Peter Riegert

David Vyorst's documentary First Basket takes a look at the early days of the Basketball Association of America. When it was formed in 1946, the majority of players were Jewish - a fact that certainly is not true of American basketball just sixty years later. This film showcases how these athletes provided inspiration for Jews suffering discrimination. ~ Perry Seibert, All Movie Guide

Adapted from the novel by Anne Tyler, the made-for-TV "Hallmark Hall of Fame" presentation Back When We Were Grownups stars Blythe Danner as 53-year-old Baltimore widow Rebecca Davitch. Having long since given up her dreams of college to get married and raise a family, and also having abandoned all of her other goals and ambitions in order to manage her family's catering business, Rebecca is attending an engagement party for her stepdaughter when it suddenly strikes her that she has, in the words of the film's press release, "been living the wrong life!" Thus begins Rebecca's quest to reclaim her lost youth -- with her childhood sweetheart Will Allenby (Peter Fonda) figuring prominently in Rebecca's "second wind." Boasting a star-studded supporting cast (Faye Dunaway, Jack Palance, Nina Foch, Peter Reigert, Ione Skye), Back When We Were Grownups was first broadcast November 21, 2004, on CBS. ~ Hal Erickson, All Movie Guide

On the occasion of the 25th anniversary of the release of the classic "raunch comedy" National Lampoon's Animal House, the Spike TV cable channel offered this behind-the-scenes special on the making of the film. Amidst a sea of anecdotes concerning the mercurial behavior of the film's star, John Belushi, the documentary offers a number of hitherto unknown factoids. Though filmmakers John Landis and Ivan Reitman, National Lampoon editors Matty Simmons and Chris Miller, and Animal House stars Tim Matheson, Peter Riegert, Karen Allen, and Bruce McGill are among the noteworthy interviewees, the real "star" of the documentary is the original film's script, which spoke more eloquently to its generation than many another more serious efforts of the era. Also featured are outtakes, alternate scenes, and clips from the dead-at-birth TV series spin-off, Delta House (which co-starred a very young Michelle Pfeiffer). The original telecast of Unseen + Untold: Animal House coincided with the DVD anniversary edition of the film, which contains even more bonus material. ~ Hal Erickson, All Movie Guide

There are people who like to watch a ball game every once in a while, and then there are baseball fans, individuals of rare dedication whose passion for their favorite team defies conventional logic, and this comedy-drama follows a group of fans whose devotion to their hometown heroes is rarely tainted by the fact they almost never win. It's a typical summer afternoon, and a group of fans are watching the Chicago Bruins play a typically lamentable game from the cheapest seats in the stadium. Decker (Peter Reigert) is the owner of a hardware store who is playing hooky to watch the game. Marvin (Brad Garrett) and Zig (Wayne Knight) are compulsive gamblers who will bet on anything -- even the hapless Bruins. Richie (Hal Sparks) is a loyal Bruins booster who probably knows more about the team than the players do. Melody (Sarain Boylan) is a sexy fan who likes going to the game, getting some sun, and showing off her figure. And Greg (Matt Craven) likes to follow the game, even if he can't see the players -- he's blind. Bleacher Bums was based on a long-running stage play created by Chicago's Organic Theater Company; Joe Mantegna and Dennis Franz were among the actors who wrote and performed the play in its original incarnation, and Stuart Gordon, who went on as a filmmaker, also contributed to the script, as well as directing the premier production. This film adaptation of Bleacher Bums was produced for the Showtime premium cable network, where it premiered in the spring of 2002. Incidentally, in the stage version of Bleacher Bums, the baseball team in question was the Chicago Cubs, but the team and Major League Baseball refused to give the producers of the film permission to mention the Cubs in this adaptation. ~ Mark Deming, All Movie Guide

Demi Moore stars in this unusual psychological drama about two women caught between reality and imagination. Marie (Moore) is an American widow trying to raise two children under difficult circumstances in a small town in France. Marty (also played by Moore) is a successful businesswoman in New York City who wants to leave her busy life and lead a quieter existence in Europe. But Marty is just a product of Marie's imagination -- or at least that's what Marie thinks. Marty, on the other hand, is convinced that Marie is just someone she dreamed up. Who is right? Or are both of them wrong? And where does it leave the men in their lives (Stellan Skarsgard and William Fichtner)? Passion of Mind was the first English-language film from French director Alain Berliner, best known for the arthouse success Ma Vie en Rose. ~ Mark Deming, All Movie Guide

