Marina Berti Movies

Preludio D'Amore (Love Prelude) is a minor Italian romantic drama with an impressive cast. The story, involving a romance between two budding juvenile delinquents, is nothing special. Nor is the perfunctory direction by workhorse Giovanni Paolucci. What really makes this thing percolate are its stars, including veteran "action" hero Massimo Girotti, frequent Roberto Rosselini collaborator Maria Michi, Hollywood-bound ingenue Marina Berti, and comparative newcomer Vittorio Gassman. The film was put together by Albatros Productions, one of the most ill-named companies in the history of the cinema. ~ Hal Erickson, All Movie Guide

Filmed entirely on location in Italy, Prince of Foxes is an adaptation of Samuel Shellabarger's popular novel. Set during the Renaissance, the film stars Tyrone Power as Orsini, a good-will ambassador for scheming, covetous Cesare Borgia (Orson Welles). Orsini is aware that he is being used to expand Borgia's political influence, but he does his best to serve his master. But when he visits a mountain province ruled by the kindly Duke Varano (Felix Aylmer), Orsini comes to realize that there is more to life than power and possessions. Turning against the Borgias, Orsini is subjected to torture and humiliation, but he escapes to spearhead a revolt against the despotic family. Power is quite good, but he can't help but be overshadowed by such scenery-chewers as Orson Welles, Katina Paxinou (as Orsini's mother) and Everett Sloane (as the toadying Belli). Wanda Hendrix is pretty but forgettable as Varano's young bride, who of course falls in love with the dashing Orsini. Because of contractual and budgetary restrictions, Prince of Foxes had to be filmed in black-and-white, which is a shame; if ever a film cried out for Technicolor, it is this one (20th Century-Fox soon rectified this artistic gaffe with its full-color, location-filmed The Black Rose [1950], which also starred Tyrone Power and Orson Welles). ~ Hal Erickson, All Movie Guide

The real-life deportation of gangster Lucky Luciano was the inspiration for this romanticized and slightly crackbrained crime drama. Jeff Chandler plays the Luciano counterpart, who once he arrives in Italy renews his criminal activities. Chandler masterminds a black-market racket, capitalizing upon wartime shortages in Europe. He falls in love with a Contessa (Marta Toren), who is the benign patroness of the small village where he lives. Under her influence, Chandler abandons his life of crime, turns his back on the ill-gotten gains that he's already smuggled into Italy, and becomes a pillar of the community. And if you believe that, We have some land in Florida we'd like to show you. ~ Hal Erickson, All Movie Guide

Up Front is based on the wartime newspaper cartoons by Stars and Stripes contributor Bill Mauldin. Tom Ewell and David Wayne play Willie and Joe, the mud-caked, unshaven, war-weary protagonists of Mauldin's classic panels. The film is on the right track whenever using direct quotes from the original cartoons ("When we ain't fighting, we gotta ack like soljers?"), but soon the necessity for a plotline weighs down the humor. Also, the film waters down Mauldin's satirical jabs at insensitive Army officers and contradictory rules of conduct (Hollywood was still not permitted to find fault with anything military). Thus, we're left with a moderately entertaining piece of semi-slapstick about Willie and Joe's misadventures up and down the Italian front. Tom Ewell returned to play Willie in Up Front's sequel Willie and Joe Back at the Front (52), but David Wayne was replaced by Harvey Lembeck. ~ Hal Erickson, All Movie Guide

Leopoldo Trieste's stage play Cronaca was the basis for the Italian drama Febbre di Vivere (Eager to Live). Though virtually every character in the film is tenuously connected with Italian high society, many of them can be classified as "low lifes." And none is lower than two-bit bookie Massico (Massimo Serato) who breaks at least three female hearts in the course of events. Coasting by on his charm, Massico manages to secure undying loyalty from all his women, even after casting them aside. But when he adds murder to his repertoire, his luck runs out. Marcello Mastrioanni is seen in a surprisingly passive role. ~ Hal Erickson, All Movie Guide

This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. Ben-Hur's childhood friend Messala (Stephen Boyd) is now an ambitious Roman tribune; when Ben-Hur refuses to help Messala round up local dissidents on behalf of the emperor, Messala pounces on the first opportunity to exact revenge on his onetime friend. Tried on a trumped-up charge of attempting to kill the provincial governor (whose head was accidentally hit by a falling tile), Ben-Hur is condemned to the Roman galleys, while his mother (Martha Scott) and sister (Cathy O'Donnell) are imprisoned. But during a sea battle, Ben-Hur saves the life of commander Quintus Arrius (Jack Hawkins), who, in gratitude, adopts Ben-Hur as his son and gives him full control over his stable of racing horses. Ben-Hur never gives up trying to find his family or exact revenge on Messala. At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it. The highlight of the film's 212 minutes is its now-legendary chariot race, staged largely by stunt expert Yakima Canutt. Ben-Hur's Oscar haul included Best Picture, Best Director for the legendary William Wyler, Best Actor for Heston, and Best Supporting Actor for Welsh actor Hugh Griffith as an Arab sheik. ~ Hal Erickson, All Movie Guide

Based on a 1907 comedy by Victorien Sardou and Emile Moreau, Madame Sans-Gene was first interpreted by Gloria Swanson in 1923. In this version of the free-wheeling laundress who joins the nobility, Sophia Loren plays the lead and the man she falls in love with, the soldier Lefebvre, is played by Robert Hossein. Madame Sans-Gene does the laundry for a little-known lieutenant named Napoleon (Julian Bertheau), but after she falls for Lefebvre, she takes off, following him around the French Revolution and loses track of Napoleon, who has other things to do. Circumstances bring Lefebvre a noble title and even more -- Napoleon decides to make him the local ruler over a large territorial fiefdom. But trouble brews when Madame Sans-Gene, now elevated to the nobility along with her man -- cannot keep her frank observations under control. ~ Eleanor Mannikka, All Movie Guide

This classic Greek tale of a friendship that overcomes even death makes for an interesting sword-and-sandal saga, with Guy Williams in the role of Damon. An apt choice since Williams is himself an expert swordsman, as partially demonstrated in his role as Zorro on American television (1957-59). Pythias (Don Burnett) has been caught plotting the assassination of King Dionysis I of Syracuse (Arnoldo Foa). Before his execution, Dionysis grants Pythias leave to put his affairs in order because Damon volunteers to stand in his stead if Pythias does not come back to face the executioner. Damon's act is considered foolish. He was safe, why should Pythias come back? But the two are devotees of the Pythagorean mysteries, and their faith in brotherly love goes beyond self-interest. When Pythias does return in the allotted time, King Dionysis is impressed enough to have a change of heart. ~ Eleanor Mannikka, All Movie Guide

In this melodrama, set in German-occupied Italy during WW II, a Yankee spy is concealed in the attic of an underground contact's house. The contact's wife does not want him there as she is having an affair with the German Officer who is looking for him. He remains in the attic, hidden by the woman's son. Trouble ensues when the American is seen by the woman and her lover. He must escape across the slippery rain-soaked tile roof tops. The German troops are in hot pursuit. They are also after the woman who stands accused of sheltering the spy. Her lover, the German officer, realizing that he could lose it all for consorting with a local, shoots and kills the woman. ~ Sandra Brennan, All Movie Guide