Georges Renavent Movies

Eric Ambler's intriguing novel Uncommon Danger is brought down to a Republic serial level in Warner Bros.' Background to Danger. George Raft, who always seems miscast, plays an American undercover intelligence agent operating in Turkey. Sultry Osa Massen passes on some valuable secret papers to Raft just before she is killed. Our Hero then finds himself at the mercy of enemy agent Sidney Greenstreet, who knows that the papers contain Nazi plans to invade Turkey. Despite several brutal beatings, Raft and his cohorts Peter Lorre (a good guy for a change) and Brenda Marshall turn the tables on Greenstreet. Background to Danger was the first of many Warner Bros. follow-ups to the studio's megahit Casablanca; it's also the film wherein the prankish Peter Lorre stole George Raft's hat between takes--an affront that rankled the touchy Raft to his dying day. ~ Hal Erickson, All Movie Guide

When British actor Robert Donat dropped out of Warner Bros. Captain Blood, the studio took a chance on its new contractee, Tasmania-born Errol Flynn. Adapted from the novel by Rafael Sabatini, the film is set during the oppressive reign of King James II. Irish physician Peter Blood (Errol Flynn), arrested for treating a wounded anti-crown rebel, is condemned to slavery in Jamaica. Here he earns several privileges after treating the governor (George Hassell) for gout; this does not rest well with Lionel Atwill, the wicked owner of the plantation on which Blood is forced to work. Nor is Atwill pleased with the growing relationship between his niece Arabella (Olivia DeHavilland) and the imprisoned doctor. An attack on Jamaica by Spanish pirates gives Blood and his fellow slaves the opportunity to become buccaneers themselves. After several months of fighting and plunder, Blood's men capture a merchant ship bearing Arabella. Blood fights a duel with a French pirate (Basil Rathbone) over the girl; having "won" her, Blood intends to have his way with her, but his more decent instincts prevail. When King James is overthrown by William of Orange, Blood is given a commission and lauded as a hero as a reward for his bravery against the Spanish galleons. He is appointed governor of Jamaica, wins the hand of the lovely Arabella, and genially forces Atwill to eat crow. This seemingly outsized swashbuckler was actually a very economical production, using stock footage from several silent films. Captain Blood transformed the 26-year-old Errol Flynn into a star; he's a little clumsy in the dialogue department at times, but cuts a dashing figure in the action scenes. The film also represented the cinematic debut of composer Erich Wolfgang Korngold, who wasn't completely happy with his hastily written score and asked that his on-screen credit be diminished to "musical director". Long available only in its 99 minute re-issue version, Captain Blood has been restored to its full, glorious 119 minute length. ~ Hal Erickson, All Movie Guide

This modest Preston Sturges comedy stars Dick Powell as an office clerk dreaming of better things and Ellen Drew as his more pragmatic girlfriend. Powell convinces himself that his fortune will be made if he can win a slogan contest sponsored by a coffee company. Powell's contribution: "If you can't sleep at night, it isn't the coffee, it's the bunk!" Three of Powell's fellow workers decide to have some fun with him; they fake a telegram which announces that he's won the contest. The deception snowballs to the point that even the head of the coffee firm (Raymond Walburn) labors under the misapprehension that Powell has won. When the painful truth is revealed, Powell finds himself broke (because of all the creature comforts he's bought) and jobless, but at least he's retained the love of his wife. A cute deus ex machina to the story appears in the person of William Demarest, the foreman of the "jury" that is judging the slogan contest. ~ Hal Erickson, All Movie Guide

Canadian WW II pilot Gerard (Dick Powell) intends to track down and kill collaborationist Marcel Jarne, the man responsible for the wartime death of Gerard's French wife. The trouble is, Jarne has never been effectively identified by the authorities -- and in fact could be just about anyone whom Gerard meets. Following the trail of evidence to Buenos Aires, Gerard's strongarm methods run afoul not only of the Argentine authorities, but also of a pro-French underground movement which also wants to bring the villain to justice. Weaselly Incza (Walter Slezak) plays all sides down the middle until he too is ruthlessly rubbed out by the bad guy. From start to finish, Cornered is a superb thriller, directed with graphic ingenuity and economy -- and with a dash of endearingly naïve left-leaning politicizing. (With Edward Dmytryk as director, how could it be otherwise?) Avoid at all costs the computer-colored version of this beautifully photographed black-and-white film. ~ Hal Erickson, All Movie Guide

