate mom, Jenny manages to bond with the kids, who behave badly mainly because their dad doesn't spend any time with them. During a trip abroad, Kate and Alex decide to play matchmaker for Oliver and Jenny, even though both adults already have fiancés. But taking into account that Kate's boyfriend Charlie (Michael Woolson) is an aimless dork and Oliver's intended Vivian (Jane Sibbert) is a bitch on wheels, it isn't hard to figure out how things will turn out. And if there are any doubts, just ask Caldwell's wry, all-knowing chauffeur Nigel Kent (John Rhys-Davies). Set in Paris (but actually filmed in Budapest!), the made-for-cable Au Pair originally aired August 22, 1999, on the Fox Family Channel; its open-ended finale enabled the producers to dash off a sequel, Au Pair II, in 2001. ~ Hal Erickson, Rovi

Although he enjoyed great critical success with crime dramas and slice-of-life pictures, director Barbet Schroeder continued dabbling in the thriller genre with this action-oriented film. Andy Garcia stars as Frank Conner, a widowed San Francisco police officer whose young son Matt (Joseph Cross) is suffering from leukemia. Without a bone marrow transplant, Matt will die, but Frank isn't a donor. In fact, the only potential match is prison inmate Peter McCabe (Michael Keaton), a psychotic but charming serial killer. At first, McCabe refused to participate despite Conner's pleas, but eventually, the convict relents and agrees to the procedure. It is all a ruse, however, as McCabe has discovered a clever way to escape the confines of the operating room where Matt's oncologist, Dr. Hawkins (Marcia Gay Harden) is scheduled to perform the transplant. Faced with the dual nightmare of his son's deteriorating condition and a mass murderer on the loose in a major metropolitan hospital, the frantic Conner finds himself bending and even breaking the law to bring McCabe down and save Matt's life. ~ Karl Williams, Rovi

Two lawmen find the call of corruption too loud to ignore in the drama Route 9. Booth Parker (Kyle MacLachlan) and Earl Whitney (Wade Williams) are two deputies in a small town who discover a crime scene along a deserted highway. There appears to have been a shoot-out with no living witnesses, and left in the dust by the side of the road are a van filled with illegal drugs and $1 million in cash. Booth and Earl are too weak to resist the urge to take the money, but when a federal agent (Roma Maffia) arrives to look into the case, they soon discover there's more to the crime than they originally expected. The knots become even more tangled when another sheriff (Peter Coyote), whose wife has been sleeping with Booth, starts sticking his nose into the case. ~ Mark Deming, Rovi

In this action-suspense thriller, orphaned nine-year-old autistic savant Simon (Miko Hughes) deciphers a government code hidden in a puzzle magazine. Calling for his prize, Simon triggers an alarm at the National Security Agency: NSA chief Nicholas Kudrow (Alec Baldwin), who says the code protects covert American operatives all over the world, sends an assassin to do away with Simon. Simon's parents are killed, but Simon survives, hiding in a secret closet crawlspace where he's later discovered by maverick FBI agent Art Jeffries (Bruce Willis). Simon is emotionally unpredictable, complicating matters as Art drags him all over Chicago, eluding Kudrow's hitman in a variety of interesting locations (train tracks, street scenes, heliport, Wrigley building) and improbable situations. Based on the novel Simple Simon by Ryne Douglas Peardon, the film features Industrial Light & Magic special FX/animation. ~ Bhob Stewart, Rovi

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

In the series pilot, Ally (Calista Flockhart) goes to work for a former classmate (Greg Germann). ~ TV Guide, Rovi

In this action thriller, a group of Islamic terrorists, led by Nagi Hassan (David Suchet), highjacks a 747 jetliner with 400 passengers aboard, but Lt. Col. Austin Travis (Steven Seagal), a United States intelligence agent, is convinced that this isn't an ordinary case of air piracy. His suspicions are soon confirmed; Hassan's men have obtained a large cache of stolen Soviet nerve gas, and they are using the 747 to smuggle the deadly gas into the United States, where they intend to use it to wipe out Washington D.C. and possibly the entire East Coast. As the jet approaches the U. S., engineer Dennis Cahill (Oliver Platt) designs a plan in which a military plane will be able to transfer U.S. soldiers onto the 747 and regain control of the plane and its deadly cargo. However, when Travis dies in the course of the mission, intelligence agent Dr. David Grant (Kurt Russell) is forced to take his place alongside explosives expert Cappy (Joe Morton), commando Rat (John Leguizamo), and stewardess-turned-anti-terrorist Jean (Halle Berry). Executive Decision was the first directorial assignment for veteran film editor Stuart Baird; he cut the film as well. ~ Mark Deming, Rovi

