Lee Richardson Movies

Based on the play by Ivan Menchell, this drama concerns three friends, Doris (Olympia Dukakis), Lucille (Diane Ladd), and Esther (Ellen Burstyn). All three live in the same Jewish community in Pittsburgh, are in their mid-to-late 50s, and have become widows within the past few months. Once a week, they gather to visit their husbands' graves and meet at a deli afterward to talk about their lives. Doris remains fiercely devoted to her late husband and takes her responsibilities as a widow seriously. Lucille is eager to get her feet back in the waters of dating, partly as revenge against her late husband, who often cheated on her, and partly because she's very lonely by herself. Esther is also not used to being alone after 39 years of marriage, but she doesn't feel ready to start dating again, at least not until she meets Ben (Danny Aiello), a former cop turned cab driver who gradually but firmly eases his way into her life. Doris is appalled when she discovers that Esther is dating again and loudly protests that she's being disrespectful to her late husband, while Lucille is more than a bit jealous that Esther snagged a good man before she could. Jerry Orbach and Lee Richardson appear in a brief prologue sequence. ~ Mark Deming, All Movie Guide

When a Jewish jeweler is found dead and his store is missing more than one million dollars in diamonds, a New York police detective (Melanie Griffith) goes undercover in a community of Hasidic Jews to find the criminal. Once she is immersed in the community, she falls in love with one of the most devout members, who helps her find the criminal. ~ Stephen Thomas Erlewine, All Movie Guide

In this concluding episode of the first two-part Law & Order, the case against mob boss Frank Masucci (Charles Cioffi), aka "the Dandy Don," ignominiously collapses in a heap. Frustrated, assistant D.A. Stone (Michael Moriarty) vows to put Masucci in prison by whatever means necessary. Unfortunately, this may require the D.A.'s office to place their confidence in Masucci's brother-in-law Harv Beigel (Bruce Altman), whose "cooperation" has already resulted in disaster. Meanwhile, detectives Greevey (George Dzundza) and Logan (Chris Noth), likewise anxious to get rid of Masucci, turn up the heat on a "small fish" named Joe Pilefsky (Stephen McHattie). ~ Hal Erickson, All Movie Guide

Following Serpico (1973) and Prince of the City (1981), veteran urban crime film director Sidney Lumet completed a thematic trilogy about New York City police corruption with this noir drama. When New York City cop Mike Brennan (Nick Nolte) shoots an unarmed Hispanic drug dealer in cold blood, he quickly plants a gun on his victim and manufactures some eyewitness testimony. D.A. Kevin Quinn (Patrick O'Neal) calls in his assistant district attorney, Al Reilly (Timothy Hutton), to conduct a perfunctory investigation of the incident, but Brennan's obvious guilt during a question and answer session makes Reilly dig deeper. The crusading lawyer is soon uncovering a web of corruption that reaches from Brennan into Quinn's office. At the same time, Reilly learns that his ex-girlfriend Nancy Bosch (Jenny Lumet, the director's daughter), is now dating his chief witness, Puerto Rican drug dealer Bobby Texador (Armand Assante). Q&A (1990) was based on the novel by Edwin Torres, a New York State Supreme Court judge whose two other novels were later adapted into the film Carlito's Way (1993). Lumet would again return to the subject of New York's corrupt criminal justice system with Night Falls on Manhattan (1997). ~ Karl Williams, All Movie Guide

Each of Katharine Hepburn's 1980s TV movies was heralded as the lady's last-ever appearance. We are fortunate indeed that she didn't choose the minor-league Laura Lansing Slept Here as her valedictory film. Ms. Hepburn more or less plays herself as a celebrated, pampered novelist who accepts the wager that she can't survive a week living with "just folks." She moves bag and baggage into a middle-class home, where she does her best to stage-manage the family members' private lives. Laura Lansing Slept Here could just as easily have been titled The Woman Who Came to Dinner; it's to Katharine Hepburn's credit that she was able to make so much out of so little. ~ Hal Erickson, All Movie Guide

The elderly owner of an aging but still beloved Catskill's landmark inn must decide whether to make necessary repairs to the hotel or to sell the land to developers. Meanwhile the owner's granddaughter toils in the hotel kitchen for the summer and the other staff members do their jobs. Essentially Sweet Lorraine is a plain-spoken but heartwarming slice-of-life drama. ~ Sandra Brennan, All Movie Guide

