Michael Rennie Movies

Seeking emotional and financial security, young Elisa Minden (Antoinette Bower) marries the wealthy, and considerably older, Sir Humphrey J. Orford (Michael Rennie). Before long, however, Elisa has reason to regret her decision -- especially when evidence surfaces indicating that Sir Humphrey, a widower, used torture to keep his first wife from cheating on him. But this is nothing compared to the double-barrelled shock Elisa receives upon meeting an ominously silent woman named Flora (Shirley O'Hara). ~ Hal Erickson, All Movie Guide

Promoted as an in-depth study of the art of mountain climbing, this episode of Walt Disney Presents is actually an extended advertisement for the upcoming Disney theatrical feature Third Man on the Mountain. Although the stars of that film (including James MacArthur and Michael Rennie), the real hero of the proceedings is French mountain climber Gaston Rebufatt, who functioned as Third Man on the Mountain's guide and second-unit director while the company was on location in Switzerland. The highlight finds Rebufatt instructing a novice on the intricacies of scaling a particular precipitious precipice. ~ Hal Erickson, All Movie Guide

In turn-of-the-century San Francisco, Lucia Clay (Barbara Bel Geddes) attends a party where she announces her engagement to John St. Roger (Bartlett Robinson). That very same evening, however, Lucia meets and falls in love with handsome Allen Bliss (Michael Rennie) -- who happens to be married. Clearly, Lucia and Allen must find a quiet, secluded place to work out their romantic problems...and thus is set in motion the set of circumstances which will effectively remove the couple from the face of the earth. ~ Hal Erickson, All Movie Guide

Frank Freeman Jr., son of the longtime head of Paramount Pictures, made his debut as producer with the opulent but empty Omar Khayyam. Cornel Wilde stars as the legendary Persian poet, here depicted as not only a philosopher but a scientist, politician and great lover. As the Persians gear up for war against the Byzantines, Omar occupies his time by romancing Sharain (Debra Paget), the favorite wife of the Shah (Raymond Massey). He also does his best to foil a plan by Hasani (Michael Rennie), leader of the Cult of Assassins, to murder the royal family. While many of the characters and events are based on fact, it is difficult to believe the story or the dialogue for more than ten minutes at a stretch. Singer Yma Sumac, then famous for her four-and-a-half octave vocal range, is somehow woven into the proceedings. When Omar Khayyam laid an egg at the box-office, a Hollywood wit, taking into consideration the Southern heritage of Frank Freeman Jr., assessed the results as "A loaf of bread, a bottle of coke and you-all." ~ Hal Erickson, All Movie Guide

Teenage Rebel was the misleadingly lurid title bestowed upon this film version of Edith R. Sommer's Broadway play A Roomful of Roses. Ginger Rogers heads the cast as Nancy Fallon, a divorcee who has trouble communicating with 15-year-old daughter Dodie (Betty Lou Keim). Left in the custody of her father, Dodie feels as though her mother has deserted her. The situation doesn't improve very much when Nancy marries Jay (Michael Rennie), providing her daughter with another excuse for resentment and petulance. The responsibility for resolving this dilemma is laid at the feet of Jay's young son Larry (Rusty Swope). Teenage Rebel represents the film debut of Warren Berlinger, superbly repeating his stage role as one of Keim's school chums. ~ Hal Erickson, All Movie Guide

Seven Cities of Gold is the story of Father Junipero Serra (Michael Rennie), the 18th century Jesuit priest who founded the first missions in California. Based on the novel by Isabelle Gibson Ziegler, the film adds a dash of intrigue and adventure to the story in the person of a Spanish military commander (Anthony Quinn) who clashes with the altrustic, peace-loving Father Serra. The tenuous relationship between the Spaniards and the local Indians is endangered when one of the military officers (Richard Egan) betrays an Indian girl (Rita Moreno). To avoid wholesale bloodshed, the errant officer willingly submits to tribal tortures to make amends for his misdeeds. Too melodramatic for some tastes, Seven Cities of Gold is redeemed by the breathtakingly beautiful color cinematography of Lucien Ballard. ~ Hal Erickson, All Movie Guide

