Christopher Rhodes Movies

A high-class costume drama with a substantive historical basis, Becket is the true story of the friendship between King Henry II (Peter O'Toole) and Thomas à Becket (Richard Burton), a royal courtier and confidant whom Henry appoints as Archbishop of Canterbury. As Becket takes his duties with the Church seriously, he finds himself increasingly at odds with the King, who finally orders the death of his once-close companion when he continues to defy the throne. Burton is very good and O'Toole is even better: both men were nominated for the Best Actor Oscar, while Edward Anhalt's screenplay, based on the stageplay by Jean Anouilh, won for Best Adapted Screenplay. The basic theme of separation of church and state still reverberates today, while the top-notch production values ensure Becket's place as one of Britain's better historical epics. ~ Don Kaye, Rovi

This colorful slapstick comedy concerns an honest locksmith who gets talked into a safecracking scheme by a couple of ruthless gangsters. Ernest Wright (Charlie Drake) is duped by a con man into opening a car and safe, which lands him in jail for a year. He is released, but a subsequent event gets him three year in jail and an undeserved reputation as a master thief. The Guv'nor (George Sanders) and Domino (Eddie Byrne) put the squeeze on Ernest to help them in a plan to pilfer some precious gems. With the help of undercover police woman Muriel (Nyree Dawn Porter), Ernest helps trap the crooks and clear his name. ~ Dan Pavlides, Rovi

Gorgo is an attempt to make a Japanese-style "giant reptile" flick in an English setting. The story begins when underwater volcanic activity in the Irish Sea brings forth a 65-foot monster called Gorgo. Enterprising Joe (Bill Travers) and Sam (William Sylvester) capture the beast and transport it to London, where Gorgo is put on display as a seaside carnival attraction. This proves to be a major mistake when Gorgo's even larger mother lumbers to the surface in search of her cute li'l baby. In short order, London is trampled and trashed. ~ Hal Erickson, Rovi

When French playwright Pierre Corneille wrote El Cid, a fanciful version of the life of 11th-century Spanish hero Rodrigo Diaz de Bivar, aka "El Cid", an attempt was made to honor the "classic unities" and to compress the whole story into a single day! Be assured that the 1961 film version of El Cid is more faithful to the actual chronology. Charlton Heston adds one more character to his gallery of historical portrayals as El Cid, the disgraced Spanish knight who rids his country of its Moorish conquerors. The triumphs of El Cid's military life are not matched by his private affairs; he is betrayed by his bride Chimene (Sophia Loren) and is made a political pawn by the avaricious Spanish landowners. El Cid has a climax unique in the annals of movie epics: the final assault against the landgrabbers is led by a dead hero. El Cid established the short but generally profitable reign of producer Samuel Bronston as the King of the Epics; his imprint on the film is much stronger than that of director Anthony Mann. ~ Hal Erickson, Rovi

Robert Stack stars in this sea-faring historical epic as John Paul Jones, the first great hero of the American Navy. While originally a loyal soldier of the King's army, Jones in time becomes a fervent supporter of the American Revolutionaries, and he volunteers to lead the colonists' ragtag fleet to impressive victories against the British Navy; during a battle against the British ship Serapis, Jones utters the deathless words "I have not yet begun to fight." While his brave and intelligent leadership helps win America its freedom, his appeals to Benjamin Franklin (Charles Coburn) and the other leaders of Congress to strengthen the United States Navy fall on deaf ears; Jones is eventually branded a troublemaker, and in time, he is ordered to Russia, where he is to help guide the fleet of Catherine The Great (Bette Davis). Jones leads the Russian Navy to stunning victories in the Black Sea, reestablishing his reputation as one of the great military minds of his day. John Paul Jones also features a rousing score by the great film composer Max Steiner. ~ Mark Deming, Rovi

One of the covert operations at the beginning of World War II is enacted in this fast-paced docudrama about a government-approved diamond heist. A Major from the British army (Tony Britton) joins up with a Dutch diamond expert (Alexander Knox) and another adventurous Dutchman (Peter Finch) to steal a fortune in diamonds from a bank vault in Amsterdam before the Nazis completely close off the city. The trio are launched under the covering fire of a British battleship in the harbor and then chauffeured into Amsterdam by Anna (Eva Bartok), one of many people they encounter who could be either friend or foe. There is no time to waste in emptying the bank vault because it is estimated that the city will be overrun by the Nazi army in just fourteen hours. Meanwhile, the war is intensifying all around them, and the Nazi soldiers already on patrol are a continual threat. ~ Eleanor Mannikka, Rovi

Twelve-year-old Hayley Mills made her film starring debut in the location-filmed melodrama Tiger Bay. Horst Buchholz plays a Polish sailor who, while docked in Cardiff, jealously murders his ex-girlfriend Yvonne Mitchell. The killing is witnessed by Hayley, a lonely, hoydenish preteen whose only interest in the crime is Buccholz' abandoned gun. Hayley picks up the weapon, intending to impress the other kids in town. She succeeds only in attracting the attention of police inspector John Mills (Hayley's real life father), who wants to know where she found the gun and under what circumstances. An experienced liar, Hayley drives the inspector crazy with her fabrications. Sent home with a stern reprimand, Hayley is kidnapped by Buccholz, who doesn't want to kill the child, but doesn't want to be revealed to the police, either. Convinced that Buchholz means her no harm, Hayley offers to help him escape. He returns the favor by rescuing her from a watery grave, at the cost of his own freedom. On the basis of her performance in Tiger Bay, Hayley Mills not only won a special prize at the Berlin Film Festival, but was invited to star in Disney's Pollyanna (1960). ~ Hal Erickson, Rovi

Wonderful Things was one of two Frankie Vaughan vehicles produced in the late 1950s by actress Anna Neagle. The popular British recording artist is cast as a Gilbraltar fisherman named Carmello, who vies with his brother Mario (Jeremy Spenser) over the attentions of the beauteous Pepita (Jackie Lane). While on holiday in London, Carmello falls in love with society girl Anne (Jean Dawnay), leaving the field clear for Mario back home. Since this is essentially a romantic drama, Frankie Vaughan limits himself to a single ballad, but it's a good one. Wilfred Hyde-White offers the film's best performance as the debutante's dry-witted papa. ~ Hal Erickson, Rovi

This British drama is a soft-pedalled paean to the nursing profession. The story takes place in a large hospital, where several aspiring nurses receive their training. Special attention is paid to novice nurse Pat (Delphi Lawrence), who is more concerned with landing a wealthy husband than ministering to the sick, and fellow trainee Susan (Belinda Lee), who is torn between marrying her doctor-lover or continuing her studies. Mandy Miller, one of Britain's best child performers, is effectively cast as a dying heart patient. The Feminine Touch is based on a novel by Sheila MacKay Russell. ~ Hal Erickson, Rovi

During World War II, the impenetrable Colditz castle in Germany was selected as the site for a POW camp. The Germans reason that, since Colditz has been virtually impossible to get into or out of for centuries, it is ideal for housing the most contentious allied prisoners. British officer John Mills doesn't agree, and leads an escape through a subterranean tunnel. Only three of the prisoners (Mills included) survive the escape; the next step is to get out of Germany itself. Colditz Story is based on the reminiscences of P. R. "Pat" Reid, the real-life English officer portrayed in this film by John Mills. ~ Hal Erickson, Rovi

Clark Gable's final effort for his longtime home studio MGM, Betrayed is an exciting espionage thriller set during World War II. Intelligence agent Gable is ordered to keep tabs on suspected Nazi collaborator Lana Turner (a brunette for the occasion). Both Gable and Turner join the Dutch underground, making contact with a flamboyant resistance leader known as "The Scarf" (Victor Mature). Turner poses as a sexy chanteuse, the better to gain the confidence of the lascivious Nazi officers. Within the next few weeks, several underground operatives are captured and shot, and it begins to look as though Gable's suspicions concerning Turner are correct. The real collaborator is revealed some twenty minutes before the finale, but the suspense level is expertly maintained throughout. The location-filmed Betrayed would later be mercilessly lampooned in the 1984 spy spoof Top Secret! ~ Hal Erickson, Rovi

Heart of the Matter is a faithful if somewhat austere adaptation of the same-named novel by Graham Greene. Set in Sierra Leone during WW II, the film stars Trevor Howard as assistant police commissioner Scobie. While his wife Louise (Elizabeth Allan) is away on vacation, Scobie falls in love with Helen (Maria Schell), the widow of a U-boat victim. Scobie would like to get a divorce from his wife, and she from him, but their Catholicism prevents not only this break but Scobie's planned remarriage to Helen. In despair, Scobie chooses a desperate means of solving his dilemma--which only furthers to exacerbate the religious quandary in which everyone finds themselves. Posing several ethical questions throughout its 105 minutes, Heart of the Matter wisely allows the viewers to come up with their own answers. ~ Hal Erickson, Rovi