Peter Riegert Movies

A doomed interracial relationship provides the focus of this tragedy. White paralegal Lonny, wants to write a political novel that rails against the system, but he can't seem to start it. His writer's block has cost him emotionally, and he is bored with his job, his conversations with his father, and with his girlfriend. He looks for something different. He finds it with black teenager, Denise as she prepares for her SATs. He is attracted by her intelligence and the eagerness with which she learns and offers to tutor her. She accepts and soon they have transcended the teacher student relationship and become closer. They face resistance at every turn, but they do not heed the warnings. Tragedy ensues. ~ Sandra Brennan, All Movie Guide

This TV movie recounts the true-life story of a corporate takeover in the greed-driven 1980s. James Garner is F. Ross Johnson, CEO of RJR-Nabisco. Having just been burned by an expensive failure of a smokeless cigarette product, Johnson doesn't wish to incur the wrath of the stockholders. He begins drawing up plans to buy RJR-Nabisco outright so he'll have no one to answer to but himself. Unfortunately for Johnson, his company is also being coveted by sharkish "buyout king" Henry Kravis (Jonathan Pryce), who turns out to have $25 billion at his beck and call. Barbarians at the Gate was adapted by Larry Gelbart from the book by Bryan Burrough and John Helyar. Advertised as a "docucomedy", the film premiered March 20, 1993, over the HBO cable service. ~ Hal Erickson, All Movie Guide

In this black comedy, elderly Jack Scanlan (Jack Warden) passes away just as he's about to tell his oldest son Johnny (Bob Hoskins) what he's decided is truly important in life, which does little to ease Johnny's mid-life anxieties. Jack's funeral and the subsequent wake brings together the various members of the Scanlan Family, most of whom are having troubles of their own. Johnny's mother Mary (Maureen Stapleton) is not dealing well with losing her husband. His brother Frank (William Petersen), a would-be union delegate, has a nagging wife, Denise (Debra Rush), and a pregnant daughter, Rachel (Teri Polo). His sister Nora (Frances McDormand) is a leftist nun who has brought along a guest, a South American dissident wanted by the INS. Terry (Pamela Reed) is splitting up with her husband Boyd (Tim Curry) after finally realizing that he's gay. And Johnny is thinking of quitting his job and leaving his wife Amy (Blair Brown), which makes the mysterious Cassie (Nancy Travis) seem all the more attractive. Passed Away marked the directorial debut of successful screenwriter Charlie Peters. ~ Mark Deming, All Movie Guide

When an archaeologist uncovers an ancient Norse power stone, he returns with it to his New York City home. Too bad for the relic-digger, because it's not long before an evil spirit is projected from the stone into the archaeologist, turning him into a hairy beast. And too bad for the people of NYC, because this hairy beast goes on a vicious marauding spree that befuddles the local police. ~ All Movie Guide

Michael Lindsay-Hogg wrote and directed this cool and sleek comedy about a seemingly perfect combination -- an American couple staying at a chic London hotel whose pride doesn't permit them to recognize that they are broke, and a hotel staff so brimming with proper British reserve that they can't inform the American freeloaders they need to be paid. Jake (John Malkovich) and Tina (Andie MacDowell) are the American couple trapped in splendor at a London hotel after Jake's cocoa deal in a Third World County is stalled by revolutionary upheaval. Their plight is so dire they walk up the stairs to their luxurious suite rather than take the elevator and risk encountering the hotel manager. Hitting rock bottom, they take stock of their assets and find one -- a $50,000 Henry Moore bust. They decide to fabricate a robbery and collect the insurance money, but a deaf maid (Rudi Davies) has fallen in love with the bust and stolen it herself. ~ Paul Brenner, All Movie Guide

Shock to the System is a black comedy about a middle-aged advertising executive (Michael Caine) who loses his long-awaited promotion to a younger man (Peter Reigret). In frustration, Caine accidentally pushes a panhandler in front of a subway train--and he gets away with the death. Realizing that committing murder might be a little easier than he previously had thought, he begins plotting the murder of several of his corporate enemies. ~ Stephen Thomas Erlewine, All Movie Guide

W. Eugene Smith: Photography Made Difficult is a unique documentary that reenacts the life of the revolutionary artist. Peter Reigert plays the Midwestern photographer whose images defined the times. Smith began taking pictures when he was a teenager. Though dissatisfied with his early work, he kept developing his talent. By the end of his career, he had worked for many important publications, including Newsweek, Life, and Collier's. Smith was in Okinawa on D-Day. He captured indelible images of the Great Depression, New York City, and the life of a country doctor. Photography Made Difficult stitches together newsreel footage, interviews, and dramatic retelling to weave a story of one of the best-known photographers in the world. ~ Sarah Ing, All Movie Guide

