Michael J. Reynolds Movies

Bloody Sunday director Paul Greengrass marks the five-year anniversary on the September 11, 2001, terrorist attacks on the United States with this speculative meditation on the events that took place onboard the fourth hijacked plane, and the actions of the passengers who gave their lives to ensure the safety of others. Told in real time and acted out by a cast of unknowns who were provided with detailed studies of their real-life counterparts, United 93 attempts to reconstruct the airborne tragedy from the view of the ground and flight controllers, the passengers, and their nervous families awaiting word on the fate of their loved ones. As the terrified travelers and crew gradually become aware of the historical events taking place on the ground so far beneath them, the 90 minutes in which a random collection of strangers realized their fate and came together to confront an unthinkable threat are re-created. ~ Jason Buchanan, All Movie Guide

Not to be confused with the cable-television movie Strange Justice, which aired the same evening on August 29, 1999, the NBC TV movie Cruel Justice stars A. Martinez as Jerry Metcalf, the intensely protective single father of 16-year-old Amy Metcalf (Nicki Lynn Aycox). Already distraught over the fact that Amy has been raped, Jerry goes completely over the edge when his daughter's attacker beats the rap in court. Taking the law into his own hands, Jerry dedicates his life to wreaking vengeance against the smirking perpetrator. The fact that Cruel Justice was run at the tail end of the 1998-1999 TV season, a time when few people were watching, is indicative of NBC's nervous feelings about the film. ~ Hal Erickson, All Movie Guide

One of the most sensational crime stories of the 1950s was the murder trial of Cleveland doctor Sam Sheppard, who was convicted and sentenced to death for the murder of his wife. Though he protested his innocence and insisted that he'd seen a "curly-haired man" leaving his house on the night of the crime, Sheppard was condemned in the court of public opinion long before the judge handed out his sentence. (This true story served as the basis for the long-running TV series The Fugitive.) Years later, Sheppard was released from prison after it was determined that he hadn't had a fair trial, but his name was never officially cleared. Forty years after the death of his mother, Sheppard's son Sam Reese made it his mission in life to prove beyond all reasonable doubt that his father was innocent. In this TV movie adaptation of the younger Sheppard's autobiographical book, Peter Strauss is seen as Dr. Sam Sheppard, and Henry Czerny as Sam Reese. My Father's Shadow: The Sam Sheppard Story made its CBS network bow on November 17, 1998. ~ Hal Erickson, All Movie Guide

Birkoff (Matthew Ferguson) is alerted to the fact that a nuclear bomb is being smuggled into the United States. The only witness to this operation is Rudy (Maury Chaykin), a mentally challenged pizza deliverer who accidentally spotted the smugglers at a large municipal airport. When Rudy is brought into Section One for debriefing, Nikita (Peta Wilson) realizes that he will never be allowed to leave alive, and tries to help him. But there may not be any time to help anyone: Unless the bomb is intercepted within 24 hours, a major American city will be wiped from the face of the Earth. ~ Hal Erickson, All Movie Guide

Hoping to put her life back together after an abusive first marriage, mild-mannered Laura Jameson (Mel Harris) weds again, thereby incurring the wrath and resentment of her rebellious teenage daughter Kelly (Nicholle Tom). Still holding Laura responsible for the suicide of her father, Kelly goes completely off the deep end, beginning with an overnight stay in juvenile custody and culminating in an eight months of legal hell in a dizzying progression of courtrooms. Clearly over her head when trying to cope with Kelly (all she can say upon her daughter's release is "Was it awful in jail, honey?"), Laura will ultimately be forced to draw upon reserves of inner strength that she never knew or believed she had. Made for the NBC TV network, What Kind of Mother Are You? was first telecast on November 18, 1996. ~ Hal Erickson, All Movie Guide

This Canadian made-for-television movie spawned the popular series about a crime-fighting Royal Canadian Mountie. Paul Gross stars as Constable Benton Fraser, an RCMP who sets out to track down his father's killer. His chase takes him all the way to Chicago where he hooks up with Ray Vecchio, (David Marciano) a macho, local Chicago detective. Together they hit the streets as a crime-fighting and justice-seeking duo. ~ Bernadette McCallion, All Movie Guide

