Ralph Richardson Movies
Sir Ralph Richardson was one of the most esteemed British actors of the 20th century and one of his country's most celebrated eccentrics. Well into old age, he continued to enthrall audiences with his extraordinary acting skills -- and to irritate neighbors with his noisy motorbike outings, sometimes with a parrot on his shoulder. He collected paintings, antiquities, and white mice; acted Shakespeare, Ibsen, and Sophocles; and instructed theatergoers on the finer points of role-playing: "Acting," he said in a Time article, "is merely the art of keeping a large group of people from coughing." Like the Dickens characters he sometimes portrayed, Richardson had a distinctly memorable attribute: a bulbous nose that sabotaged his otherwise noble countenance and made him entirely right for performances in tragedies, comedies, and tragicomedies. In testament to his knowledge of poetry and rhyme, he married a woman named Meriel after his first wife, Muriel, died. Fittingly, Ralph David Richardson was born in Shakespeare country -- the county of Gloucestershire -- in the borough of Cheltenham on December 19, 1902. There, his father taught art at Cheltenham Ladies' College. When he was a teenager, Ralph enrolled at Brighton School to take up the easel and follow in his father's brushstrokes. However, after receiving an inheritance of 500 pounds, he abandoned art school to pursue his real love: creating verbal portraits as an actor. After joining a roving troupe of thespians, the St. Nicholas Players, he learned Shakespeare and debuted as Lorenzo in The Merchant of Venice in 1921. By 1926, he had graduated to the Birmingham Repertory Theatre and, four years later, appeared on the stage of England's grandest of playhouses, London's Old Vic. Ralph had arrived -- on the stage, at least. But another four years passed before he made his first film, The Ghoul, about a dead professor (Boris Karloff) who returns to life to find an Egyptian jewel stolen from his grave. Richardson, portraying cleric Nigel Hartley, is there on the night Karloff returns to unleash mayhem and mischief. From that less-than-auspicious beginning, Richardson went on to roles in more than 70 other films, many of them classics. One of them was director Carol Reed's 1948 film, The Fallen Idol, in which Richardson won the Best Actor Award from the U.S. National Board of Review for his portrayal of a butler suspected of murder. Three years later, he won a British Academy Award for his role in director David Lean's Breaking the Sound Barrier, about the early days of jet flight. In 1962, Richardson won the Cannes Film Festival's Best Actor Award for his depiction of James Tyrone Sr., the head of a dysfunctional family in playwright Eugene O'Neill's Long Day's Journey Into Night. Because of Richardson's versatility, major studios often recruited him for demanding supporting roles in lavish productions, such as director Laurence Olivier's Richard III (1954), Otto Preminger's Exodus (1960), David Lean's Dr. Zhivago (1965), and Basil Dearden's Khartoum (1966). While making these films, Richardson continued to perform on the stage -- often varooming to and from the theater on one of his motorbikes -- in such plays as Shakespeare's Henry IV (Part I and II), Chekhov's Uncle Vanya, Sophocles' Oedipus Rex, and Sheridan's School for Scandal. He also undertook a smorgasbord of movie and TV roles that demonstrated his wide-ranging versatility. For example, he played God in Time Bandits (1981), the Chief Rabbit in Watership Down (1978), the crypt keeper in Tales From the Crypt (1972), the caterpillar in Alice's Adventures in Wonderland (1972), Wilkins Micawber in TV's David Copperfield (1970), Simeon in TV's Jesus of Nazareth (1977), and Tarzan's grandfather in Greystoke: the Legend of Tarzan, Lord of the Apes (1984). In his spare time, he portrayed Dr. Watson on the radio. Sir Ralph Richardson died in 1983 of a stroke in Marylbone, London, England, leaving behind a rich film legacy and a theater presence that will continue to linger in the memories of his audiences. ~ Mike Cummings, Rovi- 1986
