Lee Remick Movies
An elegant, blonde beauty once considered the American equivalent to Bridgit Bardot, Lee Remick was a star of stage, screen, and television. Before launching her acting career on-stage and in television in the 1950s, Remick was a professional dancer. She made quite a splash as a sexy young drum majorette in Elia Kazan's A Face in the Crowd (1957). Early in her career, Remick excelled in playing saucy flirts; she eventually matured into a versatile actress noted for the subtle depth she gave her characterizations and specialized in playing manipulators in films such as The Long Hot Summer (1957) and Anatomy of a Murder (1959). She also did well as a victim in films like Days of Wine and Roses (1962). When not busy in films, Remick was building her reputation on stage and television. On Broadway, Remick was most closely associated with Frederick Knott's Wait Until Dark, a role that won her a Tony nomination. During the '70s, Remick became a familiar face in numerous television movies and miniseries, the phase of her career for which she is perhaps best remembered. She specialized in real-life dramas. Highlights of her television career include A Delicate Balance (1973), A Girl Named Sooner (1975), and The Women's Room (1980). Her feature-film career however became more sporadic. With James Garner and Peter Duchow, Remick formed a production company in 1988. For much of her career, Remick had battled cancer. She finally succumbed to it in 1991 at the age of 55. ~ Sandra Brennan, All Movie Guide- 1963
Based upon a novel by Shelley Smith, The Running Man opens at the memorial service for Rex Black (Laurence Harvey), the owner of a small air transport company who is believed to have drowned in a recent glider accident. It soon turns out, however, that Black is very much alive; he faked his death as a means of getting back at the insurance company who denied an earlier claim because he was one day late in making his payment. He has enlisted the cooperation of his wife Stella (Lee Remick) in this scheme. While she waits for the insurance company to approve the claim, he disguises himself, assumes a new identity (that of Charles Erskine, a shoe salesman) and goes to wait for Stella in Spain. Once there, he meets drunken Australian millionaire Jim Jerome in a bar; when Jerome inadvertently leaves his passport at the bar, Rex confiscates it and hatches a new plan to collect on Jerome's insurance as well. In the meantime, Stella has met with insurance representative Stephen Maddox (Alan Bates), who eventually approves her claim. She journeys to Spain, but finds Rex a changed man, and isn't comfortable with either his new personality or his latest scheme. To make matters worse, Maddox shows up. Is it a coincidence or is he suspicious? The rest of the film hinges on the answer to this question, as well as what Maddox's plans are in either case. ~ Craig Butler, All Movie Guide
- Starring:
- Laurence Harvey, Lee Remick, (more)
In this addiction melodrama, Joe Clay (Jack Lemmon), a promising adman, meet his future wife Kirsten (Lee Remick) at a party. Once married, the pressures of his business lead Joe to seek solace in liquor. Kirsten joins him in his nocturnal drinking sessions, and before long both are confirmed alcoholics. After several frightening episodes, Joe is able to shake the habit thanks to AA, but Kirsten finds it impossible to get through the day without liquor. The two split up, although Joe clings to the hope that someday he and Kirsten will be reunited, if for no reason other than the sake of their young daughter. J.P. Miller adapted the screenplay from his own 1958 Playhouse 90 television script. Though nominated in several categories, Days of Wine and Roses won only the Best Song Oscar for Henry Mancini's title tune. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Lemmon, Lee Remick, (more)
Bank teller Lee Remick is accosted in her garage one dark night by asthmatic psycho Ross Martin. He forces her to go through with an elaborate robbery scheme, threatening to kill Lee's teen-aged sister Stefanie Powers if the police are summoned. FBI agent Glenn Ford suspects that something is amiss and advises Lee to play along with Martin, hoping in this way to capture this dangerous criminal with a minimum of bloodshed. Unfortunately, Martin is as clever as he is deadly, always managing to stay one step ahead of Ford. The now-famous climax of Experiment in Terror finds the feds closing in on Martin during a crowded night baseball game at San Francisco's Candlestick Park. Experiment in Terror is based on the Gordons' novel Operation Terror. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Lee Remick, (more)
