Ralph M. Remley Movies

This fictionalized biography of the famed American inventor's life provided actor Don Ameche with his signature role. For years after its release, people even referred to the telephone as "an Ameche." The story begins in 1873 Boston as Bell endeavors to teach deaf people to speak in the manner invented by his father. When not teaching, Bell tinkers with his various inventions. Opportunity knocks when Bell is befriended by an aristocratic fellow (Charles Coburn) who wants Bell to help teach his daughter (Loretta Young) to speak. Bell agrees and falls in love with her. It is she who inspires and encourages him to invent the telephone, while it is young Watson (Henry Fonda) who assists him. After they meet with success, the inventors must do battle in court with Western Union, the company that held the patent to the telegraph. ~ Sandra Brennan, All Movie Guide

In the rough-and-tumble world of post-Civil War Texas, ex-Confederate soldier Kirk Jordan (Randolph Scott) crosses paths with ranch owner Ivy Preston (Joan Bennett). Although a loyal Southerner, Jordan can't get past the waste and tragedy of the four years that have just ended, but Ivy is eager to help keep the war for the Confederacy alive, running guns to her would-be lover, unrepentant ex-Confederate captain Alan Sanford (Robert Cummings), who is prepared to ally himself with the Mexican emperor Maximilian as a means of starting a new war against the "Yankee" government. Ivy is attracted to Jordan after he boldly helps her evade an army checkpoint, until she finds out how relatively peaceable he is. Jordan and his sidekick, Cal Tuttle (Raymond Hatton), are prepared to make a cattle drive to the new railhead at Abilene and sell at a handsome profit, but Ivy wants nothing to do with the United States or Yankee money, even as her more practically minded grandmother (May Robson) and her foreman, Chuckawalla (Walter Brennan), try to convince her otherwise. Only when Isaiah Middlebrack (Robert H. Barrat), the corrupt local administrator for the occupying Northern government, arrives announcing a head-tax on cattle does she change her mind and begin to see some worth in Jordan's ambition and boldness. Two deaths, of Middlebrack and a much-loved ranch hand, allow the ranchers and the occupying soldiers to reconcile and make the drive together to the border. Jordan and his outfit find a stricken, desperate Abilene, bereft of anything to be shipped on the new rail line. Jordan's arrival accomplishes everything he hopes for and more, and in the end Ivy sees and also glories in his vision, of a United States reunited and restored, growing and thriving as never before. But Jordan can't abide her continued affection for Alan, whose continued obsession with restoring the Confederacy is wearing on him and almost everyone else by now, and he plans on leaving. Ivy doesn't want to see that happen, but is torn over her lingering affection for Alan. But then she learns that he is planning to join a new organization, the Ku Klux Klan, intended to drive the Yankees out of the South, and she suddenly has to choose with which of these men her future lies. ~ Bruce Eder, All Movie Guide

This happy-go-lucky musical comedy is set in beautiful Hawaii and follows a public relations man who works for a pineapple company (Bing Crosby) and his pal as they escort a beauty contest winner (Shirley Ross) and her loudmouthed friend (Martha Raye) on a tour of the islands. Unfortunately, the winning beauty finds the islands a crashing bore and plans to return to the mainland. This forces the P.R. man to take drastic and romantic measures to convince her to stay. The song "Sweet Leilani" won an Oscar. ~ Sandra Brennan, All Movie Guide

Swing High Swing Low is a new coat of paint on the old stage play Burlesque, first filmed in 1929 as The Dance of Life. Ex-serviceman Skid Johnson (Fred MacMurray) rises to the uppermost rungs of show business as a bandleader. As his fame swells, so does his head, and he becomes impossibly arrogant, forgetting the friends who helped him get to the top -- not to mention his ever-faithful sweetheart, band vocalist Maggie King (Carole Lombard). Consuming great quantities of booze, Skid hits the skids, ending up a skid-row derelict (there seems to be a pattern here). The ultimate humiliation comes when he isn't even allowed to return to the Army because his insides are shot. In the film's calculatedly teary finale, Skid is rescued emotionally and professionally by Maggie, now a big star in her own right. As indicated by the synopsis, the film is banal and old-hat, but the stars are terrific, especially Carole Lombard, who sings in several scenes (and not all that badly!) Swing High, Swing Low was remade in 1948 as When My Baby Smiles at Me. ~ Hal Erickson, All Movie Guide

Warner Baxter does a variation of his Oscar-winning "Cisco Kid" characterization in Robin Hood of El Dorado. Baxter plays the real-life Mexican bandit Joaquin Murietta, which the screenplay depicts as a South of the Border Jesse James. Murietta has turned criminal to avenge the death of his wife and brother at the hands of the Federales, and per the title robs the rich to give to the poor. A bit topheavy in its comic context, Robin Hood of El Dorado works on the level of a good program western. Director William Wellman cowrote the script, which was based on a pulp novel that emphasized the sensuality of Murietta's various lady friends. ~ Hal Erickson, All Movie Guide

