Peter Reynolds Movies

A British character actor, onscreen from the '40s, he usually played untrustworthy types. ~ All Movie Guide
1954  
 
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In this low-budget British science fiction tale (which, not surprisingly, has gained a cult following), Nyah (Patricia Laffan), a statuesque, leather-clad woman from another world, lands near a small Scottish town with her trusty robot in tow. It seems that Mars has recently seen a dramatic drop in their male population, and if the Martian species is to survive, healthy men are needed to serve as husbands on the red planet. Nyah has been sent forth to bring Earth men back with her, but the local Scotsmen aren't so interested in going -- and their women aren't about to give them up without a fight. The supporting cast includes horror fan favorite Hazel Court and Hugh McDermott. ~ Mark Deming, All Movie Guide

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1954  
 

Based on the novel by Mika Waltari and helmed by Casablanca director Michael Curtiz, The Egyptian, a lavish period soaper, is set several centuries before the birth of Jesus Christ. Young Egyptian healer Sinuhe Edmund Purdom (ere accompanied by his servant, Kaptah, played by Peter Ustinov) draws the affection of barmaid Merit (Jean Simmons) who seeks his hand in marriage. Sinuhe provides medical assistance to the epileptic Pharoah, Akhnaton (Michael Wilding), who, meanwhile, becomes convinced that only one god exists, and thus infuriates all of his polytheistic priests, who secretly plot to assassinate him. Sinuhe has an affair with a Babylonian whore, Nefer (Bella Darvi), but grows listless with her and eventually ends the relationship, harkening back to Merit. However, she is soon extinguished, with an arrow through the heart, for also being monotheistic. Angered by this, and believing Akhnaton's ideas directly responsible for Merit's death,
Sinuhe and his muscular friend, the affable Horemheb (screen heartthrob Victor Mature) poison the Pharoah. Akhnaton then dies while Horemheb prepares to ascend to the throne.

Ingmar Bergman had a point when he admonished the idea of falling for one's lead actress, and it is a lesson one wishes producer Daryl Zanuck had learned; he purportedly had an extramarital affair with Darvi, taking her as a "plaything," but grew sick of her after casting her in seven films. Her career then torpedoed. (Little wonder - her horrendous performance in this film must be seen to be believed; Variety called it "less than believable or skilled.") This $4.2 million film (a massive amount for 1954) suffered from additional production problems as well, with Marlon Brando originally slated to star, but replaced, at the very last minute, by Purdom, a contract player for 20th Century-Fox.
~ Hal Erickson, All Movie Guide

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Starring:
Edmund PurdomJean Simmons, (more)
1954  
 
Peter Reynolds stars as the son of a respectable British family, who despite his position and privilege chooses to pursue a life of crime. Starting with petty thievery, the misguided young man intends to cap his career with a major casino heist. A policeman (Patric Barr), in love with the young man's sister (Rona Anderson), figures out the boys' intentions and sets about to prevent the robbery. When the chips are down, the malfeasant shows what a rat he truly is, thereby losing whatever family loyalty his sister might have felt towards him. The villain's ultimate demise is befitting his loathsome personality. Produced in England, Black 13 was released stateside by 20th Century-Fox. ~ Hal Erickson, All Movie Guide

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Starring:
Peter ReynoldsRona Anderson, (more)
1954  
 
The Delavine Affair is a jewel robbery orchestrated by a particularly vicious criminal gang. Reporter Peter Reynolds (his character name is-no kidding-Rex Banner) makes it his mission in life to track down the crooks and round them up for the Law. The bad guys reciprocate by framing Reynolds for the murder of a stool pigeon. Everything works itself out within the film's alotted 64 minutes. Honor Blackman, famed for her participation in the original The Avengers TV series, costars. Delavine Affair was based on Winter Wears a Shroud, a novel by Robert Chapman. ~ Hal Erickson, All Movie Guide

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1954  
 
A string of jewel thefts lead to murder as investigated by a free-lance reporter and his wife. (AKA Delavine Affair) ~ All Movie Guide

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1954  
 
This anthology is comprised of three stories. In the first a naive American tycoon boards the famous Orient Express and finds himself victimized by con-artists until a helpful train guard comes to aid him. The second tale centers on an impoverished Irishman's daughter who wants to marry the son of a miserly Scottsman. She and he are told they cannot marry, but the Irishman steps in and saves the day. The third tale centers upon a Norwegian artist who kills his own brother. It is his own wife who sees that he gets his come-uppance. ~ Sandra Brennan, All Movie Guide

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1953  
 
Originally titled 24 Hours in a Woman's Life, the British Affair in Monte Carlo stars Merle Oberon and Richard Todd. A compulsive gambler, Todd is on the verge of disgrace and ruin. Ms. Oberon makes it her mission in life to save Todd from himself. The story is told from the point of view of worldly writer Leo Genn, who is obviously intended as the alter ego of Stefan Zweig, author of the original novel 24 Hours in a Woman's Life. Whenever the drama bogs down, the viewer is encouraged to revel in the authentic Riviera locations. ~ Hal Erickson, All Movie Guide

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Starring:
Merle OberonRichard Todd, (more)
1953  
 