After The Rains Came (1939), this epic romantic melodrama was the second version of author Louis Bromfield's novel to get the deluxe, big-budget treatment from Twentieth Century Fox. Lana Turner stars as Lady Edwina Esketh, the spoiled and hedonistic wife of Lord Esketh (Michael Rennie), a British royal. Intending to purchase some horses, the Eskeths accept an invitation to the Indian city of Ranchipur by the Maharani (Eugene Leontovich). Once there, Edwina meets and unsuccessfully attempts to seduce Dr. Safti (Richard Burton), a handsome Hindu doctor and the Maharani's chosen heir. While in Ranchipur, Edwina also runs into an old acquaintance, Tom Ransome (Fred MacMurray), now the town drunk. As Edwina begins to realize that she's feeling real love for Safti, the doctor succumbs to her charms and a torrid affair begins, as a series of earthquakes and a devastating flood strike Ranchipur. The Rains of Ranchipur (1955) was Oscar nominated for Best Visual Effects. ~ Karl Williams, All Movie Guide

Debra Paget displays as much epidermis as the 1954 censors would allow in the escapist adventure Princess of the Nile. Ms. Paget is cast as Taura, a fearless 13th century princess who does her best to defend Egypt against an invading Bedouin (Michael Rennie). When not wielding her trusty scimitar, Taura poses as a dancing girl to undermine the Bedouin's plans. She is aided by the Prince Haidi (Jeffrey Hunter), son of the Caliph of Baghdad. The plotline is negligible: the audience was more interested in watching Debra Paget and scores of underclad lovelies undulating to the quasi-Eastern musical score by Lionel Newman. ~ Hal Erickson, All Movie Guide

Unable to find work in Hollywood due to the Blacklist, director Robert Rossen filmed his 1954 production Mambo in Italy. Silvana Mangano stars as Silvia, who hopes someday to become a famous dancer. In the meantime, Silvia is torn between two lovers: Count Enrico (Michael Rennie), who hasn't much longer to live, and Mario Rossi (Vittorio Gassman), an irresponsible adventurer. Gaining success as a dancer after joining the troupe managed by Toni Burns (Shelley Winters), Silvia continues to waver in her affections between her two suitors. By the time she makes her choice, it turns out to be the wrong one. The plotline is rather hard to follow, reportedly because director Rossen was obliged to recut and re-recut the film when it previewed badly. At least Mambo affords modern-day viewers the pleasure of seeing Katherine Dunham, one of the greatest American dancers of the 20th century, in action. ~ Hal Erickson, All Movie Guide

Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, All Movie Guide

This remake of John Ford's The Black Watch (29) stars Tyrone Power as British army captain stationed in India in 1857. Shunned by his fellow officers because he is a half caste, Power defies the social structure of the era by falling in love with the daughter (Terry Moore) of his superior officer. Power proves his loyalty to the Crown by quelling an uprising, led by his Indian boyhood friend (Guy Rolfe). The actors do their best, but the storyline is trite and stilted when dwelling on matters of honor and romance. King of the Khyber Rifles works best as an action picture--and in this respect it is immensely superior to the earlier John Ford film, which almost plays like a comedy when seen today. ~ Hal Erickson, All Movie Guide

The 1912 sinking of the luxury liner Titanic is used as a backdrop for a several fictional subplots, chief of which involves snooty socialite Clifton Webb and his wife Barbara Stanwyck. Stanwyck has booked passage on the ill-fated passenger ship with her daughter (Audrey Dalton) and son (Harper Carter), leaving Webb far behind. Webb manages to board the ship at the last minute, and discovers that Stanwyck plans to divorce him; she further informs him that he is not the father of their son. When the Titanic sideswipes an iceberg and begins its slow descent in the Atlantic, the women and children are put on the lifeboats while the men stay behind to face death (except for cowardly cardsharp Allyn Joslyn, who disguises himself as a woman). The formerly class-conscious Webb acts with conspicuous bravery, seeing to it that several steerage passengers are ushered to safety. He is reunited with his son, who has given up his lifeboat seat to an elderly woman. All misunderstandings swept aside, Webb and his son face their final moments on earth together. In the film's best moment, a miniature recreation of the Titanic is seen sinking beneath the waves as the survivors watch from their lifeboats in numb horror. ~ Hal Erickson, All Movie Guide