- 1961
Combining elements from William Faulkner's novel Sanctuary, its sequel Requiem for a Nun, and a stage adaptation of Requiem for a Nun by Ruth Ford, director Tony Richardson's film is set in 1920s Mississippi and recounts the story of Temple Drake (Lee Remick), a young, lustful white woman who falls for a man who rapes her, only to marry another when she is told that her lover has died. The story is told as a flashback in an attempt to explain what led to the film's present, in which a black maid is on trial for the murder of Temple's baby. This was Richardson's first film made for a studio; he agreed to make Sanctuary to fund his next film, A Taste of Honey. ~ Matthew Tobey, All Movie Guide
- Starring:
- Lee Remick, Yves Montand, (more)
- 1960
William Shakespeare's last completed play The Tempest was pared down to 90 minutes for this full-color TV adaptation. Maurice Evans stars as Prospero, the former Duke of Milan, who was usurped by his brother Antonio (William H. Bassett) and exiled to an enchanted island. Living in seclusion with his daughter Miranda (Lee Remick), the beneficent sprite Ariel (Roddy McDowell) and the hideous monstrosity Caliban (Richard Burton), Prospero, utilizing his magical powers, creates a tempest that brings his old enemies to the island. When Miranda, who has never seen a man before, falls in love with Prince Ferdinand (Ronald Radd), Prospero suppresses his thirst for vengeance. Meanwhile, comic relief is provided by Trinculo (Tom Poston) and Sebastian (Paul Ballyntine), who try to harness Caliban's dark powers for their own benefit. Adapted by John Edward Friend, The Tempest was originally telecast February 3, 1960, as a Hallmark Hall of Fame videotaped presentation. ~ Hal Erickson, All Movie Guide
- 1960
Filmed on location in the Tennessee Valley, Wild River is set in the early 1930s. Montgomery Clift plays an idealistic TVA agent, assigned to convince the locals to move from their property so that a beneficial dam can be built. The principal holdout is feisty octogenarian Jo Van Fleet, who refuses to budge from her land, convinced that she will die if she ever gives an inch. Her prophecy turns out to be true, as Van Fleet becomes yet another sacrifice to progress. Clift also runs into opposition because of his fair treatment of the local black population. Lee Remick costars as Van Fleet's granddaughter, who comes to love and understand the sensitive Clift. Some dated fuzzy-headed liberalism aside, Wild River is a masterful recreation of a difficult, complex period in American history. Watch for an uncredited Bruce Dern in his film debut. ~ Hal Erickson, All Movie Guide
- Starring:
- Montgomery Clift, Lee Remick, (more)
Don Murray stars as a humble cowboy with aspirations for bigger things. He borrows money from his dance-hall girlfriend Lee Remick to buy a ranch, then dumps Remick in favor of banker's daughter Patricia Owens. Murray runs for political office, and in so doing is compelled to join a posse in search of his best friend Stuart Whitman, who has turned rustler. Anxious not to compromise his climb to the top, Murray stands by in silence as Whitman is lynched. In the end, however, Murray regains his essential decency when he is shot while trying to protect his ex-girlfriend Remick from bullying land baron Richard Egan. Based on a novel by A. B. Guthrie Jr., These Thousand Hills may look and sound like a western, but it has "film noir" written all over it. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Murray, Richard Egan, (more)
Based on the best-selling novel by Robert Traver (the pseudonym for Michigan Supreme Court justice John D. Voelker), Anatomy of a Murder stars James Stewart as seat-of-the-pants Michigan lawyer Paul Biegler. Through the intervention of his alcoholic mentor, Parnell McCarthy (Arthur O'Connell), Biegler accepts the case of one Lt. Manion (Ben Gazzara), an unlovable lout who has murdered a local bar owner. Manion admits that he committed the crime, citing as his motive the victim's rape of the alluring Mrs. Manion (Lee Remick). Faced with the formidable opposition of big-city prosecutor Claude Dancer (George C. Scott), Biegler hopes to win freedom for his client by using as his defense the argument of "irresistible impulse." Also featured in the cast is Eve Arden as Biegler's sardonic secretary, Katherine Grant as the woman who inherits the dead man's business, and Joseph N. Welch -- who in real life was the defense attorney in the Army-McCarthy hearings -- as the ever-patient judge. The progressive-jazz musical score is provided by Duke Ellington, who also appears in a brief scene. Producer/director Otto Preminger once more pushed the envelope in Anatomy of a Murder by utilizing technical terminology referring to sexual penetration, which up until 1959 was a cinematic no-no. Contrary to popular belief, Preminger was not merely being faithful to the novel; most of the banter about "panties" and "semen," not to mention the 11-hour courtroom revelation, was invented for the film. Anatomy of a Murder was filmed on location in Michigan's Upper Peninsula. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Lee Remick, (more)
While often regarded as one of America's greatest novelists, William Faulkner produced work that did not always translate well to the screen; it's ironically appropriate that this movie, based on several of Faulkner's short stories, is often regarded as one of the best films based on his work, though not especially accurate to the original source material. Ben Quick (Paul Newman), a sullen but self-confident drifter, arrives in a small Mississippi town where his father had a bad reputation as a firebug. Will Varner (Orson Welles), the town's patriarch, still holds a grudge against Quick's dad, and when the young man decides to stay in town and sharecrop on Varner's land, Will goes out of his way to make his life difficult. However, Will develops a grudging respect for Quick's guts and determination, and he wishes that his weak-willed son Jody (Anthony Franciosa) could be more like him; Jody's wife Eula (Lee Remick) happens to agree. In time, Will gets the idea that Quick might be a good match for his daughter Clara (Joanne Woodward) and a better choice to take over his business dealings than Jody. However, neither Clara nor Quick care to be told what to do, and besides, Clara already has a beau -- though Alan Stewart (Richard Anderson) is even more of a milquetoast than Jody and is led by the nose by his mother (Mabel Albertson). However, sparks begin to fly between Clara and Quick, and when Jody fears he may lose his place as heir of Will's estate, he takes drastic action, trapping his father in a barn, setting it on fire, and planting evidence that would suggest that the blaze was Quick's doing. The Long, Hot Summer was the first film that Newman and Woodward made together, and they got married the same year. ~ Mark Deming, All Movie Guide
- Starring:
- Paul Newman, Joanne Woodward, (more)
The meteoric popularity of Arthur Godfrey was allegedly the basis of the 1957 drama Face in the Crowd. Andy Griffith makes a spectacular film debut as Lonesome Rhodes, a philosophical country-western singer discovered in a tanktown jail by television talent coordinator Patricia Neal and her assistant Walter Matthau. They decide that Rhodes is worthy of a TV guest spot, the result being that the gangly, aw-shucks entertainer becomes an overnight sensation. As he ascends to stardom, Rhodes attracts fans, sponsors and endorsements by the carload, and soon he is the most powerful and influential entertainer on the airwaves. Beloved by his audience, Rhodes reveals himself to his intimates as a scheming, power-hungry manipulator, with Machiavellian political aspirations. He uses everyone around him, coldly discarding anyone who might impede his climb to the top (one such victim is sexy baton-twirler Lee Remick, likewise making her film debut). Just when it seems that there's no stopping Rhodes' megalomania, his mentor and ex-lover Neal exposes this Idol of Millions as the rat that he is. She arranges to switch on the audio during the closing credits of Rhodes' TV program, allowing the whole nation to hear the grinning, waving Rhodes characterize them as "suckers" and "stupid idiots." Instantly, Rhodes' popularity rating plummets to zero. As he drunkenly wanders around his penthouse apartment, still not fully comprehending what has happened to him, Rhodes is deserted by the very associates who, hours earlier, were willing to ask "how high?" when he yelled "jump". Written by Budd Schulberg, Face in the Crowd was not a success, possibly because it hit so close to home with idol-worshipping TV fans. Its reputation has grown in the intervening years, not only because of its value as a film but because of the novelty of seeing the traditionally easygoing Andy Griffith as so vicious and manipulative a character as Lonesome Rhodes. ~ Hal Erickson, All Movie Guide
- Starring:
- Andy Griffith, Patricia Neal, (more)
