Rosa Rey Movies

1955  
 
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Scripted by famed playwright Tennessee Williams, The Rose Tattoo stars Anna Magnani as Serafina Delle Rose, a Sicilian woman who now lives in the American South. As the film opens, she is still mourning the death of her beloved husband, constantly telling herself stories of their time together. Her fragile emotional existence is shattered when she discovers that her husband had been carrying on with another woman. Luckily, Serafina also meets truck driver Alvaro Mangiacavallo (Burt Lancaster) around this time, and their tentative romance may help her through this troubling time. Williams wrote the script for Magnani, who was awarded an Oscar for her work in the film. ~ Perry Seibert, All Movie Guide

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Starring:
Anna MagnaniBurt Lancaster, (more)
1954  
 
Before Indiana Jones there was Harry Steele (Charlton Heston), an idealistic archaeologist determined to return an ancient Incan mask to the society from which it came. A greedy con-artist (Robert Young) has other ideas, though, and the two men race to fund an expedition to find the treasure, which has reportedly been buried by Spanish conquistadores somewhere in Machu Picchu. The con-artist (Young) seduces a beautiful tourist in order to reach his goal, leaving Steele (Heston) to locate the site through more honorable means. Twenty-seven years before directors George Lucas and Steven Spielburg collaborated to create Indiana Jones: Raiders of the Lost Ark, Jerry Hopper directed Secret of the Incas. ~ Tracie Cooper, All Movie Guide

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Starring:
Charlton HestonRobert Young, (more)
1948  
 
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Even star Joan Bennett and director Fritz Lang regarded The Secret Beyond the Door as the weakest of their collaborative efforts. Bennett plays spoiled socialite Celia, who falls recklessly in love with the handsome but emotionally complex Mark Lamphere (Michael Redgrave, in his first American film). After their wedding, Celia becomes uncomfortably aware that Mark's mild distrust of women is actually a deep-set, and potentially dangerous, hatred. Even when facing the possibility that she'll be murdered in her sleep, Celia remains loyal to her unbalanced husband. The slowly mounting tension is enhanced by the mood-drenched cinematography of Stanley Cortez and the feverish musical score by Miklos Rozsa. But when it's all over, The Secret Beyond the Door fails to linger in the memory in the manner of such earlier Lang-Bennett efforts as The Woman in the Window and Scarlet Street. ~ Hal Erickson, All Movie Guide

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Starring:
Joan BennettMichael Redgrave, (more)
1947  
 
Esther Williams moves from the swimming pool to the bull ring in this musical drama. Antonio Morales (Fortunio Bonanova) was once a champion bullfighter; now in retirement, Antonio and his wife (Mary Astor) have high hopes that their son Mario (Ricardo Montalban) will follow in his father's footsteps as a matador. However, Mario's great passion is music, and he longs to pursue a career as a composer. But there is a budding toreador in the family: Mario's sister Maria (Esther Williams), who has learned the basics of bullfighting from her sibling. Not wanting to be thought a coward, but with no desire to enter the ring, Mario allows Maria to disguise herself as him and take his place in the bullring, allowing her to compete in a traditionally male sport while Mario devotes his time to his music. Fiesta gave Ricardo Montalban his first English-speaking role, with Cyd Charisse appearing as Conchita, his love interest and dancing partner. Classical music buffs might notice that Mario's composition "Fantasia Mexican" is actually Aaron Copland's "El Salon Mexico." ~ Mark Deming, All Movie Guide

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Starring:
Esther WilliamsAkim Tamiroff, (more)
1946  
 