This excellent biographical documentary looks at the life and work of director William Wyler. The film is dominated by clips from many of Wyler's better-known works, such as Roman Holiday, Ben-Hur, and Funny Girl. A long interview with the director himself (conducted a few days before he died) provides his personal perspective on his work and interviews with his actors and colleagues offer some surprising comments about the man. Terence Stamp feels Wyler may not have had a good command of English, while Laurence Olivier notes that Wyler taught him how to drop theatrical exaggerations and act for the camera. Bette Davis gives the most extensive commentary. Excerpts from home movies show Wyler and his family on vacation and also record a bit of the making of Wuthering Heights. ~ Eleanor Mannikka, Rovi
- Starring:
- William Wyler, Bette Davis, (more)
- 1984
- PG
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Greystoke: The Legend of Tarzan, Lord of the Apes is a reverent retelling of the Edgar Rice Burroughs original, with a 1980s-sensibilities slant. Shipwrecked on the coast of Africa, Lord Jack Clayton (Paul Geoffrey) and his pregnant wife Lady Alice (Cheryl Campbell) attempt to survive in the hostile environment, but both die shortly after the birth of their son John. Abandoned in the wilderness, the orphaned John is adopted by a family of rather highly evolved apes, and raised as one of their own. Years later, John-now known as Tarzan, and now played by Christopher Lambert-comes across a party of white hunters. Rescuing one of the intruders, Belgian Captain Phillipe D'Arnot (Ian Holm) from a horrible death , Tarzan is taught to speak English by the grateful D'Arnot. Coming across the remains and possessions of Tarzan's parents, D'Arnot discovers that the Lord of the Jungle is actually the Earl of Greystoke. Brought back to England, Tarzan is introduced to society, where his crude, apelike manners offend everyone--except the likeable (and painfully senile) 6th Lord of Greystoke (Ralph Richardson, in his final film role) and Greystoke's American ward, Jane Porter (Andie McDowell, whose Southern-fried voice is dubbed by Glenn Close). Disturbed at the notion of Tarzan's inheriting Greystoke manner, his more greedy relatives begin plotting against him. But it is Tarzan himself who decides that he cannot adapt himself to England-especially after a painful reunion with his ape foster father, imprisoned in a science-lab cage. ~ Hal Erickson, Rovi
- Starring:
- Ralph Richardson, Ian Holm, (more)
- 1984
- PG
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Having written the music and screenplay for this film, Paul McCartney also plays himself in the leading role. When the sole copy of McCartney's latest album is misplaced, he must discover its whereabouts in less than 24 hours or else risk losing his recording company to the lowlife Mr. Rath (John Bennett). McCartney performs three new songs, along with a number of classic Beatles' tunes. ~ Iotis Erlewine, Rovi
- Starring:
- Paul McCartney, Bryan Brown, (more)
Originally a nine-hour British miniseries, this film on the last four decades in the life of Richard Wagner may have taken its long-winded cue from the lengthy operas of the famous 19th-century German composer and musical theorist -- the Ring des Nibelungen is 14-15 hours in itself, divided into four separate operas. This biographical film begins when Wagner is first recognized for his work, yet in that same year, 1848, he was forced out of his homeland for his radical politics (he supported the unification of separate kingdoms under one Germany) and settled in Zurich for awhile. Focusing on character traits that are well-known and would not endear him to anyone, the film details his bigotry (a confirmed anti-Semitic), his insensitivity, and his obsession with money -- he went after the bottom line even if it meant losing friendships or ruining his marriage. Although Wagner is known for his music theory and the contribution he made to opera during his lifetime, very little attention is given to his actual works in this film. Venerable British thespians (Laurence Olivier, John Gielgud, Ralph Richardson, Vanessa Redgrave, Joan Plowright, and Richard Burton as Wagner) light up the cast but not always with the same brightness. In the final analysis, the slow-paced story is simply too long in the telling, and even the visually sumptuous costumes and production design cannot make up for a slow script, uneven acting, and problems in direction. The film version runs 300 minutes. ~ Eleanor Mannikka, Rovi
