Duncan Richardson Movies

The literalism of writer-director Richard Brooks serves him well in this meticulously faithful adaptation of the Robert Ruark novel Something of Value. Filmed on location in Africa, this is the story of the Mau Mau uprising in Kenya, as seen through the eyes of a handful of protagonists. Virtually alone in a sea of racist British colonialism, gentleman farmer Peter McKenzie (Rock Hudson) strives to understand the demands of freedom and equality made by Kenya's black population in particular and his childhood friend Kimani (Sidney Poitier) in particular. Ultimately, however, McKenzie and Kimani find themselves on opposite sides of the fence when the latter aligns himself with the Mau Mau. Without advocating the terrorism of this controversial movement, the screenplay is careful to deal the ongoing iniquities and frustrations that forced men like Kimani to take arms against their white brethren. There were a few theatres in the American south who, feeling that the racial tensions inherent in Something of Value hit too close to home, refused to book this fascinating, thought-provoking, often startlingly brutal film. ~ Hal Erickson, All Movie Guide

John Forsythe plays a successful television writer, Don Newell, who works on the "Crime of the Week" anthology series. Newell is being blackmailed by one of the program's actresses (Kathleen Hughes), who threatens to tell his wife of their clandestine affair. Arriving at the actress' apartment for a showdown, Newell discovers that the woman has been murdered. Though the writer is the principal suspect, the real killer is Henry Hayes (Edward G. Robinson), "Crime of the Week"'s research expert, who was also a blackmail victim. The inability of the police to solve the murder becomes the subject of the next "Crime of the Week" program. Hayes tries to deflect attention from himself by building up evidence against Newell, which the writer is compelled to use in his script. But Newelltumbles to Hayes' guilt, and includes this fatal clue in his "Crime of the Week" playlet. Hayes tries to kill Newell during the live broadcast, but the police arrive on the scene and shoot down Hayes. Although The Glass Web was originally released in 3-D, it is surprisingly light on "stereoptic" special effects. ~ Hal Erickson, All Movie Guide

Based on the autobiographical book by Agnes Newton Keith, Three Came Home stars Claudette Colbert as Mrs. Keith. Trapped in Borneo during the Japanese invasion, Mrs. Keith and her British husband (Patric Knowles) are penned up in a prison camp along with several other subjects. Despite the humanitarian views of camp commander Col. Suga (Sessue Hayakawa), Mrs. Keith is subject to torture, starvation, and humiliation at the hands of the guards, with Suga helpless to intervene lest he incur the wrath of his own superiors. Three Came Home contains several unforgettable moments, including a comic interlude between the male and female prisoners that ends abruptly with a barrage of Japanese bullets, and the heartwrenching scene wherein Suga learns that his family has been killed in a bombing raid. Since lapsing into the public domain in 1977, Three Came Home has popped up innumerable times on cable television. ~ Hal Erickson, All Movie Guide

Three Secrets is a darker variation on a theme first explored in A Letter to Three Wives (1949). There's only one survivor when a private plane crashes in the mountains of California. That survivor is a five-year-old boy, who hovers between life and death. As efforts continue to save the boy, three women -- Susan Chase (Eleanor Parker), Phyllis Horn (Patricia Neal) and Ann Lawrence (Ruth Roman) -- wait in agony. Years earlier, each of the three women had given up a baby son for adoption. Could it be that the little boy on the mountain top is actually the son of one of the three women? And if so, how many painful secrets will be revealed in the next few hours? ~ Hal Erickson, All Movie Guide

Usually associated with erudite, urbane comedies, the legendary screen team of Katharine Hepburn and Spencer Tracy goes intensely dramatic in the expensive western Sea of Grass. Tracy plays cattle baron Colonel James Brewton, who staunchly opposes opening the western frontier to homesteaders. Standing steadfastly beside Brewton-at least at the beginning--is his headstrong wife Lutie (Hepburn). Eventually disillusioned by the stern implacability of her husband, Lutie leaves Brewton and goes off to Denver, where she falls in love with liberal attorney Brice Chamberlain (Melvyn Douglas), the champion of the homesteaders' cause. Upon giving birth to Chamberlain's son, Lutie confesses her indiscretion to Brewton, who takes the news with commendable restraint, even offering to accept the baby as his own. Unfortunately, the Brewtons' standing in the community is weakened by the revelation of Lutie's infidelity, causing her to leave her husband for a second time. Years later, Lutie's grown-up boy Brock (Robert Walker) drifts to the wrong side of the law, leading to his death at the hands of a posse. Though it hardly seems possible under the circumstances, Brewton and Lutie are at long last reconciled through the intervention of their daughter Sara Beth (Phyllis Thaxter). Elaborately produced in the traditional MGM manner and adroitly directed by Elia Kazan, Sea of Grass is still one of the lesser Tracy-Hepburns. ~ Hal Erickson, All Movie Guide