Guy Remsen Movies

Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, All Movie Guide

In an unusual comedy by Joan Darling, Brian Dennehy and Anne Archer star as the Richard, a druggist, and his wife Peggy, a pair of debt-ridden parents who rebel against the system. Nothing goes right while they try to uphold the system, then things get even worse when they leave it. Richard decides to pull the plug on modernity when he cannot meet his utility bills and creditors are at his door like wolves. He shuts off the electricity and sets up candles, buys a goat, and digs a well in the back yard. He finally does hit water, but it happens to be the city's water main. Peggy is not quite as crazed as her husband so she goes to see a shrink -- who promptly dies on her. If anything can go wrong for Richard and Peggy, it will. ~ Eleanor Mannikka, All Movie Guide

In this romantic comedy, a news anchorwoman's prenuptial jitters increase dramatically when another man, a songwriter, falls deeply in love with her and decides that he would do anything to be her husband. ~ Sandra Brennan, All Movie Guide

Ronald Loper (Robert F. Lyons) heads a gang of kidnappers who are secure in the belief that they've pulled off the perfect crime by snatching the ne'er-do-well son (Tom Lowell) of a prominent contractor (Larry Gates). Inspector Erskine (Efrem Zimbalist Jr.) hopes to catch the crooks without causing harm to the victim, a task which may prove more difficult than usual because of the personalities--and the temperaments--involved. This last episode of The F.B.I.'s eighth season also marks the final appearance of William Reynoldsas Special Agent Colby. ~ Hal Erickson, All Movie Guide

Ocean View High is an upscale suburban school in an otherwise unidentified community. It's 1971, the point when the sexual revolution started moving into full swing and even a lot of Middle America, at least on the two coasts, admitted the existence of same revolution. It seems like the guys and girls at Ocean View are all loving pretty freely, and that extends to the school's resident faculty hero, football coach/guidance counselor "Tiger" McDrew (Rock Hudson), who -- despite his being married, with a child -- has been bedding many of the prettiest girls at the school. The only kid seemingly not "getting any" is Ponce de Leon Harper (John David Carson), who is starting to get neurotic and suffer academically, so much so that he seeks advice from McDrew, especially where his new substitute teacher, Miss Smith (Angie Dickinson), is concerned. But then various girls start turning up at the school dead, in various states of undress, with cryptic notes pinned to intimate parts of their anatomy. The lunkhead county sheriff (Keenan Wynn) is forced to defer to a state police investigator (Telly Savalas), who starts nosing around the school and uncovers more than he bargained for in terms of libidinous students, among other problems. Meanwhile, Ponce finds his problem taken care of by Miss Smith, at McDrew's request. But there's still a killer stalking the school.

If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, All Movie Guide

The key prop in this episode is an antique porcelain doll, used by Communist agents DeBecker (William Smithers) and Linker (Robert Wolders) to transport stolen microfilm. Once alerted to the doll's existence, Erskine (Efrem Zimbalist Jr.) conducts a search for the precious plaything which takes him all the way from Oregon to New York State. This episode is distinguished by the superlative performances of veteran actresses Josephine Hutchinson and Viveca Lindfors. ~ Hal Erickson, All Movie Guide

Trouble comes in pairs for the family of a young kidnap victim. Not only has the family received a ransom note from the kidnappers, but they are also being shaken down for money from an extortionist who hopes to cash in on their travails. It is up to Erskine (Efrem Zimbalist Jr.) to round up all the various and sundry villains and return the abductee safely. Featured as one of the kidnappers is a young Karen Black, several years removed from her stardom vis-à-vis such films as The Great Gatsby and Nashville. ~ Hal Erickson, All Movie Guide