Joely Richardson Movies

In a novel and intriguing approach to storytelling, director David Hare has created an engaging mystery and human drama that ostensibly focuses on an innocent dinner party but is really about something else. Jean Travers (Vanessa Redgrave) is an old-maid schoolmarm who has lived in Wetherby, a small town in northeastern Yorkshire, all of her life. She is still haunted by memories of a passionate love affair with a young man who was later murdered while on military duty in Malaysia nearly 35 years ago in the '50s. One evening, Jean invites a group of friends over for dinner; the group is comprised of two couples, one of which spends the time sniping at each other. A young man, John Morgan (Tim McInnerny) is also in the dinner party. Jean thinks he was brought along by one of the couples; the couples, in turn, believe he was invited by Jean -- in short, he is a total stranger that everyone assumes is a friend of someone there. As the evening progresses, political topics of the moment are brought up and chewed over; Margaret Thatcher, Richard Nixon, and other notables of the era are discussed, and various comments are made on the laziness of today's youth. The dinner party ends, and the next day John Morgan comes back to visit Jean. While she is in the midst of preparing tea for them both, he takes out a gun and kills himself. The shock waves from his senseless act later reverberate among the dinner-party guests, as the police investigator tries to piece together the man's background and the dinner party itself. Questions are raised about his motives, and viewers see the dinner party again, moment by moment, in an entirely new light. ~ Eleanor Mannikka, All Movie Guide

Peter Greenaway wrote and directed this typically surreal and iconoclastic black comedy. Three generations of women who share the same name -- 63-year-old Cissie Colpitts (Joan Plowright), her daughter Cissie Colpitts II (Juliet Stevenson), and granddaughter Cissie Colpitts III (Joely Richardson) -- have all discovered the same way of dealing with their marital problems. The senior Cissie has drowned her husband Jake (Bryan Pringle) in the bathtub, her daughter sent her spouse Hardy (Trevor Cooper) to a watery grave in the ocean, and the youngest Cissie sent her husband Bellamy (David Morrissey) down in a swimming pool. Needless to say, local coroner Henry Madgett (Barnard Hill) has some questions about this sudden rash of drownings among the Colpitts husbands, and again all three women respond in the same way: they promise to sleep with Henry in exchange for recording the deaths as accidental (though none of the Cissies make good on this promise). When the local gossip mill begins working overtime about this sudden rash of water-related deaths, Henry's teenage son Smut (Jason Edwards) comes to the aid of the Cissies and organizes a tug-of-war, with he and the Colpitts women on one side and the doubting townspeople on the other (and, of course, a river in the middle). Along the way, Greenaway often stops to contemplate his obsessions with literature, astronomy, and numbers. Drowning by Numbers was released in Europe in 1988, but didn't find its way to American screens until 1991, following the success of Greenaway's The Cook, the Thief, His Wife and Her Lover. ~ Mark Deming, All Movie Guide

An older woman recalls the circumstances that lead to the loss of her innocence in this touching, off-beat drama. For her, the road to worldliness began just after WW II when she fell in love with a poet and a real estate magnate. ~ Sandra Brennan, All Movie Guide

Another of writer/director Ken Russell's D.H. Lawrence adaptations, Lady Chatterley (an amalgam of three Lawrence novels) was first shown as a British TV miniseries on BBC1 from June 6 to 27, 1993. In recounting the familiar details of young, bored Lady Chatterley (Joely Richardson), her elderly, infirm husband (James Wilby), and her hot-blooded stable-groom lover, Manners (Sean Bean), Russell took the opportunity to both celebrate and savage the British upper classes of the 1920s. One brief sequence of full frontal nudity caused a minor scandal in Britain, though by Ken Russell standards the scene was a model of taste and decorum. After its initial TV run, Lady Chatterley was edited down from 220 to 110 minutes and released theatrically in the United States. ~ Hal Erickson, All Movie Guide

