Carola Regnier Movies

A shared love of fish leads to a variety of romantic predicaments in this offbeat comedy from writer and director Doris Dörrie. Otto (Christian Ulmen) and Leo (Simon Verhoeven) are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida (Alexandra Maria Lara), a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she's pregnant with Otto's child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida's presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko (Young-Shin Kim). Meanwhile, Ida's desire to make good in the business begins to irritate Otto when she becomes chummy with the wife of his most important investor; as he grows apart from Ida, he's uncertain of what to do when Yoko boldly makes it known that she's attracted to him. Der Fischer und Seine Frau (aka The Fisherman and His Wife) received its North American premiere at the 2005 New Montreal Film Festival. ~ Mark Deming, Rovi

German filmmaker Margarethe von Trotta directs the war drama Rosenstrasse, based on the plight of "mixed marriages" between Jewish men and non-Jewish women during the Holocaust. In contemporary New York, Jewish matriarch Ruth (Jutta Lampe) practices Orthodox mourning traditions for her late husband, to the dismay of her daughter Hannah (Maria Schrader). At the wake, Ruth's cousin Rachel (Carola Regnier) tells Hannah some family secrets that send curious Hannah over to Berlin. She searches out 90-year-old Lena Fischer (Doris Schade), who cared for Ruth during WWII. Flashbacks recall the events of 1943,when Jewish husbands were rounded up and kept in a house on a street called Rosenstrasse. Lena (played by Katja Riemann as a young woman) joins a group of other wives for a week-long protest, where she meets an abandoned seven-year-old named Ruth (played by Svea Lohde as a girl). Rosenstrasse was shown in competition at the 2003 Venice International Film Festival. ~ Andrea LeVasseur, Rovi

This drama is set in 19th century Prussia and looks at the life and dreams of a teenage girl. The year is 1813 and 16-year old Marie is not leading a happy life. She is regularly beaten by her governess and ignored by her mother. Her mother's friend, a merchant, comes to call with his shy nephew whom his uncle frequently beats. Marie is interested in the nephew until she sees a handsome traveller who seems to be a soldier. The stranger and his friends rape Marie and kill her mother. Marie get revenge. ~ Sandra Brennan, Rovi

This avant garde film delves into the psychosexual pain of a troubled intellectual and his family. His mother is a hedonistic lesbian with a young lover who once supplied her son with a young woman so he could lose his virginity. All the characters engage in painful emotional struggles to find elusive love and are given to erotic sexual fantasies that are portrayed in dream sequences. ~ Dan Pavlides, Rovi

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carola Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma. ~ Dan Pavlides, Rovi

Loosely based on the colorful, combustible life and career of German filmmaker Rainer Werner Fassbinder, A Man Like Eva (Ein Mann Wie Eva) stars actress Eva Mattes in male drag as an obsessive, sadomasochistic movie director. Eva is currently working on a filmization of Dumas' Lady of the Camelias, and in so doing mercilessly uses and abuses everyone in "his" cast and crew. Attempting to sustain a "family" atmosphere on the set, Eva succeeds only in driving everyone crazy--and at least one person to suicide. After a while, A Man Like Eva takes on the dimensions of a genuine Fassbinder film, though one suspects that the late director might have been able to tighten up the sometimes slack plotline. Trivia note: in 1973, star Eva Mattes was the leading lady in Fassbinder's Jail Bait. ~ Hal Erickson, Rovi

Gudrun Landgrebe plays a housewife who abruptly leaves her husband for a life of prostitution. At first, she retains her staid, middle-class values, but before long she is one of the most sexually adventurous women walking the streets. Soon she has more business than she can manage, forcing her to learn highly advanced bookkeeping skills to keep her business in order. While Gundrun indulges customers with fetishist inclinations, her AC-DC business partner Mathieu Carriere services both male and female clients. Becoming romantically involved themselves, Gundrun and Mathieu find that they can't manage a private and professional life at the same time. As the title suggests, one of the partners takes very drastic measures to express her discomfort with the conditions that prevail. Woman in Flames was an enormous moneymaker in Germany, where it was released as Die Flambierte Frau (which translates to the curiously gastronomic title A Woman Flambee). ~ Hal Erickson, Rovi

The destructive nature of a rising Nazi menace is the subtext in this drama about a young man in Germany in the late '20s. While he enjoys a certain immunity from hard times because of a rich friend and female companionship, he is not blind. He sees mounting injustices in the society around him and cannot always reconcile them with his own views. After his love life gets a jolt and he loses his job, he debates whether or not to work for a Nazi newspaper as the future seems to look worse each day. ~ Eleanor Mannikka, Rovi

A pair of American Allied fliers (Michael Connor and Robert Redford in his second feature film appearance) are shot down in a small German village near the end of WW II and end up captured and held prisoner in the wine cellar of a lonely old man (Alec Guiness). The old man likes having the two around and so endeavors to keep them in his cellar even though the war is over. The two remain there for seven years and while they wait, the old man regales them with tales of a wonderful Nazi world. The strange plot of this comedy is based on a novel by Robert Shaw. ~ Sandra Brennan, Rovi