Two-fisted New York police detective Edward G. Robinson is so volatile that he manages to get himself thrown off the force in disgrace. The local gangsters are delighted, in that Robinson had been breathing down their necks. When Robinson goes to crime boss Barton MacLaine insisting that he's through with law enforcement and wants to switch to the other side, MacLaine's chief henchmen Humphrey Bogart doesn't buy the story, but has to go along since he doesn't want to incur the wrath of MacLaine. Robinson offers to show his former enemies how to circumvent the law, making him an invaluable participant in gang activities. Actually, Robinson hasn't gone crooked at all; he's operating undercover, with the full knowledge of the city police inspector, in hopes of locating the "big boys" who've been financing the mob. His diligence costs him his life, but Robinson, with the help of bad-girl-gone-good Joan Blondell, busts the rackets wide open. Former crime reporter Martin Mooney was responsible for the story upon which Bullets or Ballots was based. ~ Hal Erickson, All Movie Guide

In this crime comedy, a street-savvy gangster involves himself with a Miami socialite. Together, they conspire to turn her familial mansion into a secret gambling casino. The hood is convinced her beauty will draw customers and with the ensuing profits, the two will be able to pay their debts. Unbeknownst to him, his own gang members, fearing that he will abandon his "roots" in favor of the high-life, are conspiring to break up his partnership with the girl. They hire two grifters to impersonate a British colonel and his niece; they then try to convince the hood that he and the high-society dame are a bad match. When the gangster meets the "niece," he falls head-over-heels in love and forgets all about the socialite. When she, who is really after his money, returns his affections, the gang suddenly realizes that their scheme has backfired. Fortunately, by the story's end, the hood figures it all out and returns to the loyal socialite whose love remained undaunted. ~ Sandra Brennan, All Movie Guide

A wealthy young heir rebels when his snooty parents refuse to allow him to marry a lovely young secretary. Deciding to teach them a lesson, he goes West where he falls in love and marries the daughter of a Native American chief. He brings her home to meet his parents, who are naturally appalled, and vengeance is his. Unfortunately their marital bliss is disturbed when a woman shoots her married lover and the Indian girl is blamed for the crime. The husband then goes to the police and confesses the crime to protect her. Fortunately, the astute police put the couple together in a room bugged with a concealed microphone. They then learn that both are innocent. ~ Sandra Brennan, All Movie Guide

The film that revived Edward G. Robinson's career after a string of flops, along with A Slight Case of Murder (1938), it was one of the few comedies on his lengthy list of credits. The gangster-comedy was unusual in the composition of its writing staff, which included frequent Frank Capra collaborators Robert Riskin and Jo Swerling, as well as tough-guy scribe W.R. Burnett, who wrote Little Caesar (1931) and High Sierra (1941). The plot centers on the confusion surrounding the uncanny resemblance of a mild-mannered advertising clerk, Arthur Jones (Robinson), to escaped convict "Killer" Mannion. After the police mistakenly arrest the clerk, they give him a passport to avoid repeating the error. As a novelty, newspaper man Healy (Wallace Ford) hires the clerk, an aspiring writer, to do a series on his impressions of Mannion. But later, the convict appears at Jones' apartment and demands the passport for his own protection, threatening the fearful clerk if he reveals anything about his visit. The criminal also orders Jones to write the series of articles based on his reminiscences, which alerts the police that something strange is going on. Although the district attorney finally places Jones in jail under protective custody, for his safety, Mannion switches places with him in order to kill another inmate. ~ Michael Costello, All Movie Guide

Jack Holt plays Jim Burke, a he-man construction foreman whose stomach is turned by his namby-pamby, violin-playing son Jimmie (Jimmie Butler). He forces the boy into manual labor, hoping to toughen the kid up. Jimmie proves what he's made of when he rescues his dad from an on-the-job accident. The elder Burke is so delighted that he allows his son to return to his violin. Someday there's going to be a book called "Conditional Love in the Cinema", and The Awakening of Jim Burke is going to be Chapter One. ~ Hal Erickson, All Movie Guide

Inspired by the eccentric, reclusive Wendel Family of New York's Fifth Avenue, Elizabeth MacFadden's stage melodrama Double Door was adapted for the screen in 1934. Set in 1910 Manhattan, the film stars Mary Morris and Anne Revere, repeating their stage roles as domineering, calculating Victoria Van Brett and her weakling sister Caroline. The title refers to the door guarding the Van Brett's secret vault, wherein are stored the family jewels. Years earlier, Victoria, the only member of the family who knows the vault's combination, locked Caroline in the dark, airless chamber, literally frightening her into madness. At present, the misleadingly sweet-natured Victoria has embarked upon a campaign to destroy Ann Darrow (Elizabeth Allan), the new bride of her half-brother Rip Van Brett (Kent Taylor). When her efforts to accuse the girl of having an affair with doctor John Lucas (Colin Tapley) fail, Victoria does her utmost to lure Ann into the vault, intending to lock her in and drive her insane. Perhaps it goes without saying that the heroine will survive, and that Victoria herself will be forever entombed behind that double door. ~ Hal Erickson, All Movie Guide

In this fluffy romance, a young woman fights against the narrow-minded residents of her small town. The trouble begins when a young woman flees her boarding school to stay with her retired aunt, a former actress, who try as she might, has never been welcomed into the snobbish community in which she resides. The young woman too, is shunned and ends up being victimized in witchcraft trial and ducked into a pool of water. A handsome newspaper editor arrives to check out the story, and he and the girl fall in love. In the end, she moves to New York; when he gets a good job at a New York paper, he moves there too, and happiness ensues. ~ Sandra Brennan, All Movie Guide