Frank Reicher Movies

A typical, fast-paced Grade-B murder mystery, Mystery of the White Room was based on the then revolutionary medical breakthrough of corneal transplantation. After being rebuked by hospital administrator Dr. Morton (Addison Richards) for failing to follow procedure, Dr. Clayton (Bruce Cabot) and Dr. Thornton (Frank Reicher) become prime suspects when Morton is murdered during a brief blackout in the operating room. Suspicion quickly centers on Dr. Thornton, who fails an ad hoc lie detector test, and the case seems solved when the good doctor is found dead, an apparent suicide. But neither Dr. Clayton nor the investigating police officer, Sgt. Spencer (Thomas Jackson), are convinced and the former makes the daring suggestion of transplanting Dr. Morton's corneas onto the eyes of the only witness, Tony (Frank Puglia), the deaf-and-dumb janitor who has been blinded with acid by the killer. The operation proves successful and the janitor is able to reveal the surprising identity of his attacker. Mystery of the White Room was the second-to-last of Universal's "Crime Club" thrillers. ~ Hans J. Wollstein, All Movie Guide

When German director Joe May was working on such silent classics as The Indian Tomb and Asphalt, he probably never imagine that he'd one day wind up at Universal turning out something called Society Smugglers. Preston Foster stars as Treasury agent Sully, at present trying to break up a vicious smuggling ring. To this end, Sully assigns undercover agent Joan Martin (Irene Hervey) to go to work for gang boss Massey (Walter Woolf King). A bit more inventive than most films of its ilk, Society Smugglers contrives to have the crooks use a slogan contest and a trip-to-Europe first prize as part of their scheme. Featured in the cast is Regis Toomey, who halfway through the film performs another one of his patented death scenes (in "A" pictures, Toomey was generally bumped off in the first reel). ~ Hal Erickson, All Movie Guide

"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance. ~ Hal Erickson, All Movie Guide

In this lively programmer a con man hires a character actor to masqueraded as the recently assassinated dictator of a tiny Latin American country so he can bilk an arriving American ambassador out of his fortune. ~ Sandra Brennan, All Movie Guide

20th Century Fox's Christmas gift to moviegoers in 1939, this fanciful comedy-drama features the studio's darling of the ice, Sonja Henie. She plays the daughter of a Nobel Peace Prize-winner feared murdered by the German Gestapo. A couple of rival American newspaper reporters, Ray Milland and Robert Cummings, discover that the legendary Professor Norden (Maurice Moscovich) is still very much alive and living under an assumed name in Switzerland. The heroes, however, completely forget their critical assignment after spotting the professor's lovely daughter, Louise (Henie), and their preoccupation with the girl nearly leads to disaster. Fox borrowed Ray Milland from Paramount for this Henie vehicle, which was partially filmed at Sun Valley, ID. ~ Hans J. Wollstein, All Movie Guide

Many of the "preparedness" films of the years just prior to World War II sidestepped censorship by depicting past outrages of the Germans. Such a film was British producer Herbert Wilcox's Hollywood production Nurse Edith Cavell, in which Wilcox's future wife Anna Neagle portrayed the titular martyred Englishwoman. Ms. Neagle plays the legendary Ms. Cavell as a candidate for Canonization. Her selfless efforts to rescue refugee soldiers from World War I Belgium results in her being arrested on charges of espionage. Despite international pleas for clemency, the dastardly Deutschlanders sentence Edith to death. She faces the firing squad with a courageous serenity that makes Joan of Arc look like a hysterical schoolgirl. An earlier, silent version of Nurse Edith Cavell had caused turmoil in England due to its unadorned depiction of war's horrors. In 1939, however, audiences inundated by reports of Hitler's latest outrages were more receptive. Ironically, the film opened in the US a scant few days before war broke out in Europe. ~ Hal Erickson, All Movie Guide

This is an epic Darryl F. Zanuck production that plays fast and loose with historical facts regarding early 19th century French politics and the building of the Suez Canal. Tyrone Power stars as Ferdinand de Lesseps, an engineer and son of a French nobleman (Harry Stephenson). At the start of the film, he is in love with Eugenie (Loretta Young), but so is the French President Louis Napoleon (Leon Ames). After his father is appointed French consul to Egypt, the younger de Lesseps travels there and conceives the idea of a canal connecting the Mediterranean and Red seas. Back in France, he is promised help by Eugenie, now Napoleon's mistress, in exchange for Count de Lesseps' agreement to dissolve the government temporarily. Napoleon then declares himself emperor, making Eugenie his empress. The elder de Lesseps dies of shock at the political betrayal, while the younger de Lesseps starts building the canal, overcoming attacks by tribal people and severe heat. France cuts off backing, and de Lesseps has to get help from England to finish the project. A sandstorm injures de Lesseps, and his French-Egyptian lover Toni (Annabella) straps him to a post to save him, sacrificing her own life for the canal. Power and Annabella married each other after the film. The descendants of de Lesseps sued 20th Century Fox for libel, but lost. ~ Michael Betzold, All Movie Guide