Based on a famous book by Richard Henry Dana, Jr., this grueling saga of shipboard oppression is set in the mid-19th century. Charles Stewart (Alan Ladd), the wealthy son of a Boston shipowner, is hijacked by Amazeen (William Bendix), the first mate on a ship bound for California. Francis Thompson (Howard Da Silva) is the tyrannical captain of the Pilgrim who was booted out of the U.S. Navy for mistreating his sailors. Now he wants to set a record sailing time, and he and Amazeen mete out severe punishment for the slightest of infractions. They even deny the men permission to go ashore and pick fruit when they stop in California and pick up the beautiful Maria Dominguez (Esther Fitzgerald). Without fruit, the men develop scurvy and begin to mutiny. Stewart allies himself with the author Dana (Brian Donlevy), whose brother died on one of Captain Thompson's previous voyages. Dana wants to write an expose of Thompson. Stewart steals guns and tries to take over the ship, but Amazeen subdues and imprisons him. The film was shot on a Hollywood set, but with devices on the set that simulate rolling waves so effectively that much of the cast got seasick. ~ Michael Betzold, All Movie Guide

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Starring:
Alan LaddBrian Donlevy, (more)
1946  
 
Director William "One Take" Beaudine handles Face of Marble with his usual hasty professionalism. John Carradine stars as Professor Randolph, a brilliant brain surgeon. At the moment, Randolph and his assistant David Cochran (Robert Shayne) are experimenting with restoring the dead to life. But there's an unfortunate side-effect: the deceased sailor upon whom Randolph conducts his first human experiment promptly turns to marble when he's revived from the dead. All of this is eventually tied in with the clandestine romance between Cochran and Randolph's faithless wife Elaine (Claudia Drake), and with the sinister incantations of voodoo practitioner Marika (Rosa Rey). John Carradine is quite good, considering the circumstances. ~ Hal Erickson, All Movie Guide

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Starring:
John CarradineClaudia Drake, (more)
1946  
 
In this romantic melodrama, Bette Davis plays twin sisters for the first time (she would do so again in 1964's Dead Ringer). Kate Bosworth (Davis) is a sincere, demure girl and talented artist. Her twin sister Pat (also Davis) is a flamboyant, man-hungry manipulator. Orphans, the girls' guardian is their cousin, Freddie Lindley (Charles Ruggles), with whom Kate elects to spend a summer on Martha's Vineyard. There, she meets Bill Emerson (Glenn Ford), a handsome engineer spending a summer vacation as a lighthouse inspector. Kate falls deeply in love with Bill, but when Pat shows up, he goes for the more exciting sister, eventually marrying her. Devastated, Kate throws herself into her art, but she becomes discouraged under the tutelage of an abusive master, Karnock (Dane Clark). A sailing accident gives Kate the chance to take her sister's place -- but can she fool Bill into believing that this sweet, innocent woman is his philandering, scheming wife? A Stolen Life (1946), a remake of an earlier picture by the same name that had been produced by Paramount only seven years earlier starring Elisabeth Bergner in the twins role, was nominated for a Best Special Effects Oscar. ~ Karl Williams, All Movie Guide

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Starring:
Bette DavisGlenn Ford, (more)
1946  
NR  
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When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends. With the police closing in on the cartel, Mundson fakes his death, apparently leaving Gilda and Farrell free to marry. They do so: Gilda for love, but Farrell to punish her for being unfaithful to Mundson. When Mundson returns to kill them, it is he who dies, thereby freeing the lovers to apologize to each other and return to the U.S. Charles Vidor's Gilda is a voyeuristic film noir treat that engages the viewer in a complex web of sado-masochistic triangles. When, for example, Gilda performs her signature number, "Put the Blame on Mame," she is not simply enraging both Mundson and Farrell with her open sexuality, she is also crying out in pain for the love she is being denied. ~ Steve Press, All Movie Guide

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Starring:
Rita HayworthGlenn Ford, (more)
1936  
 
A Spanish-language version of Reliable Pictures' Midnight Phantom, this whodunit features Jose Luis Tortosa as an unbending police chief murdered with a poisoned dart. Suspicion centers on Police Lieutenant Alberto Burke (Juan Toreno), the boyfriend of the murdered man's daughter (Adriana Lamar), but as criminologist Professor Graham (Ramon Pereda) proves, the real culprit is someone entirely different and unsuspected. Filmed simultaneously with Midnight Phantom, El Crimen de Media Noche premiered in New York City February 1, 1936 under the title El Fantasma de Media Noche. ~ Hans J. Wollstein, All Movie Guide

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