When young Chuck Murdock (Joshua Zuehlke) visits a nuclear missile site, he learns that one bomb would destroy the earth in less time than it would take a piece of silverware to drop from his hand to the floor. This information sends the sensitive boy into existential angst. Wondering why anybody should do anything when the world can be destroyed so quickly, and hoping to raise consciousness about nuclear weapons, Chuck quits his Little League team. He gains a little bit of local press. One of those stories is read by NBA star "Amazing Grace" Smith (Alex English), who is so moved by the boy's story that he too quits playing his sport. This produces a great deal of national press, as well as a handful of stars from other sports that decide to join the ranks of Amazing Grace and Chuck. Some powers that be in the sports world, as well as the government, do not look kindly upon these "strikes" and set about to end the movement. Amazing Grace and Chuck came near the end of a cycle of nuclear anxiety films that included Testament, The Day After, and Threads. ~ Perry Seibert, All Movie Guide

Created by Stephen J. Cannell, the made-for-TV Stingray combines choice elements from such past successes as Knight Rider, The Lone Ranger, and (stylistically, at least) Miami Vice. Nick Mancuso stars as the title character, a mysterious good samaritan who has apparently named himself after his jazzed-up car. In the course of events, Stingray foils the plans of an insane doctor, scuttles the operation of a drug-and-vice lord, and locates a missing child using ingenuity, brute force, and a variety of disguises. All he asks in return from the people he helps is that they will someday do a favor for him -- at any time, at any place. Robyn Douglass costars as Stingray's lady love, Deputy D.A. Daphne Delgado (who probably sells seashells by the seashore). Originally broadcast July 14, 1985, on NBC, Stingray was blatantly the pilot for a weekly TV series, which ran from March 4, 1986, to July 31, 1987. ~ Hal Erickson, All Movie Guide

Based on William Bayer's novel Switch, the made-for-TV Doubletake introduced Richard Crenna to his oft-played role of detective Frank Janek. As always, Janek is assigned to a particularly gruesome and profoundly puzzling murder case. A prim lady schoolteacher and a hooker are both killed on the same evening; their bodies are decapitated, and their heads are switched! The first installment of this two-part movie details the early stages of the investigation, as well as the growing relationship between Janek and photographer Caroline Wallace (Beverly D'Angelo), the daughter of a cop who'd died in a mob hit. Part two reveals the "dark side" of the case, exposing corruption in the highest police circles and implicating someone very close to Janek in the double murder. Doubletake was originally telecast on November 24 and 26, 1985, and has since been reissued as a single three-hour film. ~ Hal Erickson, All Movie Guide

In this interesting drama based on a novel by Robert Cormier, flashbacks to two different periods of time mixed with scenes from the present slowly unveil the mysterious circumstances surrounding a lonely teen (Robert MacNaughton) who meets regularly with a psychiatrist delving into his past. The boy is in an institution and often rides around the grounds on his bicycle, pretending that the guards, groundskeepers, and personnel are his enemies. As the psychiatrist probes deeper, more of the boy's family's past comes to light. His father (Don Murray) had been a successful journalist until he testified in a criminal court case that made him a target of assassins -- and so he faked his death in an accident, changed his name, and moved out to Vermont. He never told his son who he was, and when he and his wife (Hope Lange) are killed one day in an "accident" the boy sees it and goes into shock. Now as he continues in his treatments at the institution, he begins to suspect that his psychiatrist and the institution's staff are, in fact, his father's enemies and orchestrated the assassination of his parents. ~ Eleanor Mannikka, All Movie Guide

Inspired by a true story, Prince of the City stars Treat Williams as a Manhattan detective who agrees to help the US Department of Justice weed out corruption in the NYPD. Williams agrees on the assurance that he'll never have to turn in a close friend. Wired for sound, Williams almost immediately stumbles upon a police conspiracy to smuggle narcotics to street informants in order to insure cooperation. While this might be condonable in a stretch, the fact is that the many cops are using the drugs on their own, and are also highly susceptible to bribes. Williams gets the goods on the miscreants, but in so doing he breaks the "code" and becomes a pariah to his fellow officers. As we learn in the unsettling final scene, Williams will always be considered a "fink," even by honest cops. Prince of the City is too long for its own good, but its opening expository sequences and its final twenty minutes more than compensate for the duller stretches. ~ Hal Erickson, All Movie Guide

A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide