Michael Rennie Movies

Michael Rennie always claimed that he "turned actor" to escape becoming an executive for his family's wool business. The Cambridge-educated Rennie haunted the casting offices until he was hired by Alfred Hitchcock for his first film, The Secret Agent (1936). Handsome but hollow, Rennie decided that if he was to be a film star, he'd better learn to act, thus he spent several seasons with the York Repertory. Serving in World War II as a flying officer in the RAF, Rennie came to the United States for the first time to be a training instructor in Georgia. Small roles in postwar British films led to a 20th Century Fox contract. It was during his stay at Fox that Rennie truly began to blossom with major roles in 1951's The Day the Earth Stood Still (as Klaatu), 1952's Les Miserables (as Jean Valjean), 1953's The Robe, and many other films. On television, Michael Rennie spent two years and 76 episodes portraying suave soldier of fortune Harry Lime on the syndicated series The Third Man. Rennie died of emphysema on June 10, 1971. ~ Hal Erickson, All Movie Guide
1952  
 
Based on a true story, 5 Fingers stars James Mason as a man known to his superiors only as Cicero. Ostensibly the valet of the British ambassador to Ankara during World War II, Cicero is actually a Nazi agent. He holds no particular political viewpoint: the Nazis offered the best price, so for the time being he is loyal to them. Falling in love with the beautiful Danielle Darrieux, Cicero uses her home as a contact point to meet his German associates. At great personal risk, Cicero secures secret British war files and smuggles them to the Germans; they find the information in the files too far-fetched to be taken seriously--and thus are caught unawares on the morning of the D-Day invasion. An ironic coda finds Cicero, setting himself up in luxury in Rio de Janeiro, double-crossed by both Darrieux and the Germans. What else can he do but laugh uproariously? 5 Fingers, based on the memoirs of the real-life "Cicero" L. C. Moyzisch, was adapted into a 1959 TV series, wherein the antihero was converted into a 100% good guy. ~ Hal Erickson, All Movie Guide

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Starring:
James MasonDanielle Darrieux, (more)
1958  
 
In turn-of-the-century San Francisco, Lucia Clay (Barbara Bel Geddes) attends a party where she announces her engagement to John St. Roger (Bartlett Robinson). That very same evening, however, Lucia meets and falls in love with handsome Allen Bliss (Michael Rennie) -- who happens to be married. Clearly, Lucia and Allen must find a quiet, secluded place to work out their romantic problems...and thus is set in motion the set of circumstances which will effectively remove the couple from the face of the earth. ~ Hal Erickson, All Movie Guide

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1961  
 
Seeking emotional and financial security, young Elisa Minden (Antoinette Bower) marries the wealthy, and considerably older, Sir Humphrey J. Orford (Michael Rennie). Before long, however, Elisa has reason to regret her decision -- especially when evidence surfaces indicating that Sir Humphrey, a widower, used torture to keep his first wife from cheating on him. But this is nothing compared to the double-barrelled shock Elisa receives upon meeting an ominously silent woman named Flora (Shirley O'Hara). ~ Hal Erickson, All Movie Guide

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1970  
 
Spanish horror icon Paul Naschy wrote, co-produced and stars in (but did not direct) this sophomoric monster mash about a visitor from the dying planet Ummo (a badly-dubbed Michael Rennie, who's played better alien visitors) whose plan for dominating the people of Earth includes the reanimation of several legendary monsters, including the infamous werewolf Waldemar Daninsky (Naschy), the vampire Count de Meirhoff, the mummy Tao-Tet, and Frankenstein's monster... or at least something called "Franksollen" (Naschy again). Everything goes according to his sinister plan until Daninsky has a change of heart (as is his wont in most of Naschy's monster films). Originally titled The Man from Ummo, this cheesy production often aired on late-night TV as Dracula vs. Frankenstein (although the two legendary monsters never actually butt heads). ~ Cavett Binion, All Movie Guide

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1938  
 
A minor effort from a major director, Bank Holiday is little more than a series of anecdotes involving middle-class Brightoners on holiday. Margaret Lockwood and Hugh Williams played the largest roles, as a couple who find love during their one-day respite from work. Comic relief (which in this film is superior to the straight plotting) is provided by several reliable character actors, notably Wilfred Lawson as an officious constable. The film's major purpose is to poke gentle fun at the foibles of the working class, and as such it doesn't amuse as much as it did back in 1938. Bank Holiday was released in the U.S. as Three on a Weekend. ~ Hal Erickson, All Movie Guide

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Starring:
John LodgeMargaret Lockwood, (more)
1967  
 