Perhaps the best of Jane Withers' 20th Century-Fox vehicles, Rascals is also the one that pops up most frequently on televisoin. Withers plays Gypsy, the youthful queen of a band of wandering vagabonds. Joining Gypsy and her fellow gypsies is amnesia victim Margaret Adams (Rochelle Hudson), who soon becomes the tribe's top fortune-teller. The gypsies finance an operation that will restore Margaret's memory, only to discover that she has been slated for a loveless marriage with a buffoonish baron (Jose Crespo). She is rescued from this fate by the resourceful Gypsy, who orchestrates a romance between Margaret and the misogynistic Tony (Robert Wilcox). Musical highlights are provided by the always-delightful Withers and by harmonica virtuosos Borrah Minevitch and His Gang. ~ Hal Erickson, All Movie Guide

This tragedy has pathos to spare as it presents the story of a crippled orphan who finds support in a kindly storekeeper who loves her. To help her the older man must constantly deal with the well-intentioned welfare representative who constantly interfere. To pay for an operation for the stricken girl, the man sells his store. He loses everything when the state takes her back. The man successfully rallies to get her back only to die of a stress-related disease he caught while fighting for her. ~ Sandra Brennan, All Movie Guide

In this entry in the "Torchy Blane" series, the plucky young reporter tries to expose a ring of counterfeiters led by a man pretending to be a G-man assigned to investigate the case. He asks her not to print any of the information she has gathered so as not to blow his cover. The ploy works until Torchy figures it out and brings the gang to justice. ~ Sandra Brennan, All Movie Guide

In this entertaining comedy, an American expatriate lives in Paris and fancies himself a clever con artist. Getting cocky, he invites his wife and daughter to join him. The daughter is about to marry and he promises her an exquisite French chalet. Now he must quickly find one before she arrives lest he end up with egg upon his face. ~ Sandra Brennan, All Movie Guide

The second of Paul Muni's biographical films for Warner Bros., the Oscar-winning The Life of Emile Zola is by far the best, even allowing for the dramatic license taken with the material. When first we meet French novelist and essayist Zola, he is starving in a Parisian garret with his painter friend, Paul Cezanne. Each time Zola attempts to write "the truth," he is stymied by governmental censors. Still, he is able to achieve both fame and fortune with the publication of "Nana," an unardorned and best-selling tale of a prostitute (whom we can safely assume was not quite as likeable or attractive as Erin O'Brien-Moore, who plays the novel's "role model"). The lion's share of the film is devoted to Zola's attempts to clear the reputation of Army captain Alfred Dreyfus (Joseph Schildkraut), who has been framed on a charge of treason by his superiors and condemned to Devil's Island. Publishing his famous manifesto "J'accuse," Zola leaves himself wide open for public condemnation and criminal prosecution. Though he delivers a brilliant self-defense in court, Zola is found guilty. Forced to flee to England, he continues railing against the unjust, corrupt military establishment, eventually forcing a retrial and exoneration of Dreyfus. Alas, Zola is killed in a freak accident at home before he can meet the liberated Dreyfus. At his funeral, Emile Zola is eulogized by Anatole France (Morris Carnovsky), who refers to the fallen crusader as "a moment of the conscience of man." For various reasons -- some dramatic, some legal -- the actual facts of "L'affaire Dreyfus" are altered by the Norman Reilly Raine/Heinz Herald/Geza Herczeg screenplay.

The fact that Dreyfus was railroaded because he was Jewish is obscured; in fact, except for a very brief visual reference, the word "Jew" is never mentioned. Only those villains whose names were a matter of public record (Major Dort, Major Esterhazy) are specifically identified. Others are referred to as the Chief of Staff, the Minister of War, etc. to avoid lawsuits from their descendants (remember that the events depicted in the film, most of which take place between 1894 and 1902, were still within living memory in 1937). As for Dreyfus himself, he was not freed and restored to rank in 1902, the year of Zola's death, but in 1906-after being found guilty again in an 1899 retrial (Dreyfus died in 1935, outliving everyone else involved in the case). These historical gaffes can be forgiven in the light of the film's overall message: that a single small, clear voice can fight City Hall. If for nothing else, The Life of Emile Zola deserves classic status due to Paul Muni's towering performance, most notably in the unforgettable summation scene: "By all that I have done for France, by my works -- by all that I have written, I swear to you that Dreyfus is innocent. May all that melt away -- may my name be forgotten, if Dreyfus is not innocent. He is innocent." ~ Hal Erickson, All Movie Guide