- Starring:
- Richard Burton, Vanessa Redgrave, (more)
- 1983
- PG
Good performances (by Ralph Richardson as a befuddled pastor and Paul Nicholas as David, an unwitting bridegroom) help along this otherwise weak comedy-romance about David, an American who stands in for the groom at a wedding rehearsal -- only to later discover that the wedding was accidentally real. His "bride" is Lady Anne (Susan Brooks). After the "rehearsal," the unintended couple spend an idyllic week going on picnics, riding horses, and generally enjoying the countryside and each other's company. By the end of the week, Lady Anne has changed her mind about her actual, pending marriage -- and though it does not seem to be an issue, her pending marriage would only make her a bigamist after all. ~ Eleanor Mannikka, Rovi
- Starring:
- Ralph Richardson, John Gielgud, (more)
- 1982
From its humble beginnings as a four-character short story, Agatha Christie's Witness for the Prosecution matriculated into a long-running London and Broadway stage hit, as well as a masterful 1957 film version directed by Billy Wilder. The 1982 TV version of Witness was overseen by Briton Norman Rosemont, who made remakes of earlier films his life's work in the 1980s (Hunchback of Notre Dame, Little Lord Fauntleroy). Sir Ralph Richardson heads the cast as prominent barrister Sir Wilfred Robarts, who takes on the case of Leonard Vole (Beau Bridges), a likeable chap accused of murdering a rich old lady. Sir Wilfred is shocked to discover that Vole's German-born wife (Diana Rigg) is prepared to divorce her husband and appear as witness for the prosecution; it is the first of many surprises for the aging lawyer, the cleverest of which occur just minutes before the end of the story. Deborah Kerr costars as Sir Wilfred's remonstrative nurse--a character that appears in neither the original story nor the play, but was created for Elsa Lanchester in the 1957 film version (which starred Lanchester's husband Charles Laughtonas Sir Wilfred). For playing an eleventh-hour addition, Ms. Kerr was awarded with an Emmy. Another reliable British favorite, Wendy Hiller, appears briefly as a post-deaf witness. Adapted for television by John Gay, Witness for the Prosecution was originally a Hallmark Hall of Fame presentation. ~ Hal Erickson, Rovi
A special-effects laden medieval fantasy adventure, Dragonslayer centers on the attempts of a young sorcerer's apprentice to defeat a vicious dragon and save a lovely young maiden. Peter MacNicol stars as the young Galen, an aspiring magician under the tutelage of the aging Ulrich (Ralph Richardson). A nearby village turns to the pair for help when their leader begins proffering sacrifices of young virgins to satisfy a vicious dragon. The two immediately set out for battle, becoming even more determined when a courageous princess offers to sacrifice herself to the creature. Unfortunately, Ulrich's failing abilities force Galen into the center of the conflict, where the uncertain young boy must prove himself under fire. The suitably mythic if somewhat predictable story is told straightforwardly, culminating in a spectacular battle against the beast, featuring Academy Award-nominated visual effects. Despite its visual flair and relatively positive reviews, the film received mediocre response at the box office, as some criticized the film's violence as too intense for its intended younger audiences. ~ Judd Blaise, Rovi
- Starring:
- Peter MacNicol, Caitlin Clarke, (more)
