Richard Riehle Movies

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

In the series pilot, Ally (Calista Flockhart) goes to work for a former classmate (Greg Germann). ~ TV Guide, All Movie Guide

In this action thriller, a group of Islamic terrorists, led by Nagi Hassan (David Suchet), highjacks a 747 jetliner with 400 passengers aboard, but Lt. Col. Austin Travis (Steven Seagal), a United States intelligence agent, is convinced that this isn't an ordinary case of air piracy. His suspicions are soon confirmed; Hassan's men have obtained a large cache of stolen Soviet nerve gas, and they are using the 747 to smuggle the deadly gas into the United States, where they intend to use it to wipe out Washington D.C. and possibly the entire East Coast. As the jet approaches the U. S., engineer Dennis Cahill (Oliver Platt) designs a plan in which a military plane will be able to transfer U.S. soldiers onto the 747 and regain control of the plane and its deadly cargo. However, when Travis dies in the course of the mission, intelligence agent Dr. David Grant (Kurt Russell) is forced to take his place alongside explosives expert Cappy (Joe Morton), commando Rat (John Leguizamo), and stewardess-turned-anti-terrorist Jean (Halle Berry). Executive Decision was the first directorial assignment for veteran film editor Stuart Baird; he cut the film as well. ~ Mark Deming, All Movie Guide

This original HBO production documents, in dramatic form, the rivalry between Jackie Robinson, Satchel Paige and Josh Gibson to see who would be the first African-American to play Major League Baseball. Paige (played by Delroy Lindo) and Gibson (Mykelti Williamson) are more aggressive about seizing the opportunity that arose in the mid-'40s with the death of baseball commissioner Kenesaw Mountain Landis, who had publicly avowed that the color line in baseball would never be broken. Branch Rickey (Edward Herrmann), the owner of the Brooklyn Dodgers, is the first to seize that opportunity, sending his scouts to check out all the stars of the Negro Leagues. He narrows his choice down to Robinson, in part because of Paige's age (he was around 40) and Gibson's health (he behaved erratically in public, though it rarely affected his game). Rickey was looking for a player with the talent to compete in the big leagues and the character not to allow the inevitable harassment that would come his way to get to him. Robinson was signed in October 1945 and made his big-league debut in April 1947. Paige made it to the big leagues in 1948; Gibson died at the age of 36 in 1947 of a brain tumor. ~ Tom Wiener, All Movie Guide

A goofy slacker wreaks havoc after worming his way onto the jury of a high-profile court case in this broad comedy. The extremely unmotivated Tommy Collins (Pauly Shore) has found himself homeless after being kicked out by his mother, and he needs a place to stay. After hearing how the juries of important cases are sequestered in fancy hotels and provided with free meals, he decides that's the life for him and successfully volunteers for jury duty. Enjoying what he considers the high life and wishing to romance an attractive female juror (Tia Carrere), Tommy infuriates his fellow jurors by attempting to drag out the trial. Director John Fortenberry offers much obvious slapstick, along with a few attempts at topical jibes against media sensationalism, but even fans of Shore's lowbrow humor may be disappointed by the film's quality. ~ Judd Blaise, All Movie Guide

A crazed hunter starts stalking a group of friends on a hunting trip when they enter his territory. Lots of poor action and acting, even for direct-to-video. ~ Sean D. MacLaggan, All Movie Guide

A rousing Disney dog-sled adventure based on a real life event -- a 522-mile dog-sled race between Winnipeg, Canada and St. Paul, Minnesota that occurred in 1917. When his father is accidentally killed, South Dakota farmboy Will Stoneman (Mackenzie Astin) decides to enter the dog-sled race in order to save his family from financial ruin. His mother (Penelope Windust) wants Will to use part of the prospective $10,000 race winnings for college, but Will just wants to save the farm. With the help of Indian handyman Ned Dodd (August Schellenberg), Will begins to train for the race. But the rich mogul underwriting the race, J.P. Harper (David Ogden Stiers), doesn't want Will to enter, thinking the competition too arduous and too dangerous for such a young boy. To Will's aid comes yellow journalist Harry Kingsley (Kevin Spacey), who convinces Harper to permit Will to enter the race. But Harry also has his own agenda -- he sees a great story in Will and thinks it will sell newspapers and advance his journalistic career. With his father's best dog Gus at the head of his dog team, Will is ready and determined to win the race. But Will discovers that winning the race is only half his battle. Dealing with the petty and malevolent human beings involved in the race -- in particular, the egotistical Scandinavian champion Borg Guillarson (George Gerdes) and the wealthy gambler Angus McTeague (Brian Cox) -- prove to be as much of a challenge to his mettle than any natural obstacles Will might encounter. ~ Paul Brenner, All Movie Guide

