Anne Revere Movies

Though Republic's Shantytown keeps threatening to become a musical, it's essentially a romantic drama built around the thespic talents of new discovery Mary Lee. The star plays Liz Gorey, a hoydenish lass from the wrong part of town who'd rather play sandlot baseball than anything else. In the course of events, Liz is instrumental in the salvation of Bill Allen (John Archer), a young-and married-mechanic who gets mixed up with a gang of bank robbers. Of special interest to movie buffs is the fact that John Archer's screen wife is played by his real-life spouse Marjorie Lord. Though Archer and Lord eventually divorced, the union lasted long enough to produce a daughter, who grew up to become film actress Anne Archer. ~ Hal Erickson, All Movie Guide

The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide

The plot of the RKO Radio programmer The Falcon Takes Over will be instantly recognizable to anyone who has seen the 1944 Philip Marlowe mystery Murder My Sweet: indeed, both films were based on the same Raymond Chandler novel, Farewell My Lovely. It all begins when brutish prison escapee Moose Malloy (Ward Bond) forces nervous Broadwayite Goldie Locke (Allen Jenkins) to drive him to a posh nightclub, where Moose hopes to be reunited with his old girlfriend. Unable to find his elusive sweetheart, Moose tears the joint apart, obliging Goldie to flee for his life. As it happens, Goldie is the assisant of private eye Gay Lawrence (George Sanders), aka The Falcon, who has been hired by foppish socialite Lindsey Marriot (Hans Conried) to ransom a necklace stolen from Marriot's lady friend Diane Kenyon (Helen Gilbert). Shortly afterward, Marriot is murdered, and the Falcon discovers that there's an inextricable link between the dead man and the inimitable Moose Malloy. The rest of the film follows the plot convolutions set down by Chandler in Farewell My Lovely, carefully retailed to suit the breezy urbanity of George Sanders as the Falcon. Though Murder My Sweet is the better of the two versions of the Chandler novel, The Falcon Takes Over has a few advantages of its own, notably the casting of future Oscar winner Ann Revere as blowzy murder suspect Jessie Florian. ~ Hal Erickson, All Movie Guide

This lighthearted romantic comedy stars William Holden as working stiff Michael Stewart and Frances Dee as wealthy socialite Candace Goodwin. Falling in love with Michael, Candace agrees to marry him on his terms-namely, that they survive on his salary alone. Inevitably, Candace has trouble adjusting to her new lifestyle and yearns for the luxuries lavished upon her by her family. Meanwhile, Michael begins to suspect that Candace has been keeping company with men from her own social set. It takes the combined efforts of the Stewart and Goodwin families to reunite the quarrelsome couple in the final footage. There's nary an original moment in Meet the Stewarts, but the two leads are so darned atttractive that it doesn't matter at all. ~ Hal Erickson, All Movie Guide

In providing the "synopsis" for Are Husbands Necessary?, one best-selling film source says merely "And what about this film?" There's more to the story than that, of course--but not much. The film was based on Mr. and Mrs. Cugat, a novel by Frank Davis. Ray Milland and Betty Field play a warring married couple who hope to patch up their differences by adopting a baby. When Milland's ex-flame Patricia Morrison shows up unexpectedly, the fur flies. ~ Hal Erickson, All Movie Guide

Rosalind Russell stars as a no-nonsense judge who dabbles in sculpting in her spare time. Walter Pidgeon costars as a reporter assigned to discredit Rosalind after she rules against his boss (Edward Arnold) in a divorce case. Pidgeon plans to frame the judge in a compromising situation, then blackmail her into reducing the alimony. He succeeds in humiliating Rosalind, but regrets his actions when he realizes he's fallen in love with her. All ends happily in this glossy derivative of MGM's earlier Libelled Lady (36). ~ Hal Erickson, All Movie Guide

