Irene Rich Movies

The first of John Ford's "Cavalry Trilogy", Fort Apache stars John Wayne as captain Kirby York and Henry Fonda as Custer clone Lt. Col. Owen Thursday. Resentful of his loss in rank and transfer to the West after serving gallantly in the Civil War, the vainglorious Thursday insists upon imposing rigid authority on rough-and-tumble Fort Apache. He is particularly anxious to do battle with the local Indians, despite York's admonitions that the trouble around the fort is being fomented not by the so-called savages but by corrupt white Indian agents. Thursday nonetheless ends up in a climactic set-to with Indian chief Cochise. He and his men are needlessly slaughtered, but the Eastern press builds "Thursday's Charge" into an incident of conspicuous valor--and York, ever loyal to the cavalry, is not about to tell the whole truth. The bare bones of Fort Apache's plotline are fleshed out with several subplots, including the romance between Thursday's daughter Philadelphia (Shirley Temple) and Lt. Mickey O'Rourke (John Agar), the son of Fort Apache veteran Sgt. Michael O'Rourke (Ward Bond). There's also plenty of time for the expected drunken-brawl humor of Victor McLaglen. Not in the least politically correct, Fort Apache is a classic of its kind, and together with Rio Grande (1950) the best of the John Ford/John Wayne Cavalry films. ~ Hal Erickson, All Movie Guide

New Orleans is Republic Pictures' spin on such "musical origin" films as Birth of the Blues and Dixie. Covering nearly four decades, the story is a fanciful recreation of the "birth" of American jazz music. Arturo de Cordova plays Nick Duquesne, owner of a posh gambling house in turn-of-the-century New Orleans (yes, that's an uncredited Shelley Winters as Duquesne's secretary!) When the "good" people of the town forced Duquesne to pack up and leave, he relocates in Chicago, where he discovers that his customers are turned on by hot jazz. Hiring bandleader Louis Armstrong to entertain his patrons, Duquesne no longer has to rely on gambling to make a living. Romance enters the picture in the form of Miralee Smith (Dorothy Patrick), a straightlaced student of classical music who learns to kick up her heels and shed her inhibitions at the sound of jazz. New Orleans is the only mainstream Hollywood feature good enough to cast Billie Holliday in a major role: true, she's playing a maid, but a maid with the most exquisitve singing voice this side of Heaven. The film's highlight is the Holliday/Armstrong duet "Do You Know What it Means to Miss New Orleans", surely one of the great moments of movie-musical history. ~ Hal Erickson, All Movie Guide

This Time for Keeps is a followup to 1940's Keeping Company, with Ann Rutherford repeating her role from the earlier film. Rutherford is cast as newlywed Katherine White, at present undergoing a rocky "period of adjustment" with her husband Lee (Robert Sterling, replacing the original film's John Shelton). Having trouble landing a good job, Lee is persuaded to go to work for his father-in-law Harry Bryant (Frank Morgan in the first film, Guy Kibbee in the second). Unfortunately, Harry doesn't believe in allowing his employees to think for themselves, resulting in even more friction between Katherine and Lee. It's up to Harry's all-knowing wife (Irene Rich, another carryover from Keeping Company) to smooth everyone's ruffled feathers. ~ Hal Erickson, All Movie Guide

This Buck Privates knockoff concerns the misadventures of the three Patterson brothers: Charley (Wayne Morris), Eddie (Tom Brown) and Kenneth (William T. Orr). Pampered by their pacifistic mother Margaret (Irene Rich), the Patterson boys do everything they can to avoid being drafted into the Army. Once they've donned unifom, however, our heroes calmly and courageously do their patriotic duty, while their mother at last realizes it's all for the best. Before this happens, however, the audience is subjected to all manner of goofy slapstick setpieces, including a trained-seal bit right out of the Mack Sennett era. Incidentally, Three Sons O' Guns costar William T. Orr was the son-in-law of Jack L. Warner, whose studio produced the film. ~ Hal Erickson, All Movie Guide

This adventure is based on Jack London's tale of a Northwestern woman who owns a riverboat who sends her daughter to boarding school and then discovers that she cannot afford to be reunited with her. In desperation, she sells the boat to a wealthy mine owner. This results in the independent miners getting cheated until the woman's burly ex-partner intervenes and saves the day. ~ Sandra Brennan, All Movie Guide

