Marjorie Rhodes Movies

A Lancashire lass refuses to eat the meal her mother has prepared for her. Her thick-eared father (James Mason) insists that she ingest every bite. This seemingly minor incident snowballs into big trouble for everyone concerned. Hard to believe, but this was based on a very popular stage play by Bill Naughton. The comic edge is blunted by the film's use of real Bolton locations, which tend to make the exaggerated passions and gesticulations of Mason and his family seem more pathetic than humorous. ~ Hal Erickson, Rovi

This gently farcical British comedy stars Hayley Mills and Hywel Bennett as Jenny and Arthur, a young couple who have just gotten married. However, while both of them are filled with anticipation for their honeymoon, a practical joke played by their "friends" causes their bed to collapse just as they're about to consummate their relationship. Through a variety of misfortunes, they end up spending the night at the home of Arthur's parents, where nervousness and a certain lack of privacy make it difficult for them to enjoy their first night together as they'd wish. While a bit of frank language and some fleeting nudity by former child star Hayley Mills generated a certain amount of controversy upon first release, by today's standards The Family Way is more easily seen as the compassionate relationship comedy its creators intended. The Family Way is also of note to Beatles fans as the first film scored by Paul McCartney. ~ Mark Deming, Rovi

Ken Annakin's large-canvas comedy Those Magnificent Men in Their Flying Machines is set in 1910. In order to boost circulation of his newspaper, Lord Rawnsley (Robert Morley) offers 10,000 pounds to the first person who can fly across the English Channel. A huge number of hopefuls enter the contest, including the scheming Sir Percy Ware-Armitage (Terry-Thomas), who, with the help of his henchman Courtney (Eric Sykes), attempts to sabotage the other entries. There is also a love triangle featuring Orvil Newton (Stuart Whitman) and Richard Mays (James Fox) competing for the heart of Patricia Rawnsley (Sarah Miles). ~ Perry Seibert, Rovi

One of the many "B"-grade British comedies meant to fill the lower half of a double-billing, Over the Odds is about bookkeeper George Summers (Glenn Melvyn), who has opted to marry one more time after his first wife left him. Unfortunately, his ex-wife's harridan mother-in-law (Marjorie Rhodes) did not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads -- not a recipe for the beginning of a successful marriage. ~ Eleanor Mannikka, Rovi

Director John Ford traveled to England to film this adaptation of the novel by J.J. Maraca, which details a typical day in the busy life of a detective for Scotland Yard. Inspector George Gideon (Jack Hawkins) begins his working day by confronting one of his fellow officers who is believed to be accepting graft. The sergeant stubbornly denies the charge, but he dies later the same day in a mysterious hit-and-run accident that piques Gideon's curiosity. While confronting internal strife within Scotland Yard, Gideon also has more typical crimes to investigate, including a murder in Manchester and a burglary in London, both of which were performed by the same vicious criminal. Gideon himself becomes the victim of a holdup and is forced to take a bullet for his troubles, while on the home front he finds himself in disfavor with his family when he forgets to bring home salmon for dinner and lets his daughter's recital slip his mind. Along with Jack Hawkins, Gideon's Day features a stellar cast of British actors, including Cyril Cusack, Anna Massey, Laurence Naismith, Dianne Foster, and Billie Whitelaw. For its initial American release, Gideon's Day (also shown as Gideon of Scotland Yard) was cut from 91 minutes to a mere 54, and distributed in black and white prints instead of the original Technicolor. Fortunately, nearly all the prints currently in circulation are of the uncut, color edition. ~ Mark Deming, Rovi

In this efficient British crime drama, Tom Yately (Stanley Baker) is an ex-con looking for honest work. He thinks he's found it when he takes a job as a truck driver, but he soon discovers that the trucking firm he's signed on with is not playing by the rules. Red (Patrick McGoohan), the company's best driver, and Cartley (William Hartnell), the manager, have created five fictional drivers who have been added to the payroll. The other staff drivers are given the shifts that the phony drivers are supposed to be working, while Red and Cartley divide their pay packets. When Tom attempts to expose the corruption at the trucking firm, he soon discovers that he's taken his life in his hands in the process. Keep an eye peeled for a supporting performance by a young Sean Connery (it was only his fifth screen role); the cast also includes Herbert Lom, Jill Ireland, Peggy Cummins, and David McCallum. ~ Mark Deming, Rovi

In this comedy, a milque-toast bank clerk is forced to deliver blackmail money to a seductive woman. Misunderstandings abound when the clerk's brother-in-law sees him leaving the woman's house. Soon word that the clerk has become a dashing rake is spread around the town. In the end, the owner of a sexy lingerie factory offers the clerk a partnership in his business. ~ Sandra Brennan, Rovi

Margaret Leighton stars as a novelist who draws inspiration for her characters from the people around her. While working on a romance novel, she bases the sexy central male character upon her chauffeur (Carlo Justini). He can't understand that Margaret's interest in him is purely professional, and assumes that the woman is crazy about him. Everybody in Leighton's "real" life portrays his or her literary counterpart in a film-within-a-film, few more amusingly than the lady's wheelchair-bound husband (Ralph Richardson). Something of a comic precursor to The French Lieutenant's Woman (81), Passionate Stranger was also released as A Novel Affair. ~ Hal Erickson, Rovi

Mary Hilton (Diana Dors) is a young salesgirl in the cosmetics department of a major London store, who chances to meet -- and fall hopelessly in love with -- Jim Lancaster (Michael Craig), a young would-be professional musician. She is attracted to him sufficiently to leave her own, neglectful husband (Harry Locke). But Jim's interest in her, although also sincere, is deflected by his attraction to Lucy Carpenter (Mercia Shaw), a much wealthier and older woman, who seems to be able to offer him the security that he's always lacked. That's difficult enough for Mary to take, but when Jim's relationship with Lucy takes a tragic turn, she snaps -- her love for Jim is transformed into a murderous hatred for her rival, resulting in murder, and a death sentence. Mary's story is told entirely in flashbacks, as she awaits her final sentencing or possible reprieve, and attempts to tie up the loose ends in her life involving her mother, brother, and husband. ~ Bruce Eder, Rovi

In this drama, a construction contractor gets into trouble when he inadvertently receives some stolen property. This makes it even more difficult for him to frantically finish a housing estate designed to harbor a visiting princess. ~ Sandra Brennan, Rovi

An 18-month-old baby disappears in London. The parents, US embassy worker David Knight and his wife Julia Arnall, are panic-stricken. Detective David Farrar tries to locate the child, but clues are scarce. At the last possible moment, Farrar rescues the infant from a grueling fate and collars the kidnappers. This nail-biting film is filled to capacity with many of Britain's top supporting players, including Thora Hird, Everley Gregg, Joan Sims, Shirley Anne Field, Joan Hickson, Dandy Nichols, Mona Washbourne, Barbara Winsor and George Woodbridge. Released in the US by Republic, under the title Tears for Simon. ~ Hal Erickson, Rovi

In this comedy, a widow tries living with each of her three sons. She becomes quite upset when her favorite son heads for America. In the end, the young men rally together and buy her a cottage of her own in the village. ~ Sandra Brennan, Rovi