Robin Renucci Movies

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange. ~ Eleanor Mannikka, All Movie Guide

In this undistinguished clichéd thriller, a convict tries to go straight, but circumstances conspire against him. Some professional thugs con a group of naive delinquents into a burglary that is only meant to be a decoy for the police, so the real and more lucrative crime can be committed without interference. When the delinquents discover they have been taken for a ride, they resolve to get revenge and go after the master criminals. Enough blood is shed to supply the Red Cross for decades as these groups face off. In the meantime, one of the crooks only wants some money to send his young son to the U.S. for a life-saving operation -- and he's willing to do anything to get it. ~ Eleanor Mannikka, All Movie Guide

Stereotyped and predictable, this is a feeble romantic adventure story about Laura (Miou-Miou), her estranged husband Tournier (Robin Renucci), her erstwhile lover-to-be Tom (Alain Souchon), and the arms dealer they are out to foil (François Perrot). Laura and Tournier are in southern Morocco conspiring to put a lid on the arms deal that is about to go through with a hostile Arab nation, and then they meet Tom, the owner of a transport service and pilot of the "Sphinx," his biplane. Tom becomes an accomplice in their plot, and before long he and Laura are romantically involved -- though not convincingly. The tepid romance is matched by tepid action scenes and a predictable ending. ~ Eleanor Mannikka, All Movie Guide

In spite of spending three hours developing the story of French peasant Charles Saganne (Gérard Depardieu), the sweep of this epic skims over the qualities that transformed Saganne from an ordinary officer to a great military leader. Saganne was first sent to a garrison town in North Africa before Colonel Dubreuilh (Philippe Noiret) assigned him to other missions, finally giving him a chance to exercise his innate ability to lead men. After a tragic hiatus in Paris where he fails to promote the colonialist cause, he returns to the Sahara and outshines his past accomplishments, leading a ragtag band of Arab dissidents in some brilliant military maneuvers -- for which he won the French Legion of Honor. His newfound recognition also attracted a society maven who became his wife, and after his tour of duty has ended Saganne moves with her to the village where he was born. But the year is 1914 and Saganne's peaceful village idyll was not meant to endure -- he is again called off to war, and to his destiny. Even though the costuming, landscape, battles, and charisma of Depardieu as Saganne and Noiret as Colonel Dubreuilh are outstanding, and several subsidiary characters deliver emotionally compelling vignettes, the protagonists as an ensemble have not been scripted with much depth of character -- making the three-hour epic seem a bit too long in the end. ~ Eleanor Mannikka, All Movie Guide

Based on an autobiographical novel by Marie Cardinal, this well-acted psychological drama details the tormented relationship between Marie (Nicole Garcia) and her mother, stemming from Marie's childhood on their estate in Algeria. The mother, Eliane (Marie-Christine Barrault) had lost a child before Marie was born, and was consumed with hatred for her husband who was carrying tuberculosis and may have been the cause of the child's death. That hatred was never resolved, and Marie grew up in a bitter and strained household. As both women grow older, Marie marries and raises a family while her mother sinks ever deeper into anger, frustration, poverty, and isolated despair. She vents her destructive emotions on her daughter and is completely resistent to her daughter's attempts to help her, to make her life better. At the beginning of the film, Marie has been hemorrhaging and collapses on the Metro - but instead of following the advice of her doctor (and uncle) and going through surgery, she goes into psychoanalysis, where her past slowly comes to light over a three-year period. The sessions with the psychologist and her on-going relationship with her mother unfold as the events in the film. ~ Eleanor Mannikka, All Movie Guide

In this charming, semi-autobiographical look at his politicized past, director Gerard Mordillat focuses on the ironic, the wistful, and the sometimes ludicrous events that spin off from the Communist/anarchist upbringing of his main character, Maurice Decques (François Cluzet). Maurice's tendency to swing over to the bourgeosie in his adult career as a caterer to social gatherings of varying stature is also reflected in the woman he marries - a Czech whose family chose Paris over Moscow "because the USSR has concentration camps" as she told her shocked Communist father-in-law. When Maurice is caught in the 1968 student demonstrations in Paris, the officer who hauls him off is soon recognized as an old childhood buddy, and instead of heading to jail, the policeman/friend takes Maurice home. As the police van drives out of view, the two buddies are seen as young kids, sitting on the hood of a car and dreaming about the future. These flashbacks to his childhood occur throughout the film, with Maurice sometimes walking into and out of the scenes, as though there were no gap in time at all. ~ Eleanor Mannikka, All Movie Guide

French filmmaker Diane Kurys directs the period drama Coup de Foudre (distributed in the U.S. as Entre Nous), adapted from a book she co-wrote with Olivier Cohen. The semi-autobiographical story is based on the life of the director's mother. Lena (Isabelle Huppert) is a Jewish refugee from Belgium living in occupied France during WWII. In order to avoid being sent to a German concentration camp, she agrees to marry the discharged military officer Michel (Guy Marchand). He tries to provide a decent life for her by running an auto repair business. They have two children together, but Lena is unhappy and stifled by her domestic life. Michel doesn't offer her the sensitivity and affection that she requires. Meanwhile, in Paris, the extroverted artist Madeleine (Miou-Miou) mourns the accidental death of her husband. After the liberation of France, she marries actor Costa (Jean-Pierre Bacri) and has children of her own. In 1952, Lena and Madeleine meet by chance in Lyons. The two women develop an emotional relationship that borders on romantic involvement. Their bond is only strengthened by a mutual dissatisfaction with their husbands, children, and home life in general. Entre Nous was nominated for the Best Foreign Film Oscar in 1983. ~ Andrea LeVasseur, All Movie Guide