Erik Rhodes Movies

In this musical, a composer abandons vaudeville in favor of the legitimate stage. He soon finds himself entangle with a Russian ballet company that contains his old childhood lover, but when the troupe mistake him for a traitor trouble ensues. Perhaps the film is most notable for Balanchine's choreography of "Slaughter on Tenth Avenue." Songs include: "There's a Small Hotel," "Quiet Night," "On Your Toes," "Princess Zenobia Ballet." ~ Sandra Brennan, All Movie Guide

Peter Lorre makes his fifth appearance as J. P. Marquand's polite but deadly Japanese sleuth Mr. Moto. This time Moto is called in by Scotland Yard to thwart a vicious gang of international assassins. To infiltrate the gang, Moto poses as a Devil's Island inmate and escapes with one of the killers. The climax takes place at the British Museum, where the mysterious leader of the assassins (the least likely suspect, of course) overplays his hand. The gimmick of having Mr. Moto make his first appearance as an apparent villain works only when the "Moto" films aren't seen as a group. On its own merits, however, Mysterious Mr. Moto is one of the best of the series. ~ Hal Erickson, All Movie Guide

Viennese-born Luise Rainer plays a young Parisian girl who attends an exclusive drama school, working nights at a factory to pay the tuition. Despite the jealousies of her fellow students, Luise allows nothing to discourage her from her goal to become as great an actress as her idol (Gale Sondergaard). The girl wins the coveted role of Joan of Arc in an upcoming play, but the victory has a bitter taste when she realizes she's beaten out her idol for the part. At the end, Luise manages to have both a happy career and a successful marriage, even though her friends (and enemies) insist that such a combination is impossible. Dramatic School is a film buff's banquet; virtually every bit player in the cast (Ann Rutherford, Lana Turner, Dick Haymes, Hans Conried, etc.) later graduated to show-biz prominence. ~ Hal Erickson, All Movie Guide

This musical parody follows the exploits of American performers in Hungary. The story begins as a Yankee wrestling trainer becomes friends with a gringo singer who works in the same Budapest nightclub as a female ventriloquist. When the singer is dumped, the trainer offers to help him with his romantic life. The singer then gets involved with the ventriloquist who is married to a notorious swordsman who has successfully killed 40 men in duels. Trouble ensues. ~ Sandra Brennan, All Movie Guide

This early feminist tale was a box-office flop that was released after years of script doctoring. Producer Samuel Goldwyn insisted that the story be made into film, because he wanted to pair his romantic stars Joel McCrea and Miriam Hopkins for a fifth time. Hopkins plays Virginia Travis, an architect who is chafing at the gender bias keeping her career in check. She approaches an aging, inept real estate developer, B.J. Nolan (Charles Winninger), promising to turn his latest suburban housing project into a winner. But Nolan is in debt, and his millionaire son Kenneth (McCrea) won't loan him any money. Virginia recruits two movie theater ushers to pose as the elder Nolan's servants in order to convince Kenneth that his dad is on the road to success. Virginia must also defeat Nina Tennyson (Leona Maricle), an attractive woman who is after Kenneth's money. Virginia gets Kenneth drunk and then has him sign a contract that will rescue the housing development. As they transact business, they fall in love. ~ Michael Betzold, All Movie Guide

A remake of the French comedy Monsieur Sans-Gene, One Rainy Afternoon gets under way when film-actor Phillippe Martin (Francis Lederer) heads to a darkened Parisian movie theater for a romantic rendezvous with his married sweetheart Yvonne (Countess Live de Margaret). But our hero sits in the wrong seat and kisses the wrong young lady: Monique Pelerin (Ida Lupino), the daughter of a powerful publisher Joseph Cawthorn. This innocent mistake snowballs into a national scandal, fomented by the hatchet-faced president (Eily Malyon) of the Purity League, with Phillippe earning the onus of "The Kissing Monster." It all culminates in one of those zany courtroom trails which proliferated in screwball comedies of the 1930s, wherein Phillippe defends himself by insisting that it is in a Frenchman's nature to be romantic, even with perfect strangers -- and as a result he becomes an international hero! One Rainy Afternoon was the first of a handful of United Artists talkies personally produced by studio vice-president Mary Pickford. ~ Hal Erickson, All Movie Guide

Richard Dix is as stalwart and oaklike as ever in Special Investigator. Here he plays courtroom-movie cliche #22B: The wealthy attorney who keeps mobsters out of prison. When Dix's brother, a G-Man, is killed by one of his ex-clients, the attorney switches sides and joins the Department of Justice. Dix uses his inside knowledge on the criminal element to avenge his brother's death. Special Investigator was adapted from a novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

