George Regas Movies

In this melodramatic historical drama, the lives of Mexico's Maximilian and Carlotta are chronicled. The story follows their brief reign as figureheads for Napoleon III. The two doomed rulers were terribly naive and had no idea that they were universally despised by the native population. Upon her return to Europe, Carlotta goes mad with grief when she realizes that her beleaguered husband, trapped by a rebel uprising in Mexico City, will receive no aid from their backers. ~ Sandra Brennan, All Movie Guide

This is perhaps the best of the many Zorro films as Tyrone Power gives an outstanding performance as the alternately swishing and swashbuckling son of a 19th century California aristocrat. As a champion of the oppressed, Zorro must face a wicked governor portrayed by J. Edward Bromberg, who, of course, has a beautiful niece whom our hero loves. Basil Rathbone is a delightfully evil assistant to