Marina Berti Movies

In the salad days of his youth, Aureliano lived and worked in Africa, and the romance and exotic quality of those days remains with him still. These days, he lives a predictable existence, fending off the efforts of his female friend and former lover from those days to infuse some zest into his life. When he is approached by two anxious natives from the Ivory Coast looking for assistance, his stolid existence is shattered. The woman is on the run from the Italian underworld prostitution ring she worked for after stealing their drug stash, and the unsophisticated man is her Senegalese protector, whose family maintains some connections with Aureliano. When the gang kills the Senegalese, the former African's hand is forced into a relationship with the prostitute, and he gradually gains a fresh purpose in life. ~ Clarke Fountain, Rovi

Based on a true story that happened in 1921, this drama features a frivolous opera company, their relationships with one another, and their rehearsals of Franz Lehar's "Mazurka Blu" just before their theater is bombed. While Greta, the leading lady (Senta Berger), is being romanced by Milan's Chief of Police (Erland Josephson), a right-wing terrorist group that supports Mussolini is planning to bomb the opera's theater and blame it on Communists. Success means that the local government will have a good excuse to give free rein to the fascists and indirectly help Mussolini come to power. ~ Eleanor Mannikka, Rovi

Nothing remains the same in the love lives of those associated in any way with the case of the shooting death of Valeria (Carole Chauvet) by her husband Fabrizio (Marc Porel) during a hunting trip. Was it an accident or murder? Slowly, the police magistrate (Stefano Satta Flores) sifts through the evidence from the lives of those around the couple to determine the truth. This psychological detective story is based on an award-winning novel by Michele Prisco. ~ Clarke Fountain, Rovi

Originally filmed for British television as a six-hour miniseries, Moses appeared in the U.S. in 1975 as a 2 1/2-hour theatrical release. God's lawgiver (Burt Lancaster) is chosen by God to deliver the Israelites out of Egypt, across the Red Sea and into the promised land of Canaan. ~ John Bush, Rovi

Here the director adapts his own novel about Mira (Romy Schneider), a firebrand of a woman, who moves from being a ferocious labor organizer to being the mistress of her town's factory owner (Ugo Tognazzi). Labor negotiations provide a background for their brief but devastating romantic affair. ~ Clarke Fountain, Rovi

A mid-1960s TV documentary special (and a New Yorker cartoon before that) was the inspiration for If It's Tuesday, This Must Be Belgium. The film is a likeable satire of "packaged" European tours, where the nonplused tourists are expected to rush from one landmark to another in a breathless 18 days. Ian McShane stars as the amorous tour guide, with Suzanne Pleshette as the American department store buyer he falls for; their romance ends when Pleshette decides that the supposedly worldly McShane is too immature for her. An all-star cast, including Murray Hamilton, Peggy Cass, Pamela Britton, Marty Ingels, John Cassavetes and Vittorio De Sica, pops up in comic cameo roles. Our favorite bit: an American and German tourist, simultaneously regaling their respective wives with wildly divergent accounts of the same wartime confrontation. If It's Tuesday, This Must Be Belgium was reworked in 1987 as a made-for-TV movie, cleverly title If It's Tuesday, It Still Must be Belgium. ~ Hal Erickson, Rovi

In this melodrama, set in German-occupied Italy during WW II, a Yankee spy is concealed in the attic of an underground contact's house. The contact's wife does not want him there as she is having an affair with the German Officer who is looking for him. He remains in the attic, hidden by the woman's son. Trouble ensues when the American is seen by the woman and her lover. He must escape across the slippery rain-soaked tile roof tops. The German troops are in hot pursuit. They are also after the woman who stands accused of sheltering the spy. Her lover, the German officer, realizing that he could lose it all for consorting with a local, shoots and kills the woman. ~ Sandra Brennan, Rovi

Based on a 1907 comedy by Victorien Sardou and Emile Moreau, Madame Sans-Gene was first interpreted by Gloria Swanson in 1923. In this version of the free-wheeling laundress who joins the nobility, Sophia Loren plays the lead and the man she falls in love with, the soldier Lefebvre, is played by Robert Hossein. Madame Sans-Gene does the laundry for a little-known lieutenant named Napoleon (Julian Bertheau), but after she falls for Lefebvre, she takes off, following him around the French Revolution and loses track of Napoleon, who has other things to do. Circumstances bring Lefebvre a noble title and even more -- Napoleon decides to make him the local ruler over a large territorial fiefdom. But trouble brews when Madame Sans-Gene, now elevated to the nobility along with her man -- cannot keep her frank observations under control. ~ Eleanor Mannikka, Rovi

This classic Greek tale of a friendship that overcomes even death makes for an interesting sword-and-sandal saga, with Guy Williams in the role of Damon. An apt choice since Williams is himself an expert swordsman, as partially demonstrated in his role as Zorro on American television (1957-59). Pythias (Don Burnett) has been caught plotting the assassination of King Dionysis I of Syracuse (Arnoldo Foa). Before his execution, Dionysis grants Pythias leave to put his affairs in order because Damon volunteers to stand in his stead if Pythias does not come back to face the executioner. Damon's act is considered foolish. He was safe, why should Pythias come back? But the two are devotees of the Pythagorean mysteries, and their faith in brotherly love goes beyond self-interest. When Pythias does return in the allotted time, King Dionysis is impressed enough to have a change of heart. ~ Eleanor Mannikka, Rovi

This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. Ben-Hur's childhood friend Messala (Stephen Boyd) is now an ambitious Roman tribune; when Ben-Hur refuses to help Messala round up local dissidents on behalf of the emperor, Messala pounces on the first opportunity to exact revenge on his onetime friend. Tried on a trumped-up charge of attempting to kill the provincial governor (whose head was accidentally hit by a falling tile), Ben-Hur is condemned to the Roman galleys, while his mother (Martha Scott) and sister (Cathy O'Donnell) are imprisoned. But during a sea battle, Ben-Hur saves the life of commander Quintus Arrius (Jack Hawkins), who, in gratitude, adopts Ben-Hur as his son and gives him full control over his stable of racing horses. Ben-Hur never gives up trying to find his family or exact revenge on Messala. At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it. The highlight of the film's 212 minutes is its now-legendary chariot race, staged largely by stunt expert Yakima Canutt. Ben-Hur's Oscar haul included Best Picture, Best Director for the legendary William Wyler, Best Actor for Heston, and Best Supporting Actor for Welsh actor Hugh Griffith as an Arab sheik. ~ Hal Erickson, Rovi

Though nearly as lavish as the 1938 MGM film of the same name, the 1955 French historical epic Marie Antoinette is not nearly as coherent or entertaining. Michele Morgan stars as the Austrian princess who becomes the last Queen of France in waning years of the 18th century. Jacques Morel costars as King Louis XVIII, Antoinette's slow-witted, ineffectual husband, while Richard Todd is the dashing European ambassador who briefly brings romance into the heroine's life. The episodic screenplay seldom sticks to the point long enough to detail the reasons behind the fall of the French aristocracy and the ultimate execution of the royal family. In addition, Michele Morgan is a bit too frosty and distant to warrant audience sympathy. Marie Antoinette was filmed simulatenously in French- and English-language versions. ~ Hal Erickson, Rovi

A beautiful English model encounters the romantic advances of an Egyptian ruler. She's more interested in a soldier she's met. Meanwhile "His Majesty" is oblivious to the fact that there are more important things going on in his world than the affections of a lovely girl--his subjects are plotting to overthrow him! ~ Rovi