Kewpie-doll voiced Melanie Griffith does a sexed-up Nancy Drew turn in David Seltzer's adaptation of Susan Issacs' novel Shining Through. Set during World war II, Griffith plays Linda Voss, a spunky New York girl who applies for a job with international lawyer Ed Leland (Michael Douglas). Ed hires her immediately when he finds out that she speaks German fluently. The reason Ed is so interested in Linda's language skills is because Ed is an undercover OSS officer who needs a German translator. Their business relationship translates into love, but when America enters the war, Ed abandons his law practice to become a full-time spy. Utilizing Linda's charms, she travels to Berlin and infiltrates the Nazis as a domestic to try to discover information about "a bomb that can fly by itself." But Linda has personal as well as patriotic motives for agreeing to go undercover, since she has Jewish relatives in Berlin and wants to find out their whereabouts. ~ Paul Brenner, All Movie Guide

In this stark drama based on actual events in a small French town in the early '30s, a pair of repressed sisters slowly lose their grip on reality, leading to horrific consequences at the home where they're employed as maids. Christine (Joely Richardson), a domestic servant in the home of haughty widow Madame Danzard (Julie Walters), takes pride in her efficiency and deference. Raised by nuns, Christine bitterly resents her penniless mother, but remains devoted to her younger, similarly convent-reared sister, Lea (Jodhi May). When Lea, too, comes to work for Madame Danzard, Christine trains her dutifully while also driving a wedge between the girl and their mother. The sisters' emotional bond eventually becomes a sexual one, too, and as they turn inward their work suffers, leading to increasing disapproval from their employer. Meanwhile, Christine is driven mad with jealousy at what she perceives as a flirtation between Lea and Madame Danzard's sullen daughter, Isabelle (Sophie Thursfield). Tensions reach a boiling point when the widow and her daughter return home one evening to find burned garments, uncompleted housework, and the sisters holed up in their room together, smelling of sex. Adapted by Wendy Kesselman from her Pulitzer Prize-winning play, My Sister in This House, Sister My Sister was based on the true story of Christine and Lea Papin, whose grisly 1933 murders have also inspired several other works. In addition to Jean Genet's 1948 play The Maids, the incident was the basis for Jean-Pierre Denis' feature Les Blessures Assassines and the documentary En Quete Des Soeurs Papin, both released in 2000. The real-life Christine Papin died after four years in prison, but Lea was released after ten years of hard labor and lived for several more decades in another small French town. ~ Brian J. Dillard, All Movie Guide

Violence and anti-gay prejudice combine to make a heated custody battle all the more ugly in this tense domestic drama. Hannah Wyatt (Joely Richardson) is a single mother who lives with her nine-year-old son Oliver (Sam Bould) and her boyfriend Frank Donally (Jason Flemyng). Hannah was married to Martyn (Martin Donovan), but their relationship ended bitterly when Martyn chose to finally acknowledge his homosexuality and left her to move in with his lover Tom Dixon (Ian Hart). Oliver has suffered several unexplained injuries in recent months, and one day Hannah comes home from work to discover that Frank has severely wounded Oliver's hand when he lashed out with violence over a minor bit of misbehavior. Hannah kicks Frank out of the house, but when he returns -- tearfully begging forgiveness and claiming he'll never hurt Oliver again -- she takes him back. Martyn learns of Frank's violence against his son, and she sues to have full custody of Oliver for the sake of the child's safety. However, Hannah is terrified of both losing her son and being left without a man in her life; she and Frank join forces in court against Martyn, using his homosexuality as their chief weapon against him and trying to poison Oliver's mind with homophobia against his father. Hollow Reed's soundtrack features selections recorded for the film by Elvis Costello, Annie Lennox, and Paul Weller. ~ Mark Deming, All Movie Guide

In this sci-fi/horror scarefest, Dr. William Weir (Sam Neill) is a scientist who has designed a spacecraft called Event Horizon which will explore the outer reaches of space past the planet Neptune; the ship employs a special transport mechanism that, in effect, creates a black hole that the ship can pass through, allowing it to travel tremendous distances in a few seconds. The Event Horizon mysteriously disappears in the midst of a mission with no trace of either the ship or its crew, but it reappears in Neptune's orbit after a seven year absence and it's sending out a distress signal. The spaceship Lewis and Clark, and Dr. Weir, are sent to investigate; the crew -- Captain Miller (Laurence Fishburne), pilot Smith (Sean Pertwee), engineer Justin (Jack Noseworthy), navigator Starck (Joely Richardson), physician D.J. (Jason Isaacs), and emergency technicians Peters (Kathleen Quinlan) and Cooper (Richard T. Jones) -- are already tired and unenthusiastic about this assignment, and somewhat confused by Weir's reports. The crew of the Lewis and Clark are convinced that Weir is not telling them something, and when they discover the Event Horizon, they find that things are not what they seem, and an evil presence has taken over the ship. Incidentally, the term "event horizon" describes the outer boundaries of a black hole. ~ Mark Deming, All Movie Guide