A young boy joins a group of renegade dwarves on an unpredictable journey through time in this humorous fantasy. Monty Python animator Terry Gilliam mostly achieves a tricky balancing act in his second feature as sole director, creating a dark, irreverent comedy disguised as a family adventure. Particularly amusing are the boy's encounters with various historical figures, including an entertainment-starved Napoleon (Ian Holm), a powerful Agamemnon (Sean Connery), and a surprisingly stuffy Robin Hood, embodied by Gilliam's Python cohort John Cleese. Episodic by nature, the film is less successful when dealing with the larger narrative, which concerns the pursuit of the dwarves and their time-traveling map by the Supreme Being. However, the combination of Gilliam's visual exuberance and the witty script (by Gilliam and Michael Palin) ensures an entertaining, if erratic, journey. ~ Judd Blaise, Rovi
- Starring:
- John Cleese, Sean Connery, (more)
- 1981
This provocative drama is based on a play by David Storey and chronicles the last days of a formerly powerful politician who is far from stoic as he awaits his execution. ~ Sandra Brennan, Rovi
- 1979
David Hemmings plays Charlie Muffin, a working-class British secret agent who suffers fools and aristocrats not at all well, and as such is in constant conflict with his superiors. Unlike James Bond, Charlie bleeds when you prick him...and he cares, deeply. Britain's M16 unit reluctantly assigns Charlie the task of protecting Valery Kalenin (Pinkas Braun), head of the KGB. Kalenin is ostensibly defecting, but Charlie gloms onto the truth of the whole affair early on. He also figures out that those unseen assassins taking potshots at him are not only in the employ of the KGB, but also the M16. Originally released in 1979, Charlie Muffin did not receive widespread American exposure until its October 1983 telecast on PBS. ~ Hal Erickson, Rovi
- Starring:
- David Hemmings, Pinkas Braun, (more)
Unique in the annals of animated films, Watership Down is a serious, even grim tale that many will find relentless and depressing and others will find poetic and moving. It doesn't pull any punches. Death -- violent, disturbing death -- is ever present, portrayed in a manner that is astonishingly honest for a cartoon. As a result, it is that rare animated film that really aims for a mature audience, despite its superficial funny animal trappings. It has a brilliant opening, most likely created by UPA veteran John Hubley, which in a primitive and simplistic style relates a creation myth as told by rabbits. The style changes thereafter, with beautiful watercolor backgrounds and a more natural approach to character animation. Unfortunately, the animation suffers somewhat from this point, becoming a bit sloppy, although it continues to portray the characters' movements as realistically as possible. The character designs themselves are rather too similar, with the result that it is sometimes difficult to tell the various rabbits apart. The story is also sometimes told in too-broad strokes, leaving those unfamiliar with the novel confused as to exactly what has happened and, more importantly, why. However, these flaws are redeemed by some unforgettable sequences, including a chilling segment detailing the destruction of the rabbits' warren and a devastatingly sad end sequence in which the Black Rabbit of Death gently takes one of the heroes away with it. Voiced by a fine cast, with stellar work from John Hurt and Richard Briers, Watership Down is an imperfect film with some of the most powerful moments ever created for the genre. ~ Craig Butler, Rovi
- Starring:
- John Hurt, Richard Briers, (more)
Because director Franco Zeffirelli noted publicly that he intended to depict Jesus Christ as a human being rather than a religious icon, his expensive made-for-TV miniseries Jesus of Nazareth fell victim to protestors long before its April 3, 1977, debut. Despite the pullout of several sponsors, Jesus of Nazareth was aired as scheduled, sweeping the ratings in the process. In avoiding the usual overproduced Hollywood approach to the Gospels, Zeffirelli offers one of the most sensitive and reverent portrayals of Jesus ever seen on film. In the title role, Robert Powell heads a huge international cast, which includes Olivia Hussey as Mary, Peter Ustinov as Herod the Great, Christopher Plummer as Herod Antipas, Michael York as John the Baptist, James Farentino as Simon Peter, Donald Pleasence as Melchior, James Earl Jones as Balthazar, Ian McShane as Judas, Anne Bancroft as Mary Magdalene, Rod Steiger as Pontius Pilate, James Mason as Joseph of Arimathea, Anthony Quinn as Caiaphas, Laurence Olivier as Nicodemus, Ernest Borgnine as the Centurion, and Claudia Cardinale as the Adulteress. Filmed in England, Tunisia, and Morocco, Jesus of Nazareth was scripted by Zeffirelli, Anthony Burgess, and Suso Cecchi D'Amico. It originally aired in two three-hour segments, telecast Palm and Easter Sunday of 1977 as part of NBC's Big Event anthology. ~ Hal Erickson, Rovi
