Bibi Besch Movies

John Evan tells the story of his life in an interview before his death beginning with his crimes and ending with his electric chair execution. ~ Rovi

This undistinguished drama goes no further than clichéd views about women who gain success by bedding down those who have it. Pia Zadora stars as Jerilee, just out of high school and married to a prominent Hollywood screenwriter, with her own heart-felt aspirations to get her screenplays noticed by the right producers. Her marriage fails for many reasons and once on her own, she comes to the difficult decision that she really will go nowhere fast unless she uses her sexual charms to pave the way to recognition -- and so she does, with a bit of revenge thrown in at the end for good measure. ~ Eleanor Mannikka, Rovi

Star Trek II: The Wrath of Khan is fondly regarded as being the closest in spirit to the 1966-69 TV series that spawned it. Admiral Kirk (William Shatner) escapes the tedium of a desk job to join Mr. Spock (Leonard Nimoy) and Dr. Leonard "Bones" McCoy (DeForest Kelley) on another space mission. While boldly going where no man etc. etc., Kirk crosses the path of his old enemy Khan (Ricardo Montalban), who as any die-hard Trekker can tell you, was the chief antagonist in the 1966 Trek TV episode "Space Seed." Leading a crew of near-savage space prisoners, Khan insinuates himself into the Genesis Project, which is designed to introduce living organisms on long-dead planets. Intending to harness this program for his own despotic purposes, Khan engages in battle with the Enterprise crew. ~ Hal Erickson, Rovi

Streetwise teenager Renie Lake (Karin Argoud) lands in juvenile hall charged with theft and drug dealing. Remanded to the custody of her father Russell (Lin McCarthy), Renie is ordered to move into the suburban home of Russell, his second wife Marlene (Bibi Besch), and her stepdaughter Gretchen (Kristina Sorenson). The embittered and resentful Renie refuses to warm up to her new family and surroundings until she is drawn out of her selfish (and self-pitying) shell via her friendship with a hearing-impaired fellow high-school student. This ABC Afterschool Special is based on a novel by Barbara Morgenroth. ~ Rovi

This made-for-TV drama produced by David Susskind preceded the release of Silkwood by three years, but tells basically the same story. Janet Margolin is the nuclear plant employee who blows the whistle on hazardous conditions and finds herself intimidated, harassed and finally targeted for elimination by her superiors. Powers Boothe and Bo Hopkins are among the supporting cast of this well-directed telefilm, which -- although not as brave as its theatrical counterpart -- still makes for interesting viewing. ~ Robert Firsching, Rovi

In this drama, an ambitious executive must decide whether or not to have a much needed heart transplant. ~ Sandra Brennan, Rovi

Based on the best-selling memoirs of Lillian Rogers Parks, the NBC miniseries Backstairs at the White House traces over five decades of American political history as witnessed from the vantage point of the servants' quarters. Played by Tania Johnson as a teenager and by Leslie Uggams as an adult, Lillian Rogers Parks served for 52 years as a maidservant at the White House. Though crippled early on with polio, Lillian diligently and loyally stuck to her duties -- and her own rock-solid set of principles and ideals -- through eight highly different Presidential administrations, often (and occasionally reluctantly) acting as friend and confidante to the First Lady of the moment. The large and stellar cast included a number of top-rank film and TV actors, obviously having the time of their lives impersonating such presidents as William Howard Taft, Woodrow Wilson, Warren G. Harding, Calvin Coolidge, Herbert Hoover, Franklin Roosevelt, Harry S. Truman, and Dwight D. Eisenhower, and their respective wives. Also in the cast were several African-American veterans from the landmark TV miniseries Roots. Earning 11 Emmy Award nominations, the nine-hour Backstairs at the White House was seen in five installments from January 29 to February 19, 1979. ~ Hal Erickson, Rovi

A woman is torn between betraying her benefactor and keeping her pledge to the man she loves in this romantic drama. Nancy (Kathleen Quinlan) and Michael (Stephen Collins) are two college students who have fallen in love and want to get married. However, Michael's widowed mother, Marion (Beatrice Straight), is opposed to the match; she wants Michael to take over the family business, and she's convinced that Nancy would be a bad influence. Later, Nancy and Michael get into a terrible auto accident -- he falls into a deep coma and she suffers severe facial disfigurement. Neither Nancy or her family have the money for plastic surgery; Marion agrees to pay for Nancy's facial reconstruction, but only under the condition that she change her name and never see Michael again. Nancy has little choice but to agree, and she changes her name to Marie; however, years later "Marie" meets Michael, and their love begins anew. The Promise was based on a story by best-selling author Danielle Steele. ~ Mark Deming, Rovi

A Marguerite Henry novel was the source for the made-for-TV Peter Lundy and the Medicine Hat Stallion. Recording artist Leif Garrett assumes the title role, a teen-aged boy growing up in the years just prior to the Civil War. The adventuresome Lundy signs on as a rider for the new Pony Express service. Over the next few months, Lundy "comes of age" as he rides from one exciting experience to another. The colorful supporting cast includes Milo O'Shea as a rambunctious surveyor, John Quade as a friendly blacksmith, and John Anderson as the visionary head of the Pony Express. Peter Lundy & the Medicine Hat Stallion first aired November 6, 1977, in the NBC Sunday-night slot normally reserved for The Wonderful World of Disney. ~ Hal Erickson, Rovi

Within months after the spectacular July 4, 1976 rescue of hostages from Uganda's Entebbe airport, there were two competing TV movies on the subject. The longest (and least) of the two was Victory at Entebbe, hurriedly shot on videotape. The story begins when Arab terrorist capture a civilian airliner and force a landing at Entebbe. Ugandan president Idi Amin (Julius Harris, substituting for recently deceased Godfrey Cambridge), struts about at the airport, insisting that he can do nothing--but apparently siding with the terrorists, especially when the Arabs begin separating and mistreating the Jewish passengers. A surprise Israeli commando raid masterminded by defense minister Shimon Peres (Burt Lancaster, who more than compensates for his miscasting with an excellent performance) rescues most of the hostages, though at least one of the passengers (played by Helen Hayes with a Jewish accent that wouldn't convince a duck) is apparently killed out of retribution while en route to hospital. The teleplay's bad dialogue, and the producers' Airport-like decision to use only big stars in the major roles (Richard Dreyfuss, Elizabeth Taylor, Kirk Douglas et. al.) tends to trivialize one of the most auspicious acts of selfless heroism of the 1970s. A far better dramatization of the incident, Raid on Entebbe, was telecast a few months later. ~ Hal Erickson, Rovi