Beah Richards Movies

The three-part TV miniseries The Sophisticated Gents covers 25 years in the lives of a group of close friends. Nine African-American members of a sports club gather for a quarter-century reunion. As they reminisce over the high and low points of their lives, some of the members await the arrival of the group's troublemaker with less than enthusiasm. The story comes to an out-of-left-field conclusion involving an escaped killer (Melvin van Peebles) and a pursuing cop. The nine "gents" of the title are played by Ron O'Neal, Thalmus Rasulala, Bernie Casey, Dick Anthony Williams, Raymond St. Jacques, Robert Hooks, Rosey Grier, Paul Winfield...and the aforementioned Melvin van Peebles. Based on John A. Williams' novel The Junior Bachelor Society, the 4-hour The Sophisticated Gents was originally telecast September 29, October 1 and October 2, 1981; for reasons unknown, its debut had been postponed for nearly two years. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

Ring of Passion is a self-described "docudrama" of the professional rivalry between African-American boxing great Joe Louis and German fistic champ Max Schmeling. On June 19, 1936, Schmeling (Stephen Macht) beats Louis (Bernie Casey) for the European championship. Germany's Nazi government uses this bout to trumpet the superiority of the Aryans over the "inferior" races. But in the return match of 1938, described by such sports scriveners as Damon Runyon (Allen Garfield) and Paul Gallico (Joe Campanella) as the "Fight of the Century," Joe Louis defeats Max Schmeling in one round. This TV movie takes great pains to convince us that, while Schmeling was in effect fighting for political reasons, he himself was not a Nazi (we are told that the public slurs against Louis attributed to Schmeling are the handiwork of Joseph Goebbels' propaganda machine). Given the subject matter at hand, Ring of Passion is surprisingly stingy in its boxing sequences. ~ Hal Erickson, All Movie Guide

Directed by Berry Gordy, Jr. as a vehicle for his star Diana Ross, Mahogany traces the life of a poor girl who makes it in the fashion world (first as a model, then designer) and deserts her boyfriend (Billy Dee Williams) in the meantime, hooking up instead with a photographer (Anthony Perkins). The song "Do You Know When You're Going To" (Gerry Goffin/Michael Masser) was Oscar-nominated. ~ John Bush, All Movie Guide

Created by Earl Hamner, A Dream for Christmas is set in the 1950s. African-American minister Will Douglas (Hari Rhodes) moves his family from Arkansas to the Watts section of Los Angeles to take charge of an impoverished church. The attendance, at least at first, is as poor as the congregation. Worse still, the church is slated to be demolished. But it's close to Christmas, a time when miracles have been known to happen. Featured in the all-black cast are Beah Richards, Lynn Hamilton, Robert Do'Qui, Juanita Moore, and Clarence Muse. Appropriately enough, A Dream for Christmas originally aired on December 24, 1973. It was originally designed as the pilot for a never-sold TV series titled The Douglas Family. ~ Hal Erickson, All Movie Guide

In this touching adventure, a remake of the popular 1940 film, two Georgia boys ignore their racial differences to team up and befriend a feral bird dog, whom they train to participate in a fence-jumping contest. ~ Sandra Brennan, All Movie Guide

Recuperating from a broken arm suffered in an accident, Fred (Redd Foxx) is unable to do any housework. To alleviate the problem, Fred's son Lamont (Redd Foxx) agrees to hire a maid -- at bargain prices. The inimitable Mary Wickes guest-stars as abrasive housekeeper Mary, who, need we add, turns out to be no bargain at all. ~ Hal Erickson, All Movie Guide

Although the characters' names were changed, The Great White Hope was a thinly veiled account of the trials and tribulations of boxer Jack Johnson, based on the play by Howard Sackler and directed by Martin Ritt. James Earl Jones stars as boxing great Jack Jefferson, who defeats Frank Bardy Larry Pennell in a Reno, Nevada bout to become the world's first black heavyweight champion. After crossing a state line with his white girlfriend Eleanor (Jane Alexander in her feature debut), however, Jack is arrested and tried under the miscegenation-barring Mann Act. Found guilty and sentenced to three years in prison, Jack escapes and leaves the U.S., but he's dogged by his now bad reputation and can't get honest work as a fighter. Offered his freedom from criminal charges if he'll agree to a fixed fight in Cuba that will restore the title to a white contender, Jack refuses and Eleanor commits suicide, their life on the run overwhelming her. Jack finally accepts the bout in Havana, but he fights his opponent with everything he's got. ~ Karl Williams, All Movie Guide

Old-line liberals Matt and Christina Drayton (Spencer Tracy and Katharine Hepburn) have raised their daughter Joey (Katharine Houghton) to think for herself and not blindly conform to the conventional. Still, they aren't prepared for the shock when she returns home from a vacation with a new fiancé: African-American doctor John Prentice (Sidney Poitier). While they come to grips with whatever prejudices they might still harbor, the younger folks must also contend with John's parents (Roy Glenn Sr. and Beah Richards), who are dead-set against the union. To complicate matters, the older couple's disapproving maid (Isabel Sanford) and Christina's bigoted business associate (Virginia Christine) put in their two cents' worth. While Joey is determined to go ahead with the wedding no matter what people think, John refuses to consider marriage until he receives the unqualified approval of all concerned. The closing monologue delivered by Spencer Tracy turned out to be the last scene ever played by the veteran film luminary, who died not long after the production. The film was a success in the racially volatile year of 1967 and was nominated for 10 Academy Awards, including Best Picture, and won for Hepburn and screenwriter William Rose. ~ Hal Erickson, All Movie Guide

The winner of the 1967 Oscar for Best Picture (as well as four other Oscars), In the Heat of the Night is set in a small Mississippi town where an unusual murder has been committed. Rod Steiger plays sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Sidney Poitier), a well-dressed northern African-American, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie's investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions. Still, the case is solved thanks to the informal teamwork of the two law officers. Based on the novel by John Ball, In the Heat of the Night inspired two sequels, both starring Poiter as Virgil Tibbs. In 1987, a TV series version of In the Heat of the Night appeared, with Carroll O'Connor as Gillespie and Howard Rollins as Tibbs. ~ Hal Erickson, All Movie Guide

Based on William Gibson's Broadway play and retaining its acclaimed cast, Arthur Penn's The Miracle Worker tells the true story of Helen Keller (Patty Duke), an Alabama girl struck blind and deaf as a baby after an elevated fever. Enter Annie Sullivan (Anne Bancroft), a partially-blind woman assigned the task of teaching Helen sign language. After first separating Helen from her over-protective parents (Victor Jory and Inga Swenson), Annie begins the arduous process of teaching the girl. ~ Jason Ankeny, All Movie Guide