Deftly blending Native American mysticism with ecological consciousness, suspense and graphic violence Clearcut is a powerful drama of vengeance and ultimately a lesson well-learned. Set in the Canadian woods, the tale begins during a heated conflict between an Indian tribe and an avaricious paper mill that is systematically destroying the land. When it looks as if all else will fail, a militant Indian leader abducts the owner of the mill and takes him on a Deliverance style wilderness odyssey and a harsh crash-course in tribal culture. ~ Sandra Brennan, All Movie Guide

Terminally ill Bernadette Peters develops a deep friendship with psychologist Mary Tyler Moore in this drama. ~ All Movie Guide

This WW II-set drama follows the creation of the first atomic bomb. ~ Sandra Brennan, All Movie Guide

A wealthy invalid discovers her husband's scheme to have her killed in this made-for-cable thriller--remade from the 1948 feature starring Barbara Stanwyck. ~ Kristie Hassen, All Movie Guide

Gorillas in the Mist is based on the autobiographical 1983 book by naturalist Dian Fossey. Before the book could be brought before the cameras, Fossey had been mysteriously killed; her death provides a logical, if somewhat ghoulish climax to the film. A Kentucky girl, Fossey (Sigourney Weaver) is inspired by famed anthropologist Louis Leakey (Ian Cuthbertson) to devote her life to the study of primates. Travelling into deepest Africa, Fossey becomes fascinated with the lives and habits of the rare mountain gorillas of the Ugandan wilderness. Studying them at close quarters, Fossey develops a means of communicating with the gorillas, and in so doing becomes obsessed with the beasts' well-being. She is so devoted to "her" mountain that she loses the opportunity for a romance with a National Geographic photographer (Bryan Brown). Appalled by the poaching of the gorillas for their skins, Fossey complains to the Ugandan government, which dismisses her by explaining that poaching is the only means by which some of the Ugandan natives can themselves survive. She refuses to accept this, and becomes a militant animal-rights activist, burning down the poachers' villages and even staging a mock execution of one of the offenders. ~ Hal Erickson, All Movie Guide

This slick throwback to the giant-mutant-insect movies of the 1950's has built a small reputation solely on its irrelevant title -- the film contains no monkeys, blue or otherwise -- which confused both reviewers and viewers alike. (This dilemma was solved in its second video incarnation, under the more honest title Insect.) The story begins when a gardener becomes infected with a plant-borne insect larva, which he disgorges upon his arrival at the County Memorial Hospital. When the bug-baby ingests a large dose of growth hormone called NAC-5 (hospitals are always leaving that stuff around where bugs can get at it), it immediately bulks up to the size of a bulldozer. The plot quickly shifts into Alien mode, as scientists, police (namely wild-eyed cop Steve Railsback) and hospital personnel creep down the hospital's labyrinthine corridors in search of the insectoid monster, which they hope to destroy with conveniently-provided experimental laser equipment before it can test the capacity of the maternity ward with a few million larvae. Despite the lurid promotional materials (showing pretty nurses SCREAMING IN HORROR!!), the story is played quite straight -- more of an homage to films like Them! than a parody of same -- and benefits from good performances (John Vernon is great as the hospital director), a tight script and a strong emphasis on suspense and action from director William Fruet. ~ Cavett Binion, All Movie Guide

Filmed in Canada, Too Outrageous is the belated sequel to the 1977 cult classic Outrageous. Craig Russell is back as gay hairdresser-turned-female impersonator Robin Turner, as is Hollis McLaren as his mentally unbalanced girlfriend. We learn that since last we saw him, Robin has become quite successful on the New York nightclub circuit with his imitations of Streisand, Garland et. al. We also learn that McLaren is as mixed-up as ever; this time she falls under the spell of a duplicitous bartender. That Too Outrageous isn't up to the standards of the original can be attributed to the fact that what was outrageous in 1977 was merely bemusing ten years later. ~ Hal Erickson, All Movie Guide