Fernando Rey Movies

Singer and actress Liza Minnelli teamed up with her father, legendary director Vincente Minnelli, to make this evocative drama. Nina (Liza Minnelli) is a popular film star who, in the midst of a press conference, finds herself remembering her life before her big break, when she worked as a chambermaid at an Italian hotel which had seen better days. In the course of her duties, Nina meets Countessa Sanziani (Ingrid Bergman), an aging and eccentric woman who regales Nina with tales of her glamorous younger days. As the Countessa tells her more stories of her days of wealth and adventure, Nina imagines herself living out the same exciting stories, and soon the Countessa encourages her to find the courage to live out her own dreams. A Matter Of Time also featured another family team-up; Ingrid Bergman's daughter Isabella Rossellini has a small part as a nun attending to the ailing Countessa. ~ Mark Deming, All Movie Guide

Filmed in Tunisia on a budget of 30 million dollars, the five-part, 12-hour miniseries A.D. was the final installment in a historical trilogy which included Moses the Lawgiver and Jesus of Nazareth. Covering the years 30 to 69 A.D., the teleplay, co-written by Anthony Burgess, chronicled the political intrigue which plagued the Roman Empire, with such key players as the emperors Tiberius (James Mason in his final role), Caligula (John McEnery), Claudius (Richard Kiley), and Nero (Anthony Andrews) calling the shots. Meanwhile, the death of Jesus Christ (played by Michael Wilding, son of Elizabeth Taylor) not only sparked a widespread monotheistic religious movement, but also resulted in devastating factionalism amongst the various Jewish sects of the era. Offsetting the true events are a number of fictional subplots, among them the romance between Jewish slave girl Sarah (Amanda Pays) and Roman soldier Valerius (Neil Dickson), and the tempestuous relationship between male and female gladiators, Caleb (Cecil Humphreys) and Corinna (Diana Venora). The huge cast included Ava Gardner, making her TV-movie debut as the scheming Agrippina. The winner of an Emmy award for Best Film Editing, A.D. was broadcast by NBC from March 31 through April 4, 1985. ~ Hal Erickson, All Movie Guide

This Spanish film, shot in the lovely Huesca region, pokes gentle fun at the showbiz aspirations of five monks in a lonely monastery. When the grouchy old screenwriter cannot meet his deadline for the script for a new and already dull movie, he and his partner end up sequestered in a Spanish monastery. The five monks cannot help but add their two pesos worth every chance they get. The screenwriter also finds unwanted advice from the town baker who believes the script, which was set in 19th-century Scotland and written for Sean Connery, would be more interesting if it were a modern Spanish story with local settings. The baker, a pretty young woman, has many great ideas for the film. She, the screenwriter and his partner end up in a triangle that parallels the triangle in the story. ~ Sandra Brennan, All Movie Guide

A beautiful young gold digger enters into a deadly game of deception when she marries a blind millionaire, and quickly discovers that she's not the only one after his money. As the unscrupulous new bride enters into a torrid affair with her husband's handsome valet, it's soon revealed that the household servants have their own murderous plan for striking it rich. ~ Jason Buchanan, All Movie Guide

Bienvenido Mr. Marshall (Welcome Mr. Marshall) is a comedy predicated on the Marshall Plan, which provided American financial aid to deserving European communities. When two Marshall-Plan representatives announce plans to drive through a small Spanish town on the Iberian peninsula, the mayor, in cahoots with a publicity agent, intends to make as good an impression as possible. As a result, all signs of Western culture are hidden, and the town is transformed into a picture-postcard version of Old Iberia. As the townsfolk await the arrival of the Americans, each citizen conjures up visions (mostly inaccurate) of what life might be like in the good old USA. The satirical thrust of Bienvenido Mr. Marshall was misinterpreted as "leftist" by some observers when the film opened at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide

Produced for cable TV by The Disney Channel, The Black Arrow is based on the classic Robert Louis Stevenson adventure tale. Stephen Chase plays the title character, a dogooding swashbuckler who tries to avenge his father's murder during the War of the Roses. Though Chase carries the bulk of the action, top billing is bestowed upon the film's villains, Oliver Reed (as Sir Daniel Brackley) and Fernando Rey (as the Earl of Warwick). The Stevenson original was previously adapted for the screen in 1948, with Louis Hayward in the lead. Black Arrow made its TV debut on January 6, 1985. ~ Hal Erickson, All Movie Guide

In this strange, unsatisfying remake of Casablanca, directed by J. Lee Thompson, a bar owner helps a woman find a missing fortune. Right after the end of WWII, Giff Hoyt (Charles Bronson) owns a bar in Peru into which Marie Allesandri (Dominique Sanda) enters one day, in search of her lover and some missing money. Matters are complicated by Gunther Beckdorff (Jason Robards), a Nazi who has his own plans for the money. Terredo (Fernando Rey) observes all the action and helps at an important moment. Despite the very good cast which also includes Camilla Sparv and Gilbert Roland, all of the various subplots and characters fail to gel, and Caboblanco is confusing, unsatisfying and slow-moving. Any fan of Casablanca should skip this and see the original again. ~ Linda Rasmussen, All Movie Guide

A group of female patrons in a bar are interviewed in this pretentious feature that pretends to have religious and psychological interest. A 14 year old girl is raped by a vicious landowner. the incident leaves her unable to love and trust men, although they constantly pursue her as the most beautiful girl in town. Black and white with color photography is combined in the film production. ~ Dan Pavlides, All Movie Guide

Giovanni (Beppe Grillo) is a mysterious hitchhiker of unknown origins, oddly out of place in the modern world since he is quite humble in his attitude, equally compassionate to everyone, and unselfish. Giovanni is given a lift by a priest (Fernando Rey) who looks like he deals cards under the table but has the noble project of publishing the life of Jesus Christ as a novel, and he needs to find some appropriate-looking young man to pose for book illustrations as the Christian Savior himself. Giovanni, it seems, fits the bill just perfectly. As Giovanni encounters the darker side of human failings, his abilities to apparently work miracles and to convince a hardcore terrorist to change her ways, set him apart -- as does his unique, non-violent philosophy. The less-than-ideal priests cannot identify with Giovanni's viewpoints, on the contrary, they begin to conclude that he is not playing with a full deck and they have some definite plans for how to take care of this aberrant loner. ~ Eleanor Mannikka, All Movie Guide

The legendary Shakespearean character Sir John Falstaff, the notoriously drunken, obese, and yet charming companion of the young Henry V, steps up from supporting character in several plays to the central focus of Orson Welles' Chimes at Midnight, considered by many critics the best of the director's acclaimed Shakespeare films. The script borrows scenes from several plays, but draws most heavily on the two parts of Henry IV, focusing on the shifting relationship between Falstaff and Prince Hal. Beginning as the prince's companion in debauchery and idleness, the corpulent jokester finds himself falling out of favor as the prince comes to terms with the importance of his destiny as England's future leader. While Falstaff's ample wit is still much in evidence, the film places greater emphasis on the tragic character beneath all the joviality, with Welles perfectly embodying this mixture of spiritually youthful prankster and sad adult. While his towering performance naturally takes center stage, the other cast members are also superb. The film's visual elements are also strong, with Welles' attention to composition matching his sensitivity to character. There are technical imperfections due to the film's extremely limited budget, including an inconsistent soundtrack, but they are unable to overshadow the film's many achievements. ~ Judd Blaise, All Movie Guide