Johnny Fraser is a middle-class Briton jealous of the conspicuous consumption of his next door neighbors (Peter Reynolds, Lana Morris). To show them up, Fraser buys his wife (Eileen Moore) a valuable mink jacket. He goes deeply into debt, then goes deeper still as he borrows to pay for the loan that he's already taken out. Overwhelmed by his creditors, Fraser ends up selling the mink coat to pay for the loan that paid for the loan that paid for the mink coat... A "good beginning", indeed! ~ Hal Erickson, All Movie Guide

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1952  
 
Director Michelangelo Antonioni's unique triptych film features three murders, one taking place in Paris, another in Rome, and another in London. All of the perpetrators are affluent youths, each killing for his own dubious motive. In the France segment, a group of adolescents kill for money, even though they don't need it; in the London segment, a poet uncovers a woman's body and tries to profit from the discovery; and in the Italian segment, a student becomes caught up in a smuggling ring, with deadly results. Though each crime is investigated, the guilty are rarely singled out for their actions. I Vinti had a protracted production schedule, due in large part to the director's inability to find funding for such ambitious, resolutely downbeat material. ~ Michael Hastings, All Movie Guide

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1952  
 
The Last Page was the original British title for the 1952 murder meller Man Bait. Hollywood's George Brent plays a married bookstore owner who is blackmailed by scheming Diana Dors. The subsequent chain reaction of events leads to the death of Brent's invalid wife. It gets worse when Dors is killed by her partner-in-crime Peter Reynolds, and Brent is accused of the crime. The bookseller's faithful secretary Marguerite Chapman comes to the rescue. As with many British programmers of the 1950s which starred American actors, The Last Page was distributed in the U.S. by Lippert Productions. ~ Hal Erickson, All Movie Guide

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Starring:
George BrentMarguerite Chapman, (more)
1951  
 
The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

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Starring:
Robert DonatMargaret Johnston, (more)
1951  
 
In this British melodrama, a husband leaves the country on business. His wife quickly begins a torrid affair with a gigolo. Her husband is devastated when he finds out and winds up jumping off a cliff. Unfortunately he survives, but now suffers terrible amnesia. His repentant wife begins trying to restore his health. Meanwhile the gigolo reappears and begins trying to blackmail the couple. The husband beats him. ~ Sandra Brennan, All Movie Guide

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1951  
 
Alec (Peter Reynolds) thinks he's a "Smart Alec" because he's dreamed up the perfect murder. He kills his uncle in a manner that leaves no trace of foul play. The cops know he did it, but they have no proof. Alec walks out of the courtroom a free man, but fate deals him a fatal, ironic blow. The murderer's modus operandi-a bullet made of ice, which melts upon impact-is an old mystery-story device, previously utilized in one of the Monogram Charlie Chan pictures of the 1940s. Smart Alec was written by Alec Coppel, a past master at murder tales with unexpected twists. ~ Hal Erickson, All Movie Guide

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1950  
 
Linda (Elizabeth Sellars) is driven to the breaking point by her no-good husband. One day, he pushes her too far, and she kills him. With remarkable presence of mind, Linda is able to clean up all evidence of her crime and to effectively dispose of the body. But though she may be able to elude the law, Linda remains a prisoner of her own conscience. Setting this one apart from other British crime mellers of the era was the decision to film on location in a remote rural community. A passable timefiller when first released, Guilt is My Shadow ended up a staple of American TV in the 1950s and 1960s. ~ Hal Erickson, All Movie Guide

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Starring:
Elizabeth SellarsPatrick Holt, (more)
1949  
 
Adam and Evelyne stars Stewart Granger and Jean Simmons, who were husband and wife in the 1950s. Granger plays a "sang froid" gambler with little room for emotional entanglements in his life. When his best friend dies, Granger agrees to adopt the friend's daughter. She grows up to be Jean Simmons; Granger falls in love, but says nothing about his feelings because Jean accepts him as her real father. The denouement is right out of Daddy Long Legs, but is still effective within its new framework. When Adam and Evelyne made the Atlantic crossing and opened in the US, it was retitled Adam and Evelyn. Who knows why? ~ Hal Erickson, All Movie Guide

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Starring:
Stewart GrangerJean Simmons, (more)
1948  
 
An amiable poltergeist causes problems in a family's home by taking over the body of the youngest daughter in this comedy. It is a scientist and an insurance investigator who figure out what happened. Real mayhem ensues when the spirit jumps into the body of the insurance detective. ~ Sandra Brennan, All Movie Guide

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1948  
 
Not a film about scientific research, The Guinea Pig (US title: The Outsider) is the story of an incipient "affirmative action" program. An impoverished young British boy wins a scholarship. As part of a sociological experiment, he becomes the first product of his "class" to be accepted in a snooty upper-crust public school. Most of the film concentrates on the effect this experiment has on the school staff. Written by actor Bernard Miles, who also plays a supporting role, The Guinea Pig stirred up controversy at the time of its release because of the presence of an alleged profanity in its dialogue. If you must know, it's the same "filthy word" Audrey Hepburn shouts at the Ascot races in My Fair Lady (64). ~ Hal Erickson, All Movie Guide

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Starring:
Richard AttenboroughSheila Sim, (more)

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