Miranda Richardson

Sarah Jessica Parker produces and stars in stage director Mark Brokaw's adaptation the Rebecca Gilman play concerning a newly hired dean of students at an elite New England college who finds her life consumed by chaos following a vicious series of hate crimes. Sarah Daniels (Parker) was just settling into her new position when she was placed in charge of the investigation into a series of racially motivated campus crimes. Having previously worked at an inner-city school, Sarah makes the decision to get the police involved when Dean Catherine Kenney (Miranda Richardson) and President Winston Garvey (James Rebhorn) -- both more concerned with maintaining the institution's untarnished image than actually capturing the culprit -- begin to question her authority at every turn. Later, when investigative reporter Aaron Carmichael (Mykel Williamson) arrives on campus after receiving an anonymous telephone call, Sarah is saddled with the responsibility of escorting the journalist in order to squelch any potentially negative press. When a "Forum on Race" conducted by Professor Burton Strauss (Beau Bridges) against Sarah's recommendation turns into an all-out riot, the emerging truth about the crimes forces the emotionally shattered dean of students to confront her own long-dormant prejudices. ~ Jason Buchanan, All Movie Guide

Don't Look Now director Nicholas Roeg steps back behind the camera for the first time in fifteen years to weave this macabre tale of a young architect who finds her unborn child in danger after moving deep into the Irish countryside. Liffrey (Kelly Reilly) has had enough of the big city, and now she's looking to escape her overbearing boss (Donald Sutherland) by moving to the hills of Ireland with her American boyfriend Richard (Oscar Pearce) and restoring a crumbling cottage. The previous inhabitants of the cottage are the Tuckers, who have since taken up residence at a nearby farm. Mabs Tucker (Miranda Richardson) is mother to three ethereal daughters, though her desire to have a son is evident from the first moment she meets her new neighbors. Something about the Tuckers just doesn't seem right to Liffrey and her suspicious beau, and when Liffrey becomes pregnant the mood around their cottage becomes downright ominous. It seems that Mabs' mother Molly (Rita Tushingham) has been dabbling in magic in order to ensure herself a grandson, and soon it's revealed that eldest daughter Audrey (Leona Igoe) possesses some strange, otherworldly powers. As the word about Liffrey's pregnancy begins to spread, the Tucker women become convinced that the unborn child was actually intended for Mabs, and their willing to do whatever it takes to claim the baby as their own. ~ Jason Buchanan, All Movie Guide

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

This short film is filmmaker Isabel Coixet's contribution to the anthology film Paris, Je T'Aime. In it, Sergio Castellitto stars as a philandering husband scheming to break up a long marriage with his wife (Miranda Richardson) and run off with his lover (Leonor Watling) -- only to be greeted by some shocking news when his wife arrives to meet him for dinner. Paris, Je T'Aime premiered at the 2006 Cannes Film Festival. ~ Matthew Tobey, All Movie Guide

Actor and author Richard E. Grant made his directorial debut with this period comedy drama inspired by his own experiences growing up in colonial Africa in the sixties. Ralph Compton (Zachary Fox) is the 11-year old son of Harry (Gabriel Byrne), the minister of education in the British-controlled African nation of Swaziland. While Harry is a likeable and well-connected man, his marriage to Lauren (Miranda Richardson) is on shaky ground, and when he learns she's been having an affair with one of his best friends, she leaves him and he begins drinking heavily. Harry sends Ralph to boarding school when things start to get unpleasant, and after two years he returns home to discover that some changes have been made. Ralph (now played by Nicholas Hoult) finds that his father is still drinking, but seems a more relaxed and better adjusted man -- and has just remarried, having tied the knot with Ruby (Emily Watson), a former stewardess from America. Ralph naturally resists Ruby's presence in the house, but the two become close, as Ruby indicates that she understands Ralph better than anyone else (and he senses the same). Meanwhile, the British start to withdraw from Swaziland. Wah-Wah received its world premiere at the 2005 Edinburgh Film Festival. ~ Mark Deming, All Movie Guide

U.K. writer/director Stephen Poliakoff -- the cinematic artist responsible for the critically acclaimed favorites The Lost Prince (2003) and Friends and Crocodiles -- guides an all-star British cast including two-time Academy Award-nominee Miranda Richardson (Damage, Tom & Viv), Bill Nighy (Love Actually), and Poliakoff regular Robert Lindsay (Bert Rigby, You're a Fool), in his latest feature, Gideon's Daughter (2006). Reprising the Sneath character that he brought to life in Crocodiles, Lindsay narrates this tale set at the tail end of the millennium. It concerns Gideon Warner (Nighy), a British public-relations whiz who hits the top of his game as politicos, entrepreneurs, and young actresses seek him out for new campaigns. On the business front, Warner has become the man to know, but his personal life begins to stand in the way of his corporate success. His daughter, Natasha (Emily Blunt), grows increasingly furious with him, and he falls in love with Stella (Richardson), a mother recently bereft of her son. Poliakoff planned this sensitive and poignant drama as a companion piece to Friends and Crocodiles, as both films reflect on British society as the curtain falls on the 20th century. ~ Nathan Southern, All Movie Guide

