Tracy Reiner

This teen comedy from Disney is based on a popular novel by Meg Cabot and directed by Garry Marshall. Mia Thermopolis (Anne Hathaway) is a teenage klutz who's openly mocked by the popular Lana Thomas (pop singer Mandy Moore). In fact, Mia's only friend at her exclusive prep school is the socially outcast Lilly (Heather Matarazzo). Mia's life takes a dramatic turn, however, when her mom announces that her late biological father was in actuality the crown prince of a small European nation, Genovia. Now Mia is the sole heir to the throne, and her grandmother, Queen Clarisse Renaldi (Julie Andrews) wants to tutor the awkward teen in royal behavior. It's a daunting task given Mia's lax table manners, poise, and hair care, but the girl perseveres with some makeover help from her grandmother's security chief Hector Elizondo) and a style expert (Larry Miller). In the meantime, Mia's romantic affections are torn between the handsome, popular Josh (Erik Von Detten) and the more appropriate Michael (Robert Schwartzman), who also happens to be Lilly's brother. The Princess Diaries is the second film from Whitney Houston's production shingle after the television version of Rodgers and Hammerstein's Cinderella (1997). ~ Karl Williams, All Movie Guide

Bud Cort's directorial debut is a dark comedy about a romantic obsession that leads to tragedy, featuring a wide array of cameo performances including James Brolin, Carol Kane, Rhea Perlman, Martin Mull, Andrea Martin, Woody Harrelson, Timothy Leary, and Gena Rowlands. Cort is Ted Whitley, a local poet celebrity in Venice Beach, California, who spends his time drifting along the boardwalk and delivering his beat poetry inspirations at a local dive. As he sits on a pier composing his latest art work, a vision of incredible beauty --Linda Turner (Kim Adams)-- strolls by in a bikini and Ted is immediately smitten. Linda turns out to be the manager of the agency that Ted has used to try to find a new apartment. He flatters her with his attentions and his poetic rambles. For her part, she likes Ted but doesn't consider him romantic material. Ted misinterprets Linda's friendliness for amorousness and when Linda tries to back off from Ted, Ted cannot be stopped. His out-of-control obsession for Linda turns Linda's once-friendly demeanor into one of terror. But Ted continues stalking her until tragedy strikes. ~ Paul Brenner, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

Rob Reiner's romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be "just friends." They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced. From that point on, the two form a friendship. Eventually their closeness results in their respective best friends (played by Carrie Fisher and Bruno Kirby) meeting and falling in love with each other. At a New Year's Eve party Harry and Sally confront the complex tangle of emotions they feel for each other. The soundtrack consists primarily of Harry Connick Jr. crooning standards like "It Had to Be You." ~ Perry Seibert, All Movie Guide

A remake of Roger Corman's 1964 adaptation of the Edgar Allan Poe tale was produced by Corman but directed by Larry Brand. Its the story of a medieval prince (Adrian Paul) and his attempt to avoid a vicious plague among the populace. ~ John Bush, All Movie Guide

It's Christmas time in L.A., and there's an employee party in progress on the 30th floor of the Nakatomi Corporation building. The revelry comes to a violent end when the partygoers are taken hostage by a group of terrorists headed by Hans Gruber (Alan Rickman), who plan to steal the 600 million dollars locked in Nakatomi's high-tech safe. In truth, Gruber and his henchmen are only pretending to be politically motivated to throw the authorities off track; also in truth, Gruber has no intention of allowing anyone to get out of the building alive. Meanwhile, New York cop John McClane (Bruce Willis) has come to L.A. to visit his estranged wife, Holly (Bonnie Bedelia), who happens to be one of the hostages. Disregarding the orders of the authorities surrounding the building, McClane, who fears nothing (except heights), takes on the villains, armed with one handgun and plenty of chutzpah. Until Die Hard came along, Bruce Willis was merely that wisecracking guy on Moonlighting. After the film's profits started rolling in, Willis found himself one of the highest-paid and most sought-after leading men in Hollywood. ~ Hal Erickson, All Movie Guide

Garry Marshall directed this film which starts as a light comedy but moves into heavy-duty drama later on. David Basner (Tom Hanks in a good performance) works in an ad agency, where he enjoys bantering with his co-workers and meets a lot of women. He hasn't been especially close to his father (Jackie Gleason) and never thought about him much until his Dad is left devastated when his wife of 36 years walks out on him. He is soon faced with serious health problems as well. This propels the elder Basner on a downward slide that affects David and their relationship. ~ Eleanor Mannikka, All Movie Guide

Director Rob Reiner's The Sure Thing is essentially It Happened One Night for the 1980s, but its lack of surprise in no way impedes its entertainment value. John Cusack plays Walter "Gib" Gibson, a self-involved college freshman who makes plans to head to California, there to touch base (and a few other things) with a "sure thing" played by Nicollette Sheridan. Likewise planning a westward journey is coed Alison Bradbury (Daphne Zuniga), a control freak who has a wealthy, stuffy fiancé over there. Gib and Alison despise one another on sight -- so naturally, they are compelled to travel to California together. The fact that everyone in the audience knows precisely how this one will end up is inconsequential; Cusack and Zuniga deliver such engaging performances that we're pulling for them to wise up and discover one another from the very first scene. One of the best bits: the mismatched couple being bombarded with an ear-piercing rendition of "The Age of Aquarius" by their dippy traveling companions. ~ Hal Erickson, All Movie Guide

As a favor to their landlady Edna (Betty Garrett), Laverne (Penny Marshall) and Shirley (Cindy Williams) arrange for Edna's niece Vicki (a young Michelle Greene) to join their old high school club, the Angora Debs. Alas, unbeknownst to our heroines, times and circumstances have changed--and now the Debs are a gang of larcenous juvenile delinquents. Voice actress Elizabeth Daily, best known for her work on such cartoon series as Rugrats and The PowerPuff Girls, is seen as Rita, while series star Penny Marshall's daughter Tracy Reiner, later cast as "Betty Spaghetti" in her mom's feature film A League of Their Own, shows up as Carole. This episode was originally slated to air on October 11, 1979. ~ Hal Erickson, All Movie Guide