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide

Somewhere in L.A., Peter (Kenneth Branagh), a washed-up British playwright, struggles to duplicate his past glory as he surfs a foul-smelling tide of disenchantment. His wife, Melanie (Robin Wright Penn), manages to maintain an optimistic outlook even as she longs for the baby that her husband is hesitant to help her conceive. When Peter befriends Amy (Suzi Hofrichter), a neighborhood girl who has mild cerebral palsy, their friendship softens him to the idea of fatherhood and propels Melanie's maternal yearnings into hyperdrive. As if baby fever weren't enough, Peter is plagued by a seemingly benevolent stalker (Jared Harris), his neighbors' incessantly noisy dog, and the flighty cast and crew of his latest play. ~ Rebecca Flint Marx, All Movie Guide

Actor Saul Rubinek made his directorial debut with this crime comedy adapted by Rick Cleveland and from his own 1994 one-act play. Hit man Tom (Joe Mantegna) and his apprentice Jerry (Sam Rockwell), wait in a deserted Chicago bar for the phone-call command to execute the hooded Stanley (Peter Riegert), sitting before them in a chair. To pass the time, Stanley tells a few jokes. Background is established as they make various hits before returning to the situation seen in the opening. The film features highly unusual visual transitions from one setting to another. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

For this TV movie, writer-director Jane Anderson adapted her own play contrasting biological and adoptive mothers. Impoverished and pregnant Wanda LeFauve (Laura Dern) lives in a trailer outside Shreveport with her four children and her unemployed husband Al LeFauve (Richard Lineback). When Wanda spots the classified ad of a couple who want to adopt a newborn baby, she responds with a phone call that puts her in touch with a wealthy Los Angeles Jewish couple -- Rachel (Stockard Channing) and Richard Luckman (Peter Riegert). The Luckmans arrive in Louisiana to meet the donors, and both couples deal with the legalistics, while also overcoming their fears and transcending the inevitable cultural and class barriers. Filmed in Vancouver, the film preemed August 23, 1998 on Showtime. ~ Bhob Stewart, All Movie Guide

For most of its existence, a tightly-knit Massachusetts community has earned its living and gained its identity from the fish industry. Indeed, the North Shore frozen fish company is the town's primary source of income. Sal Matilla (Tony Danza) is the plant foreman. With the help of his lifelong girlfriend Florence (Mercedes Ruehl) and best buddy Porker (Peter Riegert), he does his best to keep the company profitable. Though Sal can be pretty overbearing at times, he considers his workers family. Everything changes, however, when North Shore Fish sells the factory facility to a health club and suddenly most of the town finds itself facing massive unemployment. ~ Sandra Brennan, All Movie Guide

A lawyer is murdered, and high on the list of suspects is the dead man's abrasive girlfriend. Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) track down the suspect, only to discover that "she" is really a "he." As if that wasn't baffling enough, another suspect suddenly resurfaces, one who might be protectively shielding the genuine culprit. ~ Hal Erickson, All Movie Guide

This comedy chronicles the romantic exploits of a rather stodgy young man with a traffic fetish. Even as a child Charlie Dunlap was totally fixated by freeway traffic. Charlie's biggest idol is Alan Davenport, a radio traffic reporter. As a young man, Charlie falls in love with the lively, free-spirited Amy and they become lovers the night before she leaves for college. Their relationship disintegrates during her absence and Charlie ends up moving to LA to be near the great freeways. Even his rundown apartment overlooks the freeway. Single-minded Charlie is determined to get a job working for Alan Davenport, but his efforts to get hired at Metro Traffic are thwarted by an officious employee. He goes to a neighboring cafe and there discovers Amy working as a waitress. When not working, she performs with an experimental dance troupe that stages its productions at toxic-waste dump sites. Though he wants to start up their relationship again, she tells him she has found another. Charlie ends up having a passionate affair with his landlady. Later he meets Davenport and manages to achieve his dream and become his assistant. Through it all he still longs for Amy and in the end the two do indeed come together. ~ Sandra Brennan, All Movie Guide

A quiet young fellow becomes a reluctant, but effective hit man in this comedy. Cosmo, a robot-like bookie, is promoted to hit man by his crime boss, Gordon. Cosmo's teacher is to be the philosophical and chatty Steve, a real pro. Cosmo is an excellent shot and quickly learns. His problem is that he likes to get to know his clients and empathize with them before he kills them. In time Cosmo feels conflict after he begins to fall in love with Jasmine, his yoga-instructor. He wants out of the profession. ~ Sandra Brennan, All Movie Guide