Emory Richardson Movies
Fugitive Kind began life as Battle of Angels, a never-produced 1939 play by a young Tennessee Williams. Nearly 20 years later, Williams refined this rough-hewn theatrical effort into Orpheus Descending, which enjoyed a respectable Broadway run. The renamed film version stars Marlon Brando as Valentine "Snakeskin" Xavier, a trouble-prone drifter who wanders into a deliciously Williamsesque Mississippi town. Here he becomes involved in the problems of alcoholic Carole Cutrere (Joanne Woodward) and unhappily married Lady Torrence (Anna Magnani) and also runs afoul of Torrence's vicious husband (Victor Jory). Sexual symbolism abounds in this tempestuous drama, which offers Brando at his most inscrutable and Magnani at her earthiest. Maureen Stapleton, in real life one of Brando's best friends and severest critics, plays an avant-garde artist. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlon Brando, Anna Magnani, (more)
- 1949
In this drama, a young actress from the South heads north to find fame and fortune in Harlem. ~ Sandra Brennan, All Movie Guide
- 1949
Until the House Un-American Activities Committee horned in, several postwar Hollywood films dealt with touchy "liberal" subject matter. Lost Boundaries stars Mel Ferrer as a light-skinned African-American, whose family is "passing" in an all-white New England community. When the truth comes out, the more bigoted neighbors demand the expulsion of Ferrer and his family. Considered pretty potent stuff in 1949, Lost Boundaries appears fairly conventional today, especially in its reluctance to cast a genuine black actor in the lead. ~ Hal Erickson, All Movie Guide
- Starring:
- Beatrice Pearson, Mel Ferrer, (more)
- 1947
As indicated by the title, Sepia Cinderella is an updated retelling of the classic fairy tale, featuring a cast of African-American performers. The "Cinderella" is this instance is a young man, played by Ruble Blakely. A struggling songwriter, Blakely scores an unexpected hit, then finds that he can't cope with success. He is brought down to earth by his faithful girlfriend (Sheila Guyse). Though produced by blacks for a predominantly black audience, Sepia Cinderella is strictly white-bread when honoring the conventional cliches. There's even the scene in which the hero must choose between a high-society debutante and the "regular" girl he left behind. ~ Hal Erickson, All Movie Guide
- Starring:
- Freddie Bartholomew, Ruble Blakey, (more)
- 1946
One of the few all-black productions of the 1940s to garner attention in the "white" trade press, Beware is a vehicle for bandleader Louis Jordan, here cast as a college alumnus named Lucius Brokenshire Jordan. Thanks to the economic duplicity of its benefactor's grandson, Jordan's alma mater runs out of money. When he learns about the college's plight, our hero not only stages an impromptu fund-raising show, but also settles the hash of the crooked grandson. In its own modest way, the film pokes fun at the snobbery of college faculty members who look down their noses at graduates who enter show business rather than pursue more "worthwhile" careers. Costarring with Louis Jordan are Frank Wilson and Valerie Black, both cast members of Broadway's Anna Lucasta. ~ Hal Erickson, All Movie Guide
- Starring:
- Valerie Black