- Starring:
- Robert Powell, Olivia Hussey, (more)
- 1977
The made-for-television The Man in the Iron Mask was, at the very least, the twelfth film version of Alexandre Dumas' novel The Vicomte of Bragelonne: Ten Years Later - the second sequel to his Three Musketeers. The title character is Philippe (Richard Chamberlain), claimant to the throne of France. Supporters of Philippe's vile twin brother, King Louis XIV (also Chamberlain), kidnap Philippe, lock him in a dungeon, and obscure his identity with an iron mask. But aging D'Artagnan (Louis Jourdan), who'd virtually raised Philippe from boyhood, reunites his old musketeer cohorts to rescue Philippe, overthrow the wicked Louis, and place the "rightful heir" on the throne. Emmy nominations went to scripter William Bast and costumer Olga Lehmann. Photographed by the great Freddie Young, Man in the Iron Mask was first telecast January 17, 1977 ~ Hal Erickson, Rovi
- 1976
No kidding! The real Ralph Richardson and John Gielgud show up for some highly Pinteresque banter while waiting for their cue in the dressing room. Actually, this episode is more famous for the first appearance of "The Sammy Maudlin Show," featuring Joe Flaherty as Sammy, Andrea Martin as Lorna Minelli, Eugene Levy as Bobby Bittman, Catherine O'Hara as rising starlet Trish Nutly, and John Candy as unctuous co-host William B. (This was clearly intended as a one-shot sketch, as witnessed by the hilarious closing gag.) Also on tap: "The 211,000 Dollar Triangle"; Johnny LaRue (John Candy) shows out-of-work viewers how to prepare cat food; a commercial for the new album "Shakespeare's Greatest Jokes"; and a promo for "The Exorcist of Oz." ~ Rovi
- Starring:
- Ralph Richardson, John Gielgud, (more)
In the year 2018 violence has been outlawed and corporations have replaced government as the ruling party following the demise of politics. With the absence of war or conflict, a forcibly passive population's bloodlust is satisfied by a brutal new sport known as Rollerball. A high-octane melding of the outlawed sports of the past, the worldwide phenomenon of Rollerball has resulted in a corporate-backed sensation. The most popular athlete in the world, Jonathan E. (James Caan) has steadily risen through the ranks to become a legendary veteran of the sport. When the corporate backers of Rollerball begin to fear that Jonathan's popularity has instilled him with a potentially dangerous amount of power, a thunderous struggle between man's free will and the oppression of the masses threatens to shatter the fragile strings that the puppet masters use to manipulate mankind. His determination to remain with the sport flying in the face of the very reason Rollerball was conceived, the corporate rulers hatch a plot to abandon the rules in hopes that Jonathan will be killed and their grip of power will remain an unyielding chokehold on an increasingly bloodthirsty populace. ~ Jason Buchanan, Rovi
- Starring:
- James Caan, John Houseman, (more)
Henrik Ibsen's oft-filmed play A Doll's House was adapted for the screen in this Anglo-Canadian production. Claire Bloom stars as Nora, the child-like "trophy bride" who matures rather rapidly when her husband is threatened with blackmail. Even after extricating her block-headed hubby from his dilemma, he refuses to take her seriously, whereupon Nora, in a burst of pre-feminist pique, literally slams the door on her hothouse existence. Supporting Ms. Bloom are Anthony Hopkins, Sir Ralph Richardson, Denholm Elliott and Dame Edith Evans. Held out of general release when it was first made in 1973 when it was squeezed off the marketplace by the competing Jane Fonda version, A Doll's House enjoyed its widest distribution upon its 1989 reissue. ~ Hal Erickson, Rovi
- Starring:
- Claire Bloom, Anthony Hopkins, (more)
- 1973