After witnessing a murder, Alice Kildee (Bonnie Bedelia) is involved in a car accident. She wakes up in a hospital with no memory of who she is, but has total recall concerning the murder. The problem is, no such killing has been reported. So the authorities, assuming that Alice is merely fantasizing, release her picture to the papers in hopes of identifying her. Through the help of psychiatrist Harris Kite Peter Riegert, Alice comes to realize that the murder she has described in such vivid detail actually took place in a movie she saw just before her accident. But if this is the case, why is a hit man (David Spielberg) determined to rub out poor Alice? There's a plot twist a second in the U.S./Argentine co-production The Stranger, which manages to emulate Alfred Hitchcock without ever imitating The Master outright. ~ Hal Erickson, All Movie Guide

News at Eleven is a stacked-card study of journalistic ethics -- or rather, the lack of same. Martin Sheen stars as the well-respected senior anchorperson at a fictional San Diego TV station. Honcho news-director Peter Riegert insists that the news is becoming a tune-out, and demands more sensationalism in the coverage. When a junior high school teacher is accused of statutory rape, Riegert orders Sheen to exploit the story to the hilt. This results in a near-tragedy involving the high school girl who's accused the teacher. The conscience-stricken Sheen exacts a clever "hoist on his own petard" revenge for the unrepentant Riegert. Made for television, News at Eleven was actually telecast at 9 PM (EST) on April 2, 1986. ~ Hal Erickson, All Movie Guide

In this contemporary comedy/drama, Anne (Laura Harrington) is a struggling photographer who decides to break up with her boyfriend Joey (Joe Mastroianni) to pursue other romantic opportunities. However, Anne's new-found freedom doesn't work out very well for her, and a new photographic project turns sour when a pimp she was secretly photographing discovers what she's doing and retaliates by trashing her apartment. The City Girl marked the feature debut of director Martha Coolidge, though the film was not released until after her second feature, Valley Girl, became a surprise hit. ~ Mark Deming, All Movie Guide

Bill Forsyth's whimsical tale of sweet-natured corporate rapacity features standout performances by Burt Lancaster and Peter Riegert. Lancaster plays Texas billionaire Felix Happer, who would rather gaze at the stars than worry about his multi-national oil company. Happer dispatches Mac MacIntyre (Peter Riegert) and Danny Oldsen (Peter Capaldi) to the small Scottish fishing village of Ferness to negotiate buying the entire town so Happer can drill for oil in the North Sea. Much to Mac's surprise, the entire town is happy to sell itself for big money, and the local innkeeper, Gordon Urquhart (Denis Lawson) -- who is also the town's accountant and mayor -- works with Mac on the negotiations. But a wrinkle appears in the deal when Ben Knox (Fulton Mackay), an old man who lives in a shack on the beach which has been owned by his family for centuries, refuses to sell. His reasons? "Who'd look after the beach then? It would go to pieces in a short manner of time." The deal stalls so seriously that Happer travels to Ferness to oversee negotiations as Mac and Danny are seduced by the charm of the Scottish town. ~ Paul Brenner, All Movie Guide

Originally divided into four segments and now cut to three, National Lampoon Goes to the Movies is a story about a man who is determined to get in touch with himself and sends his wife away so she can do the same thing. The next tale features a female business magnate who wreaks appropriate revenge on her arrogant male colleagues, and the last vignette has a virtuously pure policeman (Robby Benson) becoming as cynical as his partner (Richard Widmark). Each skit makes internal references to other movies, movie directors, or classic movie characters, which may enhance the viewing for movie buffs but does not change the generally dull and unfunny material. ~ Eleanor Mannikka, All Movie Guide

In the future (the distant year of 1997), the United States of America is in crisis. The oil shortage has grown to epic proportions, leading to people living in their cars and bicycling to work. Cigarettes and meat have been outlawed, gold coins are needed to operate common household appliances, and the Western White House (located in a luxury apartment in California) has been forced by economic necessity to operate round-the-clock tours for vacationing Chinese citizens. The economy is deep trouble; President Chet Roosevelt (John Ritter) has borrowed four billion dollars from Native American tennis shoe manufacturer Sam Birdwater (Chief Dan George), and he's foreclosing on the loan. When a media expert, Eric McMerkhin (Peter Riegert), is summoned for advice (since despite all hardships, Americans refuse to give up their televisions), he suggests a telethon. It's a great idea, except the President's assistant Vincent Vanderhoff (Fred Willard) is in cahoots with the United Heb-Rab Republic, a sinister coalition of Israeli and Arab nationals who want to snap up America if the debt can't be paid. He ensures that the show is stocked with endless ventriloquists and insists on Monty Rushmore (Harvey Korman), a washed-up, drug-addicted television personality as host. The star of the popular sitcom "Both Mother and Father," he is sure to self-destruct over the grueling 30-day-and-night telethon schedule. Despite terrorist attacks and the kidnapping of President Roosevelt, the patriotic spirit prevails and American citizens dig deep and pledge their gold to the cause. This outrageous farce (based on a play by Firesign Theatre alumni Philip Proctor and Peter Bergman) features cameos from Elvis Costello, Jay Leno, Meat Loaf and the Del Rubio Triplets, and is narrated by George Carlin. The Beach Boys, Eddie Money, and Nick Lowe contribute to the musical soundtrack. ~ Fred Beldin, All Movie Guide