Stagestruck Vermont girl Jenny Yates (Anne Shirley) manages to land a job with a ragtag stock company. This she does over the objections of her grandfather (Edward Ellis), who'd disowned Jenny's mother when she became an actress. After a series of amusing and bemusing setbacks, Jenny is discovered by a big-time producer and cast in the Broadway production "Virtue's Reward." Both the girl and the show are flops, but she finds a happily-ever-after with handsome Phil Greene (Phillips Holmes). Based on a play by David Carb, Chatterbox contains some knowing insights about provincial theater and the vagaries of show business. Lucille Ball makes a brief but amusing appearance as a snobbish small-time leading lady. ~ Hal Erickson, All Movie Guide

Ann Sothern is a magazine model looking for a rich husband. Wealthy Gene Raymond attends a photo shoot; Sothern mistakes him for a male model and resists his advances. Eventually she falls for Raymond and decides to cease her search for quick wealth. The story resolves itself in a fast-moving hotel lobby climax, with misunderstandings piling up like dirty laundry. Smartest Girl in Town was one of Ann Sothern's shortest vehicles, zipping along at a mere 57 minutes but still getting top-of-the-bill bookings. ~ Hal Erickson, All Movie Guide

The Nitwits are Johnny (Bert Wheeler) and Newt (Robert Woolsey), cigar-counter proprietors in the building owned by music publisher Lake (Hale Hamilton). Johnny spends his spare time spooning with his sweetheart, Lake's secretary Mary (Betty Grable), while Newt tinkers with his inventions, the latest of which is an electric chair which compels the occupant to tell the truth. A none too lovable man, Lake has made enemies of several people, including his shifty assistant Lurch (Arthur Aylesworth) and disgruntled songwriter Clark (Erik Rhodes); he is also on the outs with Mrs. Lake (Evelyn Brent), who caught her husband "coming on" to the reluctant Mary. Thus it is that practically anyone could be the dreaded "Black Widow," a mysterious blackmailer-murderer who's been trying to extort money from Lake. Hired at a substantial fee to protect the publisher from the Black Widow is private detective Darrell (Fred Keating), but Lake is murdered in his office all the same. Suspicion immediately falls upon Mary, the last person to see Lake alive. Johnny gallantly takes the blame for the killing to protect Mary, while Newt, believing Johnny to be guilty, does his best to protect his pal from the cops. All of this seems rather heavy going for a Wheeler & Woolsey vehicle, but be assured that The Nitwits is definitely a comedy, with the stars at their peak under the direction of George Stevens. The beauty of the film is that it sustains its momentum even after Newt's "truth chair" reveals the identity of the killer to the audience (but not to our rather dense heroes); especially hilarious is a nocturnal chase through a costume warehouse, utilizing several gags lifted from Stevens' "Boy Friends" 2-reelers of the early 1930s. Nineteen-year-old Betty Grable doesn't have too much to do, though she proves a charming subject for the film's best song, Dorothy Fields and Jimmy McHugh's "Music in My Heart". Co-written by Stuart Palmer, of "Hildegarde Withers" fame, The Nitwits was the last of Wheeler & Woolsey's truly worthwhile films. ~ Hal Erickson, All Movie Guide

In this musical campus comedy, trouble ensues when a meddlesome, overprotective father enrolls in the same college as his son so he can watch over his love life. The son soon finds himself involved with a conniving golddigger who dumps him when she discovers that his family fortune has been squandered on a bum business deal. Songs include: "Old Man Rhythm," "I Never Saw a Better Night," "There's Nothing Like a College Education," "Boys Will Be Boys," "When You Are in My Arms," and "Come the Revolution, Baby." ~ Sandra Brennan, All Movie Guide

There's nary a serious moment in the loopy Warner Bros. programmer A Night at the Ritz. William Gargan stars as Duke Regan, a hot-shot hotel publicity agent. Fired from several jobs, Duke is given one last chance by the Ritz-Carlton. Improvising quickly, he promotes his future brother-in-law Leopold (Erik Rhodes) as a master chef, landing the hapless fellow a choice spot in the Ritz kitchen. But there's a hitch: Not only has Leopold never cooked anything in his life, but the mere mention of food makes him extremely nauseous. As Duke desperately seeks a way out of the web he's woven around himself, a banker's convention shows up at the Ritz, and they're as hungry as hunters. This is one of the few pictures of the 1930s in which a mother-in-law (Bodil Rosing) comes to the rescue. ~ Hal Erickson, All Movie Guide