Jean-Louis Richard Movies

Adolphe, French director Benoît Jacquot's adaptation of Benjamin Constant's novel of the same name, tells the story of a young man's passion for 30-year-old Ellenore (Isabelle Adjani). After much resistance, Ellenore falls for Adolphe (Stanislas Mehrar), only to find out that his love for her has waned significantly. Though Adolphe did not intentionally hurt Ellenore, she is very much saddened by his lack of feeling toward her. This unhappy love story also features French actors Jean Yanne and Romain Duris. ~ Tracie Cooper, All Movie Guide

The first feature film of Helene Angel, who has won several prizes for her short films, Peau d'Homme, Coeur de Bete uses the point of view of children to focus on a tragedy that befalls a family. After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us. Peau d'Homme, Coeur de Bete received the Golden Leopard at the 1999 Locarno International Film Festival and Serge Riaboukine was awarded a Bronze Leopard as Best Actor. ~ Gönül Dönmez-Colin, All Movie Guide

This French family fantasy follows in the footsteps of the fine and funny Big (1988). Solemn French schoolteacher Albert Crastaing (Jean-Louis Richard) punishes a trio of 12-year-olds by having them write a Kafkaesque essay with a body-switching premise, cueing the film's storyline of kids transformed into their parents. Nouredine is a French-born Arab whose father (Zinedine Soualem) is an artist forced to drive a cab. Catholic Igor's father (François Morel) died from AIDS after a blood transfusion. Joseph is a Jew whose father (Pierre Arditi) is a cranky and irritable tailor. The trio encounters a prostitute, Yolande (Catherine Jacob). Elsewhere, the parents inhabit bodies of their children and experience problems kids face daily. ~ Bhob Stewart, All Movie Guide

This drama examines three amoral young people living in Paris. 18-year-old Nathalie (Marie Gillain) works in a clothing store and dreams of opening her own boutique in the United States. She shares an apartment with her boyfriend Eric (Olivier Sitruk) and his slow-witted pal Bruno (Bruno Putzulu); she pays the rent while they stay home and watch crime movies on television. All three are looking for a fast and easy way to make some money, so together they devise a plan. Nathalie will hang out in nightclubs, meet prosperous-looking men, and go home with them. Once she's inside their apartments, she'll let in Eric and Bruno, and they'll rob the place of cash and valuables. The plan works well at first, before things go wrong one night and Eric commands Bruno to kill their victim. ~ Mark Deming, All Movie Guide

In this French comedy, Camille, a Bordeaux hospital anesthetist, demonstrates his special knack for comforting people, both on the personal and professional planes and finds himself in all kinds of trouble. It begins when he goes to an out-of-town conference, and ends up spending one hot night with the lovely Stephanie. Later, while he is at the airport, he accidentally grabs the suitcase of Juliette Graveur, a concert flautist. Upon his return home, he finds himself smothered with the attentions of the obsessive Clementine. To put her off, Camille tells her that he is deeply involved with Juliette. To prove it, he scatters female clothing about his apartment. Later Stephanie appears at his doorstep, but Camille's problems are only just beginning as the police have just discovered the corpse of the missing Juliette. ~ Sandra Brennan, All Movie Guide

Jacques Rivette directed this richly detailed six-hour drama based on the story of Joan of Arc. In Part one, "Les Batailles," Jeanne the Maid (Sandrine Bonnaire) leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France (Andre Marcon) to allow her to guide his troops. Part two, "Les Prisons," concerns the sad aftermath of Jeanne's defeat at Orleans. Jeanne is sent to prison, where in two separate trials she is tried for heresy and impersonating a man, with both her life and the sanctity of her mortal body at stake. A four-hour version, with each of the two parts trimmed down to two hours, is also available. ~ Mark Deming, All Movie Guide

It is not necessary to know that this story is based on a true incident in order to enjoy it; in real life, a man landed in a major European airport without the necessary papers, and while authorities worked (slowly, ever-so slowly) to resolve his citizenship status, he lived and worked there, unable to leave either by air or by foot. This situation lasted for years. In the current movie, Arturo (Jean Rochefort) has flown into France from Montreal. He holds dual French and Canadian citizenship, but all his papers were stolen from him while he was at the Canadian airport without his knowledge. He is married to a Spanish woman and lives in Rome. This confusion of visas and nationalities is too great for the authorities to sort out quickly, and he settles into a behind-the-scenes existence at the airport while he awaits developments. There, he discovers a whole international community of the stranded, a nation-within-a-nation. ~ Clarke Fountain, All Movie Guide

Caroline can't get enough of the television coverage about an upcoming manned Mars landing, but it doesn't interest her no-good boyfriend Antoine, who is not only a suspicious lout but who never seems to have a good-humored moment. It's August and it's hot. Caroline leaves their apartment to get some ice cream, runs into an inoffensive man and gets involved in the celebrations at a nearby medical convention. Meanwhile, her unpleasant boyfriend is busily concocting games with his ex-con neighbor, games which backfire on him mightily. ~ Clarke Fountain, All Movie Guide

The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court. This period drama is the first film to be directed by former movie critic Philippe LeGuay. ~ Clarke Fountain, All Movie Guide

Noted stage director Patrice Chereau adds his stylistic flair to this drama loosely taken from a story by Anton Chekhov. A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations listen in. ~ Dan Pavlides, All Movie Guide

In spite of spending three hours developing the story of French peasant Charles Saganne (Gérard Depardieu), the sweep of this epic skims over the qualities that transformed Saganne from an ordinary officer to a great military leader. Saganne was first sent to a garrison town in North Africa before Colonel Dubreuilh (Philippe Noiret) assigned him to other missions, finally giving him a chance to exercise his innate ability to lead men. After a tragic hiatus in Paris where he fails to promote the colonialist cause, he returns to the Sahara and outshines his past accomplishments, leading a ragtag band of Arab dissidents in some brilliant military maneuvers -- for which he won the French Legion of Honor. His newfound recognition also attracted a society maven who became his wife, and after his tour of duty has ended Saganne moves with her to the village where he was born. But the year is 1914 and Saganne's peaceful village idyll was not meant to endure -- he is again called off to war, and to his destiny. Even though the costuming, landscape, battles, and charisma of Depardieu as Saganne and Noiret as Colonel Dubreuilh are outstanding, and several subsidiary characters deliver emotionally compelling vignettes, the protagonists as an ensemble have not been scripted with much depth of character -- making the three-hour epic seem a bit too long in the end. ~ Eleanor Mannikka, All Movie Guide

With Life is a Bed of Roses, filmmaker Alain Resnais wanted to create a lighthearted tribute to three important French directors, each of whom defined a particular era in his country's cinema Melies (the first French filmmaker to use narrative--his most famous film is A Trip to the Moon), the impressionist L'Herbier (most famous for his inspirational avant garde work during the '20s) and Rohmer (most famed for his sextet of "Moral Tales" during the '60s). To present his chronicle of the human quest for a utopia of personal happiness and fulfillment, Resnais created two distinct narratives representing the past and present, and then interspliced them with a third more fantastical tale to provide contrast. Representing the past, the first tale centers on a monied eccentric who creates a "temple of happiness' in his chateau. There, guests are given a special potion, laid inside enormous cribs and surrounded by pleasant sensations to help them return to the blissful state of infancy. The second story takes place in the same chateau where a symposium on the techniques and philosophies of the eccentric are hotly debated and elaborated upon. Weaving its way between the two tales is the third, which represents the medieval fantasies of children in a forest who imagine the struggle between a wicked king and a brave good-hearted warrior. ~ Sandra Brennan, All Movie Guide