Taped in London and originally telecast by the BBC, this ABC Afternoon Special combines comedy, drama, and song to introduce young children to the marvels of William Shakespeare. In the course of a lively 46 minutes, John Gielgud and Ralph Richardson read excerpts from Hamlet, Richard III, and As You Like It; Lynn Redgrave and Simon Ward perform quickie comic blackouts, encapsulating some of the Bard's more lighthearted efforts; and Paul Jones sings "Maria" from West Side Story, which of course is an updating of Romeo and Juliet. The revels are ended as the entire cast joins in on a rendition of "Brush Up Your Shakespeare," from Cole Porter's Broadway musical Kiss Me Kate. ~ Rovi
- Starring:
- John Gielgud, Ralph Richardson, (more)
Per its title, Jack Smight's Frankenstein: The True Story, strives for greater faithfulness to Mary Shelley's novel than prior versions. Thus, as in the book, Dr. Frankenstein's (Leonard Whiting) creation is no monster, but a handsome young man of high intelligence (Michael Sarrazin). In fact, the doctor and his creature are the best of friends until the latter's body begins to deteriorate. This sends the creature over the bend into insanity, prompting Frankenstein -- with the help of his evil mentor, Dr. Polidori (James Mason), a character not in the Shelley novel -- to try, try again to create a viable synthetic human. The film ends more or less as the novel does, with the outcast Frankenstein and his creature expiring in the frozen wastes of Antarctica. Adapted for television by Christopher Isherwood, Frankenstein: The True Story was originally telecast in two parts on November 30 and December 1, 1973. ~ Hal Erickson, Rovi
One man's dreams of success take him on a Byzantine journey through the various stations of the British class system in this politically charged black comedy from director Lindsay Anderson. Mick Travis (Malcolm McDowell) is an ambitious young man who is looking to get his foot on the first rung of the ladder of success by landing a job as a salesman. After the death of Imperial Coffee's leading drummer in the North, Travis' charm and enthusiasm so impresses manager Mr. Duff (Arthur Lowe) that he's given the job, and after some coaching from Gloria Rowe (Rachel Roberts), Travis sets out to find his fortune in the coffee trade. Travis' desire for success quickly sets him on a curious odyssey in which he happens upon a secret sex club for businessmen, finds himself the subject of random seductions by lonely women, is captured and tortured by military intelligence agents, submits to medical experiments at a bizarre private clinic, hitches a ride with a traveling rock band led by former Animals keyboardist Alan Price, falls in love with a beautiful young bohemian named Patricia (Helen Mirren), goes to work for her father (Ralph Richardson), who happens to be a singularly corrupt political figure, and eventually lands in prison after he's implicated in a deal to sell chemical weapons to the Third World. As Mick's strange tale progresses, we periodically visit Price and his band in the recording studio or rehearsal hall, as they work on songs which serve as both mirror and counterpoint for Travis' progress. O Lucky Man! was the second film in which Malcolm McDowell would portray Mick Travis for director Lindsay Anderson, following If..., and preceding Britannia Hospital; the film's surreal undercurrent was reinforced by the casting, in which nearly all of the principal actors play two or three roles. ~ Mark Deming, Rovi
- Starring:
- Malcolm McDowell, Ralph Richardson, (more)
- 1972
- PG
