Beah Richards Movies

Actress Lisa Gay Hamilton makes her directorial debut with the documentary Beah: A Black Woman Speaks, a biography of actress and writer Beah Richards, whom Hamilton had worked with on The Practice and Beloved. The production of this project spanned many years; Hamilton realized, early on, that Richards was dying, and thus secured her participation during the actress's final year - though the picture wasn't realized until after three her death. Born in Mississippi, Richards moved to New York City in 1950 to begin acting in off-Broadway productions. In addition to her distinguished acting career, she was also an accomplished poet, playwright, teacher, and social activist. In 1967, she was nominated for an Academy Award for her supporting role in Guess Who's Coming to Dinner Shortly before her death in 2000, she won an Emmy for her guest starring role on The Practice. The original musical score is provided by Bernice Johnson Reagon from Sweet Honey in the Rock. ~ Andrea LeVasseur, All Movie Guide

In this Emmy award-winning episode, Greene (Anthony Edwards) takes a potentially career-destroying risk after he misdiagnoses the condition of a woman (Colleen Flynn) and her unborn child. Although Greene's OR battle to save his patients' lives is the episode's focal point, several other subplots wend their way through the story. Among these is the ever-deteriorating condition of Benton's (Eriq La Salle) mother, and the accidental poisoning of young Joey Page (Theodore Borders). ~ Hal Erickson, All Movie Guide

New ER boss Dr. Swift (Michael Ironside) requests (read: "demands") that Greene discuss the OR death of Jodi O'Brien death before a hospital conference. Deb's (Ming-Na) rush to pile up more procedures than Carter (Noah Wyle) results in serious error. Ross (George Clooney) grows ever closer to Diane (Lisa Zane). And Lewis (Sherry Stringfield) is unpleasantly surprised by her sister Chloe's (Kathleen Wilhoite) sudden return. ~ Hal Erickson, All Movie Guide

Lewis (Sherry Stringfield) feels she is under attack from all sides when Kayson (Sam Anderson) draws up charges against her vis-à-vis the Vennerbeck death, and ER chief Morganstern (William H. Macy) reprimands her for her lack of self-confidence. Elsewhere, Greene (Anthony Edwards) tends to a human "mule" who has secreted a half-kilo of cocaine in his stomach. Benton (Eriq La Salle) conducts a desperate search for his missing mother. And Carter (Noah Wyle) offers to help fellow med student Deb (Ming-Na) as she deals with an emotionally disturbed patient. ~ Hal Erickson, All Movie Guide

A flustered Ross (George Clooney) covers for Greene (Anthony Edwards), who has called in sick so that he can spend some time with his wife, Jenn (Christine Harnos). Carol (Julianna Margulies) finds a kindred spirit in her newest patient, Jamie (Brigid Walsh), a suicidal rape victim. Benton (Eriq La Salle) reacts strangely when his mother (Beah Richards) is brought into the ER after injuring her ankle. And Carter (Noah Wyle) develops a crush on Lewis (Sherry Stringfield). ~ Hal Erickson, All Movie Guide

Season one of Hearts Afire takes place in Washington D.C., where transplanted Southerner John Hartman (John Ritter) has relocated as chief of staff to ultra-conservative Senator Strobe Smithers. Recently divorced and the father of two sons, Ben (Justin Burnette) and Elliott (Clark Duke), Hartman has developed a mile-long misogynistic streak, fueled by the calculated bitchery of Mavis Davis (Wendie Jo Sperber), the politically ambitious wife of his best friend and fellow senatorial aide Billy Bob Davis (Billy Bob Thornton), and by the vapidity of Senator Smithers' -- ahem -- secretary, the voluptuous Dee Dee Starr (Beth Broderick). But what has really turned John against the opposite sex is the fact that his wife has left him not for another man, but for another woman! Thus, when liberal journalist Georgie Anne Lahti (Markie Post), broke and jobless after years of circling the globe and filing left-of-center news reports, comes to Smithers' office hoping to sign on as his press secretary, John's first instinct is to boot her out. But despite this, and the vituperative political arguments between the two of them, John agrees to let Georgie Anne have the job, and Georgie Anne, against her better judgment accepts. The reason? John has the hots for Georgie Anne -- and the feeling is mutual! Circumstance dictates that Georgie Anne move into the house occupied by John and his sons, which only intensifies the torrid feelings between the two protagonists. Even the put-down pragmatism of Georgie Anne's childhood nanny Miss Lula (Beah Richards) does little to extinguish the flames, as does John's dismay over the fact that Georgie Anne's dad George (Ed Asner) is an ex-convict who shows no signs of wanting to mend his ways.
As originally conceived, John and Georgie Anne were to remain single, in hopes of stirring up the same "will they or won't they" intrigue that had added spice to such mismatched-couple series as Cheers and Moonlighting. But the executives at CBS were antsy over the unhitched status of the Hearts Afire protagonists, especially since the series was being seen in a relatively early Wednesday-night time slot. Under protest, producer Linda Bloodworth-Thomason agreed to make things more "family friendly" by having John and Georgie Anne get married before the first season was over -- and that was only the first of several radical changes in the series' concept. Surprisingly, despite Thomasons' well-known Washington connections, only one political figure appeared during the series' first season -- if "political figure" is the correct phrase to describe "Presidential brother" Roger Clinton! ~ Hal Erickson, All Movie Guide