An espionage drama set in the early 20th century, Ever in My Heart stars Barbara Stanwyck as a New England naif who marries a German citizen (Otto Kruger). In 1915, Stanwyck and her husband suffer a brace of blows: The death of their son, and the sinking of the Lusitania, the latter incident sparking a wave of anti-German sentiment. Hounded out of their small town by the angered citizens, Stanwyck and Kruger move to Europe, where the husband voluntarily leaves his wife to join the Kaiser's army. In 1917, Stanwyck, working as a canteen volunteer in France, discovers that her once pro-American husband is now a German spy. To save him from a firing squad, she poisons his wine, then kills herself. ~ Hal Erickson, All Movie Guide

Now known simply as Fashions, the lavish Warner Bros. musical Fashions of 1934 stars the unlikely but copacetic team of William Powell and Bette Davis. It all begins when genial con artist Sherwood Nash (Powell) transfers his base of operations from New York to Paris. Sensing that the fashion "racket" is a hot commodity, Nash puts all his energies into promoting heroine Lynn (Davis) as France's foremost fashion designer. Along the way, of course, Nash and Lynn fall in love, but first the plotline must find a nice way to dispose of Nash's former partner-in-crime The Duchess (Veree Teasdale), currently posing as a White Russian Countess. Fashions is the picture in which a bevy of Busby Berkeley beauties are dressed (but just barely) as harps, prompting the apocryphal admonition from a chorus girl's mother, "Mr. Berkeley, I didn't raise my daughter to be a human harp!" ~ Hal Erickson, All Movie Guide

This French-language version of the 1935 Hollywood musical Folies Bergere retains the original star (Maurice Chevalier) and director (Roy Del Ruth) and Busby Berkeley's big-scale production numbers. It also follows substantially the same plot: A nightclub entertainer (Chevalier), is hired to pose as his look-alike (also Chevalier), a prominent aviation tycoon. The masquerade causes consternation for the entertainer's girlfriend, who of course has no idea what's going on, and for the tycoon's wife, who can't understand why her cold-fish husband has suddenly become so warm and demonstrative. Beyond the obvious language change, the major differences between the two Folies Bergeres are found in their supporting casts: for example, Natalie Paley plays the tycoon's spouse role originally essayed by Merle Oberon, while Sim Viva, as the girlfriend, fills the dancing shoes of the English-language version's Ann Sothern. Folies Bergere served as the basis for two future 20th Century-Fox musicals, That Night in Rio and On the Riviera, neither of which were released in French versions. ~ Hal Erickson, All Movie Guide

History is Made at Night has been described as a romantic tragedy, which it indeed is, up to a point. The film begins deceptively in screwball-comedy fashion with socialite Jean Arthur and handsome head waiter Charles Boyer "meeting cute." But there's nothing cute about Arthur's estranged husband, shipbuilder Colin Clive. Insanely jealous, Clive arranges for the ship on which his wife and her lover are travelling to hit an iceberg--then, aghast at what he has done, Clive commits suicide. As the ship lists dangerously close to sinking beneath the waves, the terrified passengers--Boyer and Arthur included--huddle on the deck. The fog-enshrouded scene in which Charles and Jean affirm their love in the face of death is among the most heartrending sequences ever filmed (the director was Frank Borzage, a past master at transforming potential maudlin material into high-gloss art). Even the happy ending of History is Made at Night does not diminish the power and poignancy of that shipboard scene. ~ Hal Erickson, All Movie Guide

In this upbeat drama, a disillusioned millionaire, sick to death of the attempts of greedy friends and relatives to sponge off of him, becomes a bum to search for a decent human being. The tale begins as the wealthy man is about to commit suicide by leaping off of his yacht into the sea. He is just about to go when he spies a bum attempting suicide himself. The rich man saves the bum. He takes the bedraggled hobo and tells him his frustration. He then claims that he will give a million francs to the first person to treat him kindly without thinking about his wealth. The next day, the tramp awakens to find his raggedy old clothes have been replaced by the finest togs. Beside them is a large role of francs. The bum then begins circulating the millionaire's words around the town. As a result, people all over the country begin treating the homeless with kindness and respect. Eventually the disguised millionaire marries a circus performer and donates his million francs to the whole community. ~ Sandra Brennan, All Movie Guide

In 1938, Jezebel was widely regarded as Warner Bros.' "compensation" to Bette Davis for her losing the opportunity to play Scarlett O'Hara in Gone With the Wind. Resemblances between the two properties are inescapable: Jezebel heroine Julie Marsden (Davis) is a headstrong Southern belle not unlike Scarlett (Julie lives in New Orleans rather than Georgia); she loves fiancé Preston Dillard (played by Henry Fonda) but loses him when she makes a public spectacle of herself (to provoke envy in him) by wearing an inappropriate red dress at a ball, just as Scarlett O'Hara brazenly danced with Rhett Butler while still garbed in widow's weeds. There are several other similarities between the works, but it is important to note that Jezebel is set in the 1850s, several years before Gone With the Wind's Civil War milieu; and we must observe that, unlike Scarlett O'Hara, Julie Marsden is humbled by her experiences and ends up giving of her time, energy, and health during a deadly yellow jack outbreak. Bette Davis won an Academy Award for her portrayal of Julie; an additional Oscar went to Fay Bainter for her portrayal of the remonstrative Aunt Belle (she's the one who labels Julie a "jezebel" at a crucial plot point). The offscreen intrigues of Jezebel, including Bette Davis' romantic attachment to director William Wyler and co-star George Brent, have been fully documented elsewhere. Jezebel was based on an old and oft-produced play by Owen Davis Sr. ~ Hal Erickson, All Movie Guide

Lloyds of London traces the rise to prominence of the venerable British insurance company, as seen through the eyes of fictional 19th-century Londoner Jonathan Blake (Tyrone Power, in his first starring role). A lifelong friend of naval hero Lord Nelson, Blake puts his job (and the future existence of Lloyds) on the line when he announces Nelson's victory at Trafalgar -- before it takes place. For those not interested in policies and premiums, the script serves up a romance between Blake and the lovely Lady Elizabeth (Madeleine Carroll), the unhappily married spouse of snotty aristocrat Lord Everett Stacy (George Sanders). Among the few real-life historical personages depicted in the film is Lloyds founder John Julius Angerstein, played by Sir Guy Standing. A box-office bonanza, Lloyds of London proved that 23-year-old Tyrone Power could carry a picture -- and that the recently-formed 20th Century-Fox was truly a major Hollywood studio. ~ Hal Erickson, All Movie Guide

In this detective adventure, a young woman is accused of stealing a valuable necklace from her boss and takes off for Spain just before the Civil War. She is trailed by a detective form Scotland Yard. He finds her and soon falls in love and the two try to flee on a British ship. The story does not reveal whether the girl was innocent or not. ~ Sandra Brennan, All Movie Guide

A very tired-looking Errol Flynn heads the cast of Maru Maru. Flynn plays deep-sea diver Gregory Mason, who is hired to locate a sunken PT boat bearing a diamond-encrusted religious icon. Mason's employer on this mission is the disreputable Brock Benedict (Raymond Burr), a firm believer in the old buccaneer credo that "dead men tell no tales." Aware that he's expendable once he finds the treasure, Mason stalls as long as he can, hoping that Benedict and his crooked flunkies will end up wiping out one another. He also intends to claim the treasure for himself, rather than turn it over to the proper authorities. Ruth Roman co-stars as Stella Callahan, the widow of Mason's former partner, who wants nothing more than for Mason to return the gem-studded cross to its rightful owners (well, maybe she wants Mason, too). ~ Hal Erickson, All Movie Guide