The phenomenon of Tales from the Crypt seems to have no endings, only changes. This successful pun-filled style of presenting ironic horror tales had its beginnings in William Gaine's E.C. comic series. At one time, outlandish E.C. Comics were at the heart of a national furor over the "evils" of comic books, which were thought to lead to moral degeneracy. The big comic-book publishers were frightened into freezing E.C. out of their distribution network, which killed the business. This British movie was based on the Tales from the Crypt series, which spawned several subsequent movies (and many imitators), at least one television series, and a whole new wave of comic books. Released in 1972, this movie has five episodes based on Gaines' stories, each introduced by Sir Ralph Richardson as the eerily cheery Crypt Keeper. His comedic approach to the role was misunderstood at the time, as reviewers expected a more solemn approach to horror. In "All Through the House," Santa Claus is someone to avoid. In "Reflection of Death" it takes some people a while to realize the truth about themselves. In "Poetic Justice" death cannot prevent one man's revenge. The episode "Blind Alley" demonstrates a new use for razor blades. "Wish You Were Here" cautions against taking native artifacts lightly (among other things). Among the stars featured are Peter Cushing, Joan Collins and Patrick Magee. ~ Clarke Fountain, Rovi
- 1972
- G
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A star-studded cast highlights this musical adaptation of the classic fantasy tales of Lewis Carroll. One day young Alice (Fiona Fullerton) takes a nasty spill down the rabbit-hole and finds herself in the bizarre kingdom of Wonderland, where she encounters a number of strange and enchanted characters, including the playful White Rabbit (Michael Crawford), the manic March Hare (Peter Sellers), the mysterious Caterpillar (Ralph Richardson), the Doormouse (Dudley Moore), the imperious Queen of Hearts (Flora Robson), and the quizzical Mad Hatter (Robert Helpmann). The cast also includes Spike Milligan, Peter Bull, Roy Kinnear, and Michael Jayston as Lewis Carroll. Alice's Adventures In Wonderland won two prizes at the 1973 British Academy of Film and Theatre Awards -- for Georfrey Unsworth's photography and Anthony Mendelson's costume design. ~ Mark Deming, Rovi
- Starring:
- Fiona Fullerton, Michael Crawford, (more)
Sir John Gielgud and Sir Ralph Richardson star in this made-for-TV adaptation of David Storey's award-winning comedy-drama as two genial but eccentric men who may or may not be inmates in a mental institution. Storey's text also serves as a pointed metaphor for the slow decline of British culture and society. Home was directed by Storey's frequent collaborator, Lindsay Anderson. Former Animals keyboardist Alan Price, who worked with Anderson on the film O Lucky Man!, composed the music. ~ Mark Deming, Rovi
Screenwriter Robert Bolt's directorial debut is a lushly romantic saga concerning the 1812 love affair between the wife of William Lamb, Lord of Melbourne, and the author of the poem Childe Harold, Lord Byron. Excited and embarrassed by the attendant affections heaped upon him, Byron found his writing talent waning, and in 1813 the lovers ended their affair. In her first novel, Glenarvon in 1816, Lady Lamb included a satiric portrait of her former lover. But when she later witnessed Byron's funeral in 1828, she was so affected by his death she never mentally recovered from the trauma. The film charts the doomed romantic course for Lady Caroline Lamb (Sarah Miles), beginning with her marriage to the politically promising William Lamb (Jon Finch) and continuing with her scandalous affair with Byron (Richard Chamberlain). The film then chronicles Lady Caroline Lamb's supreme sacrifice on behalf of her husband's political career. ~ Paul Brenner, Rovi
- Starring:
- Sarah Miles, Jon Finch, (more)
- 1971
- PG
Television veteran Fielder Cook brings a TV-like intimacy to his direction of Eagle in a Cage. This underrated film stars Kenneth Haigh as Napoleon Bonaparte, in his years of exile on St. Helena. The story is told from the point of view of the island's governor (John Gielgud), a former schoolteacher who finds greatness thrust upon him upon becoming Napoleon's jailer. By necessity, the emphasis is on conversation rather than action, but it holds the ear throughout. Eagle in a Cage is one of a handful of theatrical films released by the American broadcasting firm of Group W. ~ Hal Erickson, Rovi
- 1971
- PG
In this English film, a group of orphans visiting the home of a wealthy, retired singer (Shelley Winters) discover that the woman is hiding a disturbing secret. ~ Iotis Erlewine, Rovi
- Starring:
- Shelley Winters, Mark Lester, (more)
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