The Nazi Party's rise to power has disastrous consequences for a German family in this drama. Victor Roth (Frank Morgan) is a college professor teaching in Germany in 1933 who leads a peaceful and contented life with his wife Emelie (Irene Rich), son Rudi (Gene Reynolds), daughter Freya (Margaret Sullavan), and stepsons Otto (Robert Stack) and Erich (William T. Orr). However, Adolph Hitler's emergence as Germany's ruler has an unexpected impact on their lives. Fritz (Robert Young) and Martin (James Stewart) both vie for Freya's hand in marriage, but anti-Nazi activist Martin is forced to flee to Austria, while Freya is disturbed by Fritz's membership in a pro-fascist group. Victor repudiates Hitler's theories about Aryan superiority in class, and he not only loses his teaching position, but he is sentenced to a concentration camp. And while Emelie and Rudi join Freya as she tries to escape to Martin's new home in Austria, they find themselves hunted by Otto and Erich, now members of the Hitler Youth. The Mortal Storm was perhaps the most explicitly anti-Nazi film made in Hollywood prior to America's entry into WWII, and it resulted in all of MGM's product being banned in Germany. ~ Mark Deming, All Movie Guide

In this musical romantic comedy of 1938, Deanna Durbin plays Alice Fullerton, a young woman of a "certain age" who is prone to developing crushes against her best judgment. Her parents have taken in an intriguing house guest, Vincent Bullitt (Melvyn Douglas), a successful international news correspondent who has come to town to work on some assignments for her father's newspaper. Alice falls hard for Bullitt, and she ditches her boyfriend Ken (Jackie Cooper), a local guy who seems provincial and pedestrian in comparison to Bullitt; unfortunately, complications ensue. The songs include You're as Pretty as a Picture. ~ Michael Betzold, All Movie Guide

This drama is a compilation of stories occurring in the Empire State Building with the focus on topics such as bank failures, love scenes and odd clerks. ~ All Movie Guide

Hoping to benefit from the popularity of the 1927 silent version of P.C. Wren's Beau Geste, RKO Radio reunited the earlier film's star Ralph Forbes and director Herbert Brenon for 1931's Beau Ideal, again adapted from a Wren novel. Something of a sequel to Beau Geste, the story concerns the efforts by Foreign Legionnaire Otis Madison (Lester Vail) to locate his childhood chum John Geste (Forbes). The two men are reunited in the Arabian desert, where Geste is doing penance in a stockade reserved for discredited Legionnaires. With Otis's help, Geste redeems himself by squashing a native uprising fomented by a duplicitous Emir (George Regas). Ultimately, our hero returns to England and the arms of heroine Loretta Young -- but not before a close call with a slinky seductress (Leni Stengel), appropriately nicknamed "The Angel of Death." Beau Ideal was a flop to the tune of $330,000, and as a result the exploits of the Geste family would not again be dramatized for the screen until the 1939 remake of Beau Geste. ~ Hal Erickson, All Movie Guide

Based on a story by Fannie Hurst, Five and Ten stars Marion Davies as Jennifer, the spoiled daughter of department-store magnate John Rarick (Richard Bennett). Because Rarick neglects his family, they all manage to get themselves into hot water. Jennifer's mother, Jenny (Irene Rich), nearly runs off with a gigolo, while her alcoholic brother, Avery (Kent Douglass), nearly dies in a reckless aviation escapade. As for our heroine, she messes up her entrée into high society, but at least finds happiness in the arms of architect Berry (Leslie Howard). Rarick finally awakens to his family responsibilities, and in a last-reel flurry of activity, he pulls all their coals out of the fire. Five and Ten was released in Great Britain as Daughter of Luxury. ~ Hal Erickson, All Movie Guide

Wicked stars Elissa Landi as Margot Rande, a basically decent woman led down the path to perdition by her bank-robber husband Tony (Theodore Von Eltz). When Tony is cornered by the police, Margot tries to protect him, shooting a policeman in the process. Sentenced to a 20-year prison term, the ladylike heroine is subjected to all manner of brutality and humiliation behind bars. Scott Burrows (Victor McLaglen), Margot's former sweetheart, hires an attorney to help reduce her sentence, but in the meantime she has given birth to a child, which is promptly snatched from her arms and put up for adoption. Upon her release, Margot desperately kidnaps her own baby, leading to further courtroom entanglements before a happy (or at least satisfactory) ending can be reached. It's positively miraculous that director Alan Dwan was able to squeeze all of Wicked into a mere 57 minutes. ~ Hal Erickson, All Movie Guide

Norma Shearer stars in this pre-Code melodrama as Lisbeth Corbin, who is in love with Alan (Neil Hamilton), a globe-trotting newspaper reporter, but also strings along Steve (Robert Montgomery), a well-mannered local boy who is good friends with Lisbeth, even though she doesn't love him. When Alan is sent to Mexico to cover a story, love-struck Lisbeth goes with him, but when he's next sent to China, Alan leaves Lisbeth behind. Heartbroken, she heads for Europe, where she tries to forget Alan with a series of short-term love affairs. Try as she might, Lisebth can't forget Alan, but when she returns home, lonely and desperate, she finally agrees to marry Steve. Alan picks this moment to return, but just as she's thrown over Steve for her true love, Alan learns of Lisbeth's escapades in Europe and breaks off the engagement, sending her to the brink of suicide. Keep an eye peeled for an early appearance by Ray Milland as one of Lisbeth's suitors. ~ Mark Deming, All Movie Guide