Meg Richman made her feature directorial debut with this modernization of Henry James' Wings of the Dove, set in Seattle where musician Cynthia (Molly Parker) breaks up with drug-addict Buck (Aden Young). After Cynthia answers an ad for a live-in caretaker, she meets Eleanor Dunston (Joely Richardson), who is dying of cancer. The two becomes friends, despite Cynthia's obvious envy of Eleanor's life of luxury at her large estate. Realizing that she still loves Buck, she introduces him to Eleanor as her half-brother, and he gets work as a gardener on the grounds. Observing Eleanor's interest in Buck, she moves to manipulate the situation and has the reluctant Buck begin a relationship with Eleanor. Made for telecasting by Showtime, this feature was shown at the 1998 Sundance film Festival. ~ Bhob Stewart, All Movie Guide

In this romantic comedy, a man loses the love of his life, only to find her heart beating in the body of someone new. Architect Bob Rueland (David Duchovny) is happily married until his wife Elizabeth (Joely Richardson), a zoologist, dies in an auto accident. A year later, Bob is still dealing with his loss when he meets Grace Briggs (Minnie Driver), a shy woman who waits tables in an Irish/Italian restaurant run by her grandfather Marty (Carroll O'Connor). Bob falls for Grace at first sight, and she's attracted to him as well, but what he doesn't know is that a year ago Grace was the recipient of a heart transplant -- and that Elizabeth was the donor. Return to Me was directed and co-written by actress Bonnie Hunt, who also appears in a supporting role as Grace's best friend Megan; the cast also includes Robert Loggia, James Belushi, and David Alan Grier. ~ Mark Deming, All Movie Guide

Roland Emmerich and Dean Devlin, the director/producer team responsible for such sci-fi blockbusters as Independence Day, Stargate, and Godzilla, take a step back in time with this drama set during the American Revolution. Farmer Benjamin Martin (Mel Gibson) was born and raised in South Carolina, and fought bravely during the French-Indian wars. But since the death of his wife, Benjamin has renounced violence and quietly tends his crops, raising his seven children alone. In 1776, over Benjamin's objections, his oldest son Gabriel (Heath Ledger) joins the fight against the British. Gabriel returns from battle seriously wounded, with Lord General Cornwallis (Tom Wilkinson) calling for his arrest. A skirmish breaks out on Benjamin's plantation, and one of his children is killed as Gabriel is captured by Col. Tavington (Jason Isaacs) and sentenced to hang. Benjamin sets aside his vow of pacifism and rescues Gabriel; with the help of his former comrade-in-arms Harry Burwell (Chris Cooper), the father and son form a regiment of Carolina patriots whose cunning and ruthlessness make them heroes among the colonists -- and wanted men by British troops. Loosely adapted from the true story of Francis Marion and filmed on location in South Carolina, The Patriot was the first feature film made with the cooperation of the Smithsonian Institute, who advised the producers on historical accuracy. Joely Richardson also stars as Charlotte, Benjamin's sister-in-law who helps him care for the children. ~ Mark Deming, All Movie Guide

Successful LA attorney Terry McQuinn (Gary Sinise) returns to his Maine home town, intent upon settling the estate of his late, long-estranged father Mac (Michael Rhoades), then returning home as soon as possible. But once he has arrived, Terry finds that he is inexorably bound to his old house by vague and fragmentary memories of a horrendous tragedy in his childhood. Figuring into Terry's plight is Katherine Wentworth (Joely Richardson), a girl from his past who, unbeknownst to either one of them, is also a key player in that tragedy. The story then takes a number of surprising turns, especially with the arrival of a "dead" man who isn't, and a wintertime pilgrimage to a most unusual parking garage (where, incidentally, the viewer finally learns the significance of the film's title. Adapted by Don Snyder from his own novel, Fallen Angel was produced for the CBS "Hallmark Hall of Fame" TV series, and was originally telecast on November 23, 2003. ~ Hal Erickson, All Movie Guide