This original HBO production documents, in dramatic form, the rivalry between Jackie Robinson, Satchel Paige and Josh Gibson to see who would be the first African-American to play Major League Baseball. Paige (played by Delroy Lindo) and Gibson (Mykelti Williamson) are more aggressive about seizing the opportunity that arose in the mid-'40s with the death of baseball commissioner Kenesaw Mountain Landis, who had publicly avowed that the color line in baseball would never be broken. Branch Rickey (Edward Herrmann), the owner of the Brooklyn Dodgers, is the first to seize that opportunity, sending his scouts to check out all the stars of the Negro Leagues. He narrows his choice down to Robinson, in part because of Paige's age (he was around 40) and Gibson's health (he behaved erratically in public, though it rarely affected his game). Rickey was looking for a player with the talent to compete in the big leagues and the character not to allow the inevitable harassment that would come his way to get to him. Robinson was signed in October 1945 and made his big-league debut in April 1947. Paige made it to the big leagues in 1948; Gibson died at the age of 36 in 1947 of a brain tumor. ~ Tom Wiener, Rovi

A goofy slacker wreaks havoc after worming his way onto the jury of a high-profile court case in this broad comedy. The extremely unmotivated Tommy Collins (Pauly Shore) has found himself homeless after being kicked out by his mother, and he needs a place to stay. After hearing how the juries of important cases are sequestered in fancy hotels and provided with free meals, he decides that's the life for him and successfully volunteers for jury duty. Enjoying what he considers the high life and wishing to romance an attractive female juror (Tia Carrere), Tommy infuriates his fellow jurors by attempting to drag out the trial. Director John Fortenberry offers much obvious slapstick, along with a few attempts at topical jibes against media sensationalism, but even fans of Shore's lowbrow humor may be disappointed by the film's quality. ~ Judd Blaise, Rovi

A crazed hunter starts stalking a group of friends on a hunting trip when they enter his territory. Lots of poor action and acting, even for direct-to-video. ~ Sean D. MacLaggan, Rovi

A rousing Disney dog-sled adventure based on a real life event -- a 522-mile dog-sled race between Winnipeg, Canada and St. Paul, Minnesota that occurred in 1917. When his father is accidentally killed, South Dakota farmboy Will Stoneman (Mackenzie Astin) decides to enter the dog-sled race in order to save his family from financial ruin. His mother (Penelope Windust) wants Will to use part of the prospective $10,000 race winnings for college, but Will just wants to save the farm. With the help of Indian handyman Ned Dodd (August Schellenberg), Will begins to train for the race. But the rich mogul underwriting the race, J.P. Harper (David Ogden Stiers), doesn't want Will to enter, thinking the competition too arduous and too dangerous for such a young boy. To Will's aid comes yellow journalist Harry Kingsley (Kevin Spacey), who convinces Harper to permit Will to enter the race. But Harry also has his own agenda -- he sees a great story in Will and thinks it will sell newspapers and advance his journalistic career. With his father's best dog Gus at the head of his dog team, Will is ready and determined to win the race. But Will discovers that winning the race is only half his battle. Dealing with the petty and malevolent human beings involved in the race -- in particular, the egotistical Scandinavian champion Borg Guillarson (George Gerdes) and the wealthy gambler Angus McTeague (Brian Cox) -- prove to be as much of a challenge to his mettle than any natural obstacles Will might encounter. ~ Paul Brenner, Rovi

In this humorous Western, Aussie Paul Hogan plays a cowboy running from the law. Lightning Jack Kane is a member of the notorious Younger Brother gang. He is the only member to survive their last shoot-out. Fortunately, he was only a minor member of the gang and escapes notice. Jack decides to rob a bank. He gets away with a small amount of cash and a mute, Ben, as a hostage. Unfortunately for Jack, Ben wants to be an outlaw so Jack is stuck with him. Eventually the two become grudging friends. ~ Sandra Brennan, Rovi

The touching story of a boy and his killer whale made this family drama a surprise box office hit. Jesse (Jason James Richter) is a kid without parents who has bounced from one foster home to another and is living on the streets. One night, he's caught spraying graffiti with his friend Perry (Michael Bacall) in a theme park. Jesse and Perry are caught red handed by Dwight (Mykel T. Williamson), a policeman who thinks that Jesse needs a more stable and disciplined environment. Dwight arranges for Jesse to stay with a new foster family, Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), with whom Jesse has an initially stormy relationship. Part of Jesse's punishment involves cleaning up the damage he caused at the park, where the new attraction is Willy, a killer whale who is being trained to do tricks. However, Willy was traumatized when he was stolen from his family by mercenary fisherman and does not respond well to the genuine concern of his trainers, Rae (Lori Petty) and Randolph (August Schellenberg). Jesse and Willy, both stranded without families in a place where they don't fit in, develop a close emotional bond, and with Jesse's help, Willy begins to display aptitude as a performer. Thanks to his friendship with Willy, Jesse develops a new sense of responsibility and a healthier relationship with the Greenwoods. However, Dial (Michael Ironside), the owner of the park, doesn't much care for animals and isn't happy with the slower-than-expected progress of Willy's training; having insured the whale for $1 million dollars, he figures that Willy is worth more dead than alive, and Jesse, Rae, and Randolph have to rescue their aquatic friend and return him to the ocean when Dial seems ready to live up to his threats. Free Willy, which featured a star performance by a killer whale named Keiko (who is doubled in some scenes by animatronic models) included the theme song "Will You Be There," a top-ten hit for Michael Jackson, and spawned two sequels. ~ Mark Deming, Rovi