Also known as When the Devil Commands, this cheap but lively Columbia melodrama was the last of Boris Karloff's "mad doctor" series (the official denoument of the series, The Boogie Man Will Get You, was a farcical lampoon). The film begins on an ominous note, as Anne Blair (Amanda Duff) makes a return visit to the spooky old house owned by her scientist father Julian Blair (Karloff). Curious as to why the local villagers seem so frightened, Anne soons learns the reason: Blair has been conducting experiments to communicate telepathically with the dead, and to expedite this he has been robbing a few graves here and there. Blair's determination intensifies after the death of his wife whereupon he hopes to communicate with her via his elaborate brain-wave machine. Despite the reluctant assistance of the terrified Anne, Blair sadly concludes that "There are things that human beings have no right to know", shortly before joining his wife in the Great Beyond. As one recent observer noted, The Devil Commands represents the screen's first "psychic hotline." ~ Hal Erickson, All Movie Guide

In this sequel to the 1938 boxoffice hit Boys Town, Spencer Tracy repeats his Oscar-winning role of Father Flanagan, with Mickey Rooney likewise reprising his characterization of reformed hoodlum Whitey Marsh. Still operating on the theory that "No boy is bad, if given a chance", Father Flanagan has created Boys Town, a nondemoninational sanctuary for wayward and homeless youngsters in Omaha, Nebraska. Despite the success of his operation insofar as building the character of his charges, the good Father is confronted with ever-mounting debts, and this time not even his old pawnbroker pal Dave Morris (Lee J. Cobb) can come to the rescue. Meanwhile, Whitey Marsh is adopted by the Maitlands, a wealthy couple--a fact that disillusions a sullen, crippled youngster named Ted Martley (Larry Nunn), who'd hoped that the Maitlands would choose him. Upon leaving Boys Town, Whitey tries to pay a visit to his old pal Miles Fenley, who is an inmate in a crooked reform school, but is denied entrance. Driving away from the reformatory, Whitey discovers that a boy from the school, Flips (Darryl Hickman), has stowed away in his car. Whitey agrees not to turn Flip in--a decision he has reason to regret when he is arrested for a robbery committed by Flip. Sent to the same reform school as Miles Fenley, Whitey learns first-hand of the institution's corruption and brutality. He manages to get word to Father Flanagan, who despite his ongoing financial woes takes on the reformatory's unsavory officials and secures a release for Whitey and Flip. But there is still one problem to overcome: Convincing the resentful Ted Martley that the world isn't as bad as he thinks it is. Boasting enough plots for ten films, Men of Boys Town may not have been as good as its predecessor, but it proved to be another box-office bonanza for Spencer Tracy and Mickey Rooney. ~ Hal Erickson, All Movie Guide

Hollywood films about the Revolutionary War almost invariably lost money at the box office, and The Howards of Virginia was no exception, despite the presence of Cary Grant in the lead. Most of the story takes place in the colonial capital city of Williamsburg, Virginia, where Matt Howard (Cary Grant) dedicates himself to the causes of Life, Liberty and the Pursuit of Happiness. Remaining faithfully at Matt's side through his early years as a frontiersman and on into his life among the "landed gentry" is his wife Jane Peyton Howard (Martha Scott), the sister of unregenerate royalist Fleetwood Peyton (Cedric Hardwicke).

Most of the high points of the Revolution are herein recreated, including the Stamp Act riots, the Boston Tea Party, and Patrick Henry's "Give me Liberty" speech. Curiously, however, director Frank Lloyd stages these scenes in a flat, near-throwaway fashion; even the inflammatory Henry (Richard Gaines) is hampered by unimaginative camera angles. Other historical personages parading through the film include Thomas Jefferson and George Washington, played respectively by Richard Carlson and George Houston. Though it's rather rough sledding in its feature-length version, The Howards of Virginia plays quite well in the half-hour abridgement prepared by Columbia for schoolroom showings. ~ Hal Erickson, All Movie Guide