In this explicitly violent espionage drama, spies and counterspies collide in Athens as they endeavor to lay claim to a vital piece of microfilm that contains info regarding the identity of several key agents. ~ Sandra Brennan, All Movie Guide

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1965  
 
Virginia City is visited by one Thomas Crippen (Ashley Cowan), an Englishman who has travelled all over the world in search of the man who "murdered" his wife on the operating table. Crippen is convinced that a doctor named Mundy is guilty of the crime-and as it turns out, Mundy is the real name of Professor Poppy (Michael Rennie), a medicine showman whom Hoss Cartwright has befriended. Partially based on fact, "Once a Doctor" was written by Martha Wilkerson. The episode first aired on February 28, 1965. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreenePernell Roberts, (more)
1965  
 
Michael Rennie guest stars as Charles Briswell, an accused murderer whom Jason McCord (Chuck Connors) rescues from a miner's kangaroo court. Jason's motives aren't entirely humanitarian: Briswell claims to have been a witness at the battle of Bitter Creek, and thus is in a position to clear McCord of cowardice charges. But as Jason escorts Briswell to the nearest army post, he begins to suspect that the man isn't being entirely open and above-board with his "eyewitness" testimony. ~ Hal Erickson, All Movie Guide

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1946  
 
George Bernard Shaw adapted his own play for the screen in this blithe film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Shaw's Caesar and Cleopatra are merely Henry Higgins and Eliza Doolittle cast back into ancient times with Caesar doting with admiration and burgeoning love upon Cleopatra and expostulating, "You have been growing up since the Sphinx introduced us the other night." The story is a simple one concerning Caesar instructing Cleopatra on how to act like a queen. But Cleopatra is left cold by Caesar and his blatherings. ~ Paul Brenner, All Movie Guide

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Starring:
Vivien LeighClaude Rains, (more)
1955  
 
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Telecast live from Hollywood, this hour-long version of Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde stars Michael Rennie in the title role--or rather, roles. Obsessed with his theory that every man has two distinct personalities within him, the kindly Dr. Henry Jeckyll (Rennie) begins to experiment with a drug that will release the dark side of his soul. He succeeds all too well, created a hedonistic and ultimately murderous human monster named Edward Hyde. Breaking away from the traditional staging of this material, the production is offered in flashback form, with the reading of the late Dr. Jekyll's will--whereby a strange bequest, and a stranger story, is revealed bit by bit. Adapted for television by no less than Gore Vidal, Dr. Jekyll and Mr. Hyde is one of a handful of episodes from the CBS dramatic anthology Climax! that still exists in kinescope form. ~ Hal Erickson, All Movie Guide

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Starring:
Michael RennieMary Sinclair, (more)
1967  
 
A group of bumbling soldiers are ordered to destroy a crucial Nazi transmitter just before the launch of the D-Day invasion. ~ John Bush, All Movie Guide

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1936  
 
This interesting early docu-drama offers a complete chronicle of the history of aviation from prehistoric times through the mid 1930s. Though the film was finished by 1935, it was not released until much later. H.G. Wells assisted on the first drafts of the script. ~ Sandra Brennan, All Movie Guide

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1966  
 
This futuristic sci-fi film contains a strong message against communism. It begins in the year 2087 and presents a totalitarian world ruled by Cyborgs. They are half-machine and their are incapable of free thought. Cyborg Garth has a glitch and is a rebel who swipes a time machine and travels back to 1965. There he encounters Marx, the scientist who started it all. Garth tries to prevent him from continuing his experiments. He succeeds and future humans are spared. ~ Sandra Brennan, All Movie Guide

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1953  
 
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In this suspenseful drama, based on a John Dickson Carr novel, blissfully happy newlywed Ruth Bowman (Jeanne Crain) boards a transatlantic ocean liner with her new husband John (Carl Betz). A few days later, however, John suddenly disappears. Ruth quickly discovers that her cruise ticket was made out under her maiden name, and that her "husband" never even bought one. To make matters worse, no one on board admits to ever having seen them together. Only the ship's doctor (Michael Rennie) believes the distraught bride's story. Together they discover the truth about her husband's disappearance. ~ Hal Erickson, All Movie Guide

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Starring:
Jeanne CrainMichael Rennie, (more)
1941  
NR  
Dangerous Moonlight was the original British title for the wartime drama Suicide Squadron. Anton Walbrook plays a famed Polish composer who refuses to leave his homeland when the Nazis march in. His friends literally have to hoodwink him into leaving so that he will avoid extermination. Still anxious to avenge his countrymen, Walbrook joins a Polish air squadron headquartered in England. The film's romantic angle is personified by Sally Gray, an American newswoman whom Walbrook marries after a whirlwind courtship. The film itself is no better or worse than most others of its kind, but has remained etched in the collective memory of wartime filmgoers thanks to its omnipresent utilization of The Warsaw Concerto on the soundtrack. Financed by RKO Radio pictures, Dangerous Moonlight was distributed by Republic Pictures during the war years, though rights reverted to RKO in 1947. ~ Hal Erickson, All Movie Guide

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Starring:
Anton WalbrookSally Gray, (more)
1954  
 
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Demetrius and the Gladiators was the sequel to The Robe, and though they were released several months apart, the films were shot at the same time. Based on characters originally conceived by Lloyd C. Douglas, the film stars Victor Mature as the title character, an ex-slave who embraced Christianity after being present at the Crucifixion. Thrown in jail for defending an elderly merchant from a sadistic Roman legionnaire, Demetrius is forced to attend gladiator school and fight in the arena for the amusement of the mad, debauched emperor Caligula (Jay Robinson, likewise repeating his performance in The Robe). The well-proportioned Demetrius attracts the attention of Messalina (Susan Hayward), the nymphomaniac wife of Caligula's would-be successor Claudius (Barry Jones). Briefly losing faith in Christ, Demetrius is saved from himself by the apostle Peter (Michael Rennie). Because of contractual complications, Demetrius and the Gladiators was released to television seven years before The Robe. ~ Hal Erickson, All Movie Guide

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Starring:
Victor MatureSusan Hayward, (more)
1954  
 
Director Henry Koster and writer Daniel Taradash speculate mightily in this historical tableau charting the rise and fall of Napoleon (Marlon Brando), all due to his unrequited love for noblewoman Desiree (Jean Simmons). The film takes a chronological view of Napoleon's reign and posits Napoleon's love of a woman he wanted to marry as a young general but abandoned for the sake of his career. Both Napoleon and Desiree go their separate ways -- he to become Emperor of France and loveless husband to Josephine (Merle Oberon) and she to become Sweden's disinterested Queen. Napoleon and Desiree meet up again in a whimsical confrontation in which Desiree urges the Little Corporal to surrender and go to St. Helena. The film is based on a novel by Annemarie Selinko that, like the film, takes wild liberties with the truth. ~ Paul Brenner, All Movie Guide

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Starring:
Marlon BrandoJean Simmons, (more)
1970  
 
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The first horror film from notorious British director Pete Walker, this is a brutal but rather pedestrian pulp thriller about a fetching young go-go dancer (Susan George, in her first starring role) who is stalked in and around an isolated house by ruthless assassins determined to prevent her from reaching her 21st birthday. It seems Marianne is in line for a sizable inheritance from the man she claims is her father -- a crooked magistrate whose career is threatened by her very existence. As if that weren't enough, knowledge of the girl's newfound wealth inspires a team of would-be kidnappers who show up at the villa to beef up the body count. Fans of Walker's blood-drenched thrillers might detect a glimmer of burgeoning talent here, but the suspense is hampered by a clunky script and silly dialogue, and the lovely George is probably just warming up for the following year's Straw Dogs. Also known as Die Beautiful, Marianne! ~ Cavett Binion, All Movie Guide

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1959  
 
Promoted as an in-depth study of the art of mountain climbing, this episode of Walt Disney Presents is actually an extended advertisement for the upcoming Disney theatrical feature Third Man on the Mountain. Although the stars of that film (including James MacArthur and Michael Rennie), the real hero of the proceedings is French mountain climber Gaston Rebufatt, who functioned as Third Man on the Mountain's guide and second-unit director while the company was on location in Switzerland. The highlight finds Rebufatt instructing a novice on the intricacies of scaling a particular precipitious precipice. ~ Hal Erickson, All Movie Guide

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Starring:
Gaston RebufattMichael Rennie, (more)
1969  
 
This is not the same film as the gosh-awful 1970 Al Adamson epic with J.Carroll Naish and Lon Chaney Jr. Originally titled Assignment Terror, this German/Spanish/Italian production stars Michael Rennie as an extraterrestrial invader. Unlike the pacifistic Klaatu, his character in The Day the Earth Stood Still, Rennie is a warmonger this time out, hoping to destroy the earth. To that end, he harnesses the awesome powers of Dracula, Frankenstein's monster et. al. Rennie is foiled (curses!) by a conscience-stricken werewolf. ~ Hal Erickson, All Movie Guide

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1947  
 
In this touching drama, set in the midst of the Swiss mountains, a philandering husband and his idealistic young wife battle it out for the rights to the White Cradle Inn, her familial estate. The man spends much of his time messing with a maid at the inn. His wife spends time helping the village orphans whom she allows to stay in the manor. She becomes especially bonded to one of the little children. She wants to adopt him, but her husband refuses to allow it unless she is willing to give him all rights to the inn. Her love for the child causes her to give in. Later, the husband and the lad are mountain climbing. They are trapped in a sudden storm and the husband sacrifices his own life to save the boy. ~ Sandra Brennan, All Movie Guide

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Starring:
Madeleine CarrollIan Hunter, (more)
1967  
 
Released theatrically in Europe, Hondo and the Apaches was stitched together from the first two episodes of the Hondo TV series, telecast September 7 and 15, 1967. Ralph Taegar plays the title role of western U.S. Army agent Hondo Lane, with Noah Beery Jr. as sidekick Buffalo Baker. Guest-star Robert Taylor is given top billing, but his participation is secondary to the main plotline: Hondo is told to help make peace with Indian Chief Vittoro (Michael Pate), whose daughter--Hondo's wife--had been killed by the Cavalry. Once the peace pipe is smoked, Hondo must deal with a renegade Native American who threatens the peace by randomly attacking settlers. The original TV series Hondo lasted only 13 weeks, knocked off in the ratings by the competing Star Trek. ~ Hal Erickson, All Movie Guide

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1967  
 
The posh St. Gregory Hotel in New Orleans is the setting for this drama based on a popular novel by Arthur Hailey. Trent (Melvyn Douglas) is the long-time owner who realizes that the hotel is in dire financial straits. Trent calls on faithful manager Peter McDermott (Rod Taylor) to try and bring about the necessary reversal of fortune so that they can stay in business. After the Duke (Michael Rennie) and Duchess (Merle Oberon) of Lanbourne check in, the Duke is involved in a vehicular homicide after he has too much to drink. His car is traced back to the St. Gregory by hotel detective Dupere (Richard Conte), who blackmails the Duke. Although not on the same level of Grand Hotel, the film contains first-rate performances from a fine cast portraying a variety of eccentric guests. ~ Dan Pavlides, All Movie Guide

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Starring:
Rod TaylorCatherine Spaak, (more)
1945  
 
Australian-born comic actor Vic Oliver was usually at his best on-screen when teamed with an unusually talented leading lady. Oliver's vis-a-vis in the British I'll be Your Sweetheart was film favorite Margaret Lockwood. Set in the early 1900s, the film concerns the trials and tribulations of musical-hall diva Edie Story (Lockwood), whose happy-go-lucky partner is one Sam Kahn (Oliver). Halfway through the film, Kahn is shunted to the background when Edie falls in love with aspiring songwriter Bob Fielding, played by up-and-coming Michael Rennie. The outcome of the plot is predicated on a Parliamentary decision which rescued songwriters from being gypped out of their royalties by unscrupulous "pirate" publishers, which happens more than once in the early reels to the luckless Fielding. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret LockwoodVic Oliver, (more)
1951  
 
I'll Never Forget You is an updated remake of 1933's Berkeley Square; both films used John L. Balderston's stage play as a launching pad. Tyrone Power stars as an American atomic scientist working in London. He lives in an ancestral home which dates back to the 18th century. Late one rainy evening, Power is struck down by lightning just as he enters his home. When he awakens, he finds himself transported back to the 1700s, in the person of his own ancestor. As he falls in love with his beautiful cousin Ann Blyth, Power tries to bring some 20th century technology to his "backward" forebears (this is a departure from the original Berkeley Square, in which the hero so loved the 18th century that he wanted to become part of it). Branded as a lunatic for his "hallucinations" of the future, Power is about to be carted off to Bedlam when he lapses again into unconsciousness. He awakens in his own time, to discover that his long-ago love Ann Blyth was so enamored of him that she died young, without ever marrying. At this point in the original play, the hero shuts himself off from the world, to await his ultimate reunion with his lost love in the afterlife. But I'll Never Forget You couldn't do that to virile matinee idol Tyrone Power, so the adaptors contrive to have him meet a woman who looks just like the girl he left behind 200 years ago. In the tradition of The Wizard of Oz, I'll Never Forget You opens in black and white, then switches to color when Power is sent back in time. ~ Hal Erickson, All Movie Guide

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Starring:
Tyrone PowerAnn Blyth, (more)

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