When a self-involved real estate agent is given fifty hours of community service to do by a judge, he becomes the coach for a basketball team of developmentally challenged adults. In trying to teach them, he learns. ~ Tana Hobart, All Movie Guide

Jessica (Angela Lansbury) heads Southward to visit an old friend, celebrated playwright Eugene McLendon (Barry Nelson). Inevitably, a murder occurs: the victim this time is Eugene's crooked business manager Jonathan Keeler (Elliott Reid). Deciding to stay on and help out when Eugene is suspected of the murder, Jessica is startled when the ailing playwright suddenly proposes marriage! Among the special guest suspects in this episode is Lois Nettleton, doing a hilarious turn as a Southern stage star. ~ Hal Erickson, All Movie Guide

Season Four of Hunter begins as police detectives Hunter (Fred Dryer) and McCall (Stepfanie Kramer) investigate the seemingly motiveless murder of a skid-row derelict. It turns out that the "bum" was anything but, and that he had been deliberately targeted by a hit man. Despite the interferences of the Feds, Hunter is determined to get the whole truth--and to save the life of the hapless bag lady (Beah Richards) who witnessed the hit. ~ Hal Erickson, All Movie Guide

As Summers Die was produced as an "HBO Premiere" attraction. Set in the segregationist South of the 1950s, the film pits the wealthy but decadent members of a landed-gentry white family against a feisty old black woman, on whose property oil has been discovered. Idealistic attorney Scott Glenn bucks the family--and the inbred prejudices of the community--to protect the woman's interests. He finds himself with two unsuspected allies in the forms of young Jamie Lee Curtis and ancient Bette Davis, two "renegade" members of the very family that wants to grab the oil-rich land. As Summers Die had its cable-TV debut on May 17, 1986. ~ Hal Erickson, All Movie Guide

Set on the last day of 1999, Generation takes place during a family reunion. Richard Beymer plays an inventor who has created high-tech prosthetic devices in order to help his younger brother Drake Hogestyn. Once a star athlete in the brutal (and sometimes fatal) game of combat hockey, Hogestyn wants to maintain his status as a public hero, and to that end has no qualms about turning bionic. On a less fantastic note, the boys' social activist sister Cristina Raines rejects the reconciliation efforts extended by her macho-man father Bert Remsen. The pilot for a never-produced TV series, Generation was originally telecast May 24, 1985. ~ Hal Erickson, All Movie Guide

The three-part TV miniseries The Sophisticated Gents covers 25 years in the lives of a group of close friends. Nine African-American members of a sports club gather for a quarter-century reunion. As they reminisce over the high and low points of their lives, some of the members await the arrival of the group's troublemaker with less than enthusiasm. The story comes to an out-of-left-field conclusion involving an escaped killer (Melvin van Peebles) and a pursuing cop. The nine "gents" of the title are played by Ron O'Neal, Thalmus Rasulala, Bernie Casey, Dick Anthony Williams, Raymond St. Jacques, Robert Hooks, Rosey Grier, Paul Winfield...and the aforementioned Melvin van Peebles. Based on John A. Williams' novel The Junior Bachelor Society, the 4-hour The Sophisticated Gents was originally telecast September 29, October 1 and October 2, 1981; for reasons unknown, its debut had been postponed for nearly two years. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide