James Remar Movies

In this melodramatic prison flick a convicted killer makes a bad impression on his fellow inmates after he causes trouble with the leader of the prisoners. ~ Sandra Brennan, All Movie Guide

The hook in Walter Hill's mythic retelling of the James-Younger outlaw legend is in the casting; the James, Younger, Miller, and Ford Brothers are played by a string of acting brothers, the Keachs, the Carradines, the Quaids and the Guests. The film begins as outlaws are robbing a bank. After the robbery, Ed Miller (Dennis Quaid) finds himself kicked out of the gang for needlessly killing a man during the robbery. Jesse James (James Keach) hands over Ed's share of the money and tells him to leave, a feeling held mutually by Ed's brother Clell (Randy Quaid). After the killing the gang decides to split up for awhile. The James boys return to their wives and farms, while Cole Younger (David Carradine) travels to Texas with his prostitute girlfriend Belle Starr (Pamela Reed). After the brief respite, the gang reunites to rob a well-stocked bank in Northfield, Minnesota. The robbery turns out disastrously, with most of the gang either wounded or dying. The James boys are the only ones not seriously hurt, and they leave the rest of the gang behind, escaping while they can. After the James boys leave, the remnants of the gang are captured. But trailing the Jameses is a relentless posse. Frank and Jesse manage to keep one step ahead until the Ford brothers (Christopher Guest and Nicholas Guest) make a deal with the Pinkerton detectives trailing the outlaws. ~ Paul Brenner, All Movie Guide

Trevor Howard, of all people, stars as the titular Native American chief in Windwalker. Told in flashback, the film relates the early life of the Cheyenne chief, with particular emphasis on the deaths of his wife and son at the hands of the Crow tribe. In the interests of authenticity, the actors converse in the Crow and Cheyenne languages, compelling the producers to fit the film out with English-language subtitles. James Remar plays the young Windwalker, while James Remus dubs in Trevor Howard's voice as narrator. Windwalker was based on the novel by Blaine M. Yorgason. ~ Hal Erickson, All Movie Guide

TV director James Burrows made his feature debut with this unusual film that's a situation comedy-style twist on both The Odd Couple (1968) and Cruising (1980). The murder of a male model in a gay, beachfront enclave of L.A. warrants an undercover investigation, so police officer Benson (Ryan O'Neal), a straight, macho, law-and-order type, is assigned to partner with file clerk Kerwin (John Hurt), a mild-mannered homosexual. Benson and Kerwin are to pose as a gay couple who have just moved to the area. At first, Benson's slovenly ways drive the fussy Kerwin to distraction, while Kerwin's sexual orientation and prissy manners are a source of constant frustration for straight-arrow Benson. However, the two eventually become friendly roommates, if not exactly friends, and Benson even begins to see the world through Kerwin's eyes. Although he carries a badge, the fussy Kerwin is essentially a civilian, but as he and Benson close in on the murderer, Kerwin reveals himself to be a far more capable cop than Benson assumes him to be. Partners was written by Francis Veber, author of La Cage aux Folles (1978) and The Man with One Red Shoe (1985). ~ Karl Williams, All Movie Guide

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

This actioner is set in a remote, heavily forested area in Northern California where marijuana growers raise their illegal crops and run whole communities with their terrorist tactics and wealth. The tale centers on the efforts of a fearless New York cop to free one such community from the tyranny of the pot growers. It begins with a surveyor who is leading the town's crooked sheriff to a small marijuana field he has just discovered. The surveyor is killed before he can get there. Joshua, a small boy, sees the execution and tries to get back in time to tell his parents. Unfortunately, the killers murder his family and throw him off a cliff. The boy's aunt, worried at not hearing from her family, gets suspicious and asks an old flame, NY cop Joe Dillon, to investigate. The town sheriff is not pleased by his intrusion and warns him to stay out of it. Dillon disobeys, and that is where all the action comes in. ~ Sandra Brennan, All Movie Guide

Tony Church (Burt Reynolds) is a Chicago detective who loses his job when he is blamed for the deaths of his fellow officers gunned down in a botched drug bust. He becomes a bodyguard to hooker Della Roberts (Liza Minnelli), the lone witness who can identify the killer (James Remar). Bernie Casey is Church's ill-fated partner Lamar, and Dionne Warwick appears briefly as the head of a call-girl ring in this unremarkable feature. ~ Dan Pavlides, All Movie Guide

The operative word in Drugstore Cowboy is "drug". Matt Dillon plays the leader of a group of dopeheads who wander around the country robbing pharmacies to feed their habits. Dillon's chums include doltish James Le Gros and teen-age junkie Heather Graham; also along for the ride is Dillon's wife Kelly Lynch. Their nemesis is cop James Remar, whom Dillon takes perverse delight in humiliating. When one of the young addicts dies of an overdose, it promps Dillon to try to go straight, a task complicated by wife Lynch's determination to stay high and by the corrupting presence of an ex-priest, played by Naked Lunch author William Burroughs. Drugstore Cowboy was director Gus Van Sant's breakthrough picture. ~ Hal Erickson, All Movie Guide

A rich businessman, his wife and son are involved in illegal transactions as Kojak investigates. ~ All Movie Guide

Night Visions is a serial-killer-at-large TV movie starring James Remar and Loryn Locklin. Remar portrays the tough LA cop on the case. Ms. Locklin is a psychic, engaged by the police in a desperate effort to ferret out the killer. Unfortunately the psychic borders on the psychotic; her visions seem tinged by her own miserable past experience--and by the fact that she has multiple personalities. This reasonably original premise rapidly dwindles down to predictability; its happy ending was dictated by the fact that the film was the pilot for an unsold series. Night Visions was directed by Wes Craven, who was required by network edicts to tone down the gleeful gore which permeated his Nightmare on Elm Street films. ~ Hal Erickson, All Movie Guide

In this futuristic action drama directed by Lewis Teague, Frank Warren (Rutger Hauer) is a man accused of stealing millions of dollars worth of gems. In prison, all the inmates wear collars which are electronically joined to those of an unknown partner. The collars will explode if either partner gets more than 300 feet away from the other. Warren is determined to escape, however, and finds that his partner is Tracy Riggs (Mimi Rogers). They plan and execute an elaborate escape and head off to search for the stolen diamonds. But members of Warren's former gang pursue them. ~ Michael Betzold, All Movie Guide

Three forms of sexual dysfunction provide the basis of this anthology. The first episode centers on a married couple who can only make love in the presence of a stranger. The second centers on a crazed woman with a constant compulsion to masturbate. The third centers on a voyeur who is planning to marry a woman he doesn't love. ~ Sandra Brennan, All Movie Guide