Nora Ricci Movies

Luchino Visconti (Count don Luchino Visconti di Modrone) was a film director, true, but he was also a nobleman and a grand patron of traditional European culture: opera, art, music, crafts and literature. These interests enliven many of his films, but few have been so inspired as the four-hour epic, Ludwig, about the castle-building "mad king" of Bavaria. This long film, made very near the end of Visconti's life, suffers greatly when shortened, as every moment is essential to the story. There are at least four different versions of the film (from just under three hours to over four hours in length); the uncut four-hour version is the most coherent, even though many might find it rather long. The disintegration of aristocratic individuals is a continuing theme of Visconti's, though Ludwig's is the most thorough decay he filmed. The last ruling king of Bavaria (1845-1886) is noted for many things besides his eccentricities: he sold Bavaria to Germany, ending the rule of the Bavarian monarchy; he built amazing castles all over his country (with the proceeds from the sale); and he was Richard Wagner's main sponsor. He was also a notorious recluse, conducting a lifelong platonic love affair with Empress Elizabeth of Austria, and finally succumbing to his adoration of handsome men in a series of outrageous affairs and orgies. His excesses eventually led to his being declared mentally incompetent and being held prisoner in his own castle. The film depicts this incredible life from his coronation at age 19 to his (unproved) assassination well over 20 years later. ~ Clarke Fountain, All Movie Guide

In 1969, The Damned (La caduta degli dei) was director Luchino Visconti's most controversial film to date. Set in the 1930s, the film zeroes in on a Krupp-like family of German munition manufacturers. The Essenbeck clan is headed by the Baron (Rene Kolldehoff), but daughter Sophie (Ingrid Thulin) wants her Nazi boyfriend to take over the business. Soon the Baron is dead and Bruckman (Dirk Bogarde) becomes company president. Son Martin (Helmut Berger) is the dope-addicted teenager who sleeps with his mother and drags her into her own dependence on drugs. Ever in pursuit of more millions to add to their already bulging coffers, the family plays along with the Nazis, descending into corruption, betrayal and murder all along the way. The film was originally released in the U.S. with an X rating. ~ Hal Erickson, All Movie Guide

When Catherine Spaak's husband dies, she discovers a hitherto hidden room on their estate. The room is surrounded by mirrors and curious sexual devices; when Spaak takes a peek at hubby's diary, she learns he was carrying on a secret life that made Sacher-Masoch and Krafft-Ebbing look like pikers. Deciding that if you can't beat 'em, join 'em, Spaak begins to conduct her own kinky sex life. Doctor Jean-Louis Trintigant, who sincerely loves Spaak, tries to deflect her from whips, boots and handcuffs, but before long he too succumbs to the seductions of aberrant behavior. Libertine was originally released in Italy as La Matriarca. ~ Hal Erickson, All Movie Guide

This early Luchno Visconti drama stars Anna Magnani as an overbearing stage mother. Magnani's daughter (Tina Apicella) has zero talent, but Magnani raises such a ruckus at the studio after the girl's abortive screen test that the producers eventually find work for the girl. By this point, Magnani has renounced show business and, with daughter in tow, returns to her patient husband, who has been waiting for his wife to get her dreams of vicarious stardom out of her system. Based on a story by famed Italian scenarist (and frequent Fellini collaborator) Cesar Zavattini, Bellissima seems too trivial a story to be given the tender loving care provided by Visconti. Originally released at 130 minutes, the film was honed down to 90 minutes for American consumption. ~ Hal Erickson, All Movie Guide