Canadian filmmaker Scott Smith directs the black comedy Falling Angels, based on the novel by Barbara Gowdy and adapted for the screen by poet and author Esta Spalding. Set in the late '60s and filmed on-location in Saskatchewan, this dark family drama focuses on the three teenaged daughters of the Field household. Callum Keith Rennie plays Jim Field, the loud-mouthed, domineering patriarch who has intimidated his wife Mary (Miranda Richardson) into a catatonic state of alcoholism and depression. Norma (Monté Gagné) is the oldest, most responsible daughter; she is overburdened and preoccupied by events from the past. Middle child Lou (Katharine Isabelle) chooses the rebellious path in order to escape her father's unreasonable demands. Youngest daughter Sandy (Kristin Adams) aspires to maximum femininity, engaging in an affair with an older, married man (Mark McKinney) in the process. Falling Angels was shown at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

Australian playwright Tony McNamara makes his directorial debut with the offbeat comedy The Rage in Placid Lake, adapted from his own play The Cafe Latte Kid. In his first feature film, indie rocker Benny Lee stars as a troubled teen named Placid Lake. The child of new-agey eccentric parents (Garry McDonald and Miranda Richardson), Placid spends his childhood getting picked on by bullies. Fortunately, he finds friendship with classmate Gemma Taylor (Rose Byrne), whose father (Nicholas Hammond) pressures her to excel in school. After Placid shocks the school with his dark student film, he gets into an accident that lands him in the hospital. Upon his recovery, he reinvents himself as an conservative insurance agent and engages in an affair of sorts with emotionally detached co-worker Jane (Saskia Smith). The Rage in Placid Lake was screened at the 2003 Cannes Film Festival. ~ Andrea LeVasseur, All Movie Guide

Three women, separated by a span of nearly 80 years, find themselves weathering similar crises, all linked by a single work of literature in this film adaptation of the Pulitzer Prize-winning novel by Michael Cunningham. In 1923, Virginia Woolf (Nicole Kidman) is attempting to start work on her novel Mrs. Dalloway, in which she chronicles one day in the life of a troubled woman. But Virginia has demons of her own, and she struggles to overcome the depression and suicidal impulses that have followed her throughout her life, as her husband Leonard (Stephen Dillane) ineffectually tries to help. In 1951, Laura Brown (Julianne Moore) is a housewife living in suburban Los Angeles, where she looks after her son Richie (Jack Rovello) and husband Dan (John C. Reilly). Laura is also an avid reader who is currently making her way through Mrs. Dalloway. The farther she gets into the novel, the more Laura discovers that it reflects a dissatisfaction she feels in her own life, and she finds herself pondering the notion of leaving her life behind. Finally, in 2000, Clarissa Vaughn (Meryl Streep) is a literary editor who is caring for Richard Brown (Ed Harris), a former boyfriend and noted author, who is slowly losing his fight with AIDS. Clarissa is trying to arrange a party to celebrate the fact that Richard has won a prestigious literary award, but is getting little help from Richard's ex-lover, Louis (Jeff Daniels). As she labors to help Richard through another day, he wonders if his life is worth the unending struggle. The Hours also features Toni Collette, Miranda Richardson, Allison Janney, and Claire Danes. ~ Mark Deming, All Movie Guide

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg's stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider's recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

A man who has made murder his business is thrown into the underbelly of an unfamiliar criminal world in this thriller. Jack Carter (Sylvester Stallone) is a ruthless hired killer whose bloody career in Los Angeles has driven a wedge between himself and his family in the Northwest. When he learns that his brother has died, he flies back to Seattle, hoping to pay his respects and reconnect with his relatives. At the funeral, his brother's wife, Gloria (Miranda Richardson), and her daughter, Doreen (Rachael Leigh Cook), are wary of Jack's attempts to reach out to them, but when he learns that his brother's death was no accident, Jack forms an uneasy alliance with Doreen to find the killers and deal out his own brand of justice. Get Carter is based on the novel Jack's Return Home by Ted Lewis, which was previously filmed in 1971 with Michael Caine as the gangster seeking revenge. Caine also appears in this remake as Cliff, the boss of Jack's late brother; Mickey Rourke, Alan Cumming, and Gretchen Mol also highlight the supporting cast. ~ Mark Deming, All Movie Guide