In this humorous Western, Aussie Paul Hogan plays a cowboy running from the law. Lightning Jack Kane is a member of the notorious Younger Brother gang. He is the only member to survive their last shoot-out. Fortunately, he was only a minor member of the gang and escapes notice. Jack decides to rob a bank. He gets away with a small amount of cash and a mute, Ben, as a hostage. Unfortunately for Jack, Ben wants to be an outlaw so Jack is stuck with him. Eventually the two become grudging friends. ~ Sandra Brennan, All Movie Guide

The touching story of a boy and his killer whale made this family drama a surprise box office hit. Jesse (Jason James Richter) is a kid without parents who has bounced from one foster home to another and is living on the streets. One night, he's caught spraying graffiti with his friend Perry (Michael Bacall) in a theme park. Jesse and Perry are caught red handed by Dwight (Mykel T. Williamson), a policeman who thinks that Jesse needs a more stable and disciplined environment. Dwight arranges for Jesse to stay with a new foster family, Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), with whom Jesse has an initially stormy relationship. Part of Jesse's punishment involves cleaning up the damage he caused at the park, where the new attraction is Willy, a killer whale who is being trained to do tricks. However, Willy was traumatized when he was stolen from his family by mercenary fisherman and does not respond well to the genuine concern of his trainers, Rae (Lori Petty) and Randolph (August Schellenberg). Jesse and Willy, both stranded without families in a place where they don't fit in, develop a close emotional bond, and with Jesse's help, Willy begins to display aptitude as a performer. Thanks to his friendship with Willy, Jesse develops a new sense of responsibility and a healthier relationship with the Greenwoods. However, Dial (Michael Ironside), the owner of the park, doesn't much care for animals and isn't happy with the slower-than-expected progress of Willy's training; having insured the whale for $1 million dollars, he figures that Willy is worth more dead than alive, and Jesse, Rae, and Randolph have to rescue their aquatic friend and return him to the ocean when Dial seems ready to live up to his threats. Free Willy, which featured a star performance by a killer whale named Keiko (who is doubled in some scenes by animatronic models) included the theme song "Will You Be There," a top-ten hit for Michael Jackson, and spawned two sequels. ~ Mark Deming, All Movie Guide

Corporate women launch a bitter courtroom battle when their avaricious employer tells them that they will lose their jobs if they do not get sterilized. The fight takes the women through a disillusioning jungle of government red tape. ~ Sandra Brennan, All Movie Guide

A vigilante (Anthony LaPaglia) who is systematically killing the crime lords in control of the Chicago mob crosses paths with a veteran detective (Louis Gossett Jr.) in this made-for-cable thriller. ~ Jason Ankeny, All Movie Guide

Stephen Frears' Hero is a contemporary re-working of a Frank Capra-styled fable about a two-bit criminal named Bernie (Dustin Hoffman) who saves several passengers from a plane crash and leaves the scene without being identified, leaving only a lost shoe for identification. One of the passengers happens to be news-reporter Gale (Geena Davis) who is intent on finding her savior, and offers a million dollars to the "hero" of the crashed flight. Bernie has since given his remaining shoe to a homeless man named John (Andy Garcia) who decides to cash in on the offer. A handsome, charming man, John wins the hearts of the entire city. Soon, Bernie realizes that he's been cheated out of a million dollars, and he begins an effort to get his proper recognition--and his money. Hero manages to be quite funny and satirical while sticking to a story that is essentially a Hollywood fable. That is to the credit of director Frears and the cast, who turn in uniformly excellent performances. Nevertheless, Hoffman is superb as a bitterly comic and spiteful variation on his classic Ratso Rizzo character. By the way, be on the lookout for Chevy Chase in a very funny cameo. ~ Stephen Thomas Erlewine, All Movie Guide

Howard Franklin wrote and directed this film noir character study based on the famed New York Daily News photographer Weegee. Joe Pesci plays a character named Bernstein, a freelance photographer for the New York City tabloids of the 1940s. His life is dedicated to his work; with a police radio under the dashboard of his car and a darkroom in his trunk, he quickly and efficiently races to the scene of crimes, accidents and murders to snap photographs of gangsters, politicians, cops, and prostitutes, which he promptly delivers to the newspapers. His knack for arriving at a crime scene before the police earns him the nickname the Great Bernzini. The trouble begins for Bernstein when he agrees to look up a gangster for Kay (Barbara Hershey), the sexy owner of a fancy Manhattan nightclub. After making inquiries, Bernstein traces the man Kay is looking for, but he turns up dead. When he informs the police, he becomes a suspect in the murder; it also turns out that the FBI is interested the case. Bernstein then uncovers an elaborate conspiracy concerning gas rationing, the mob, and the government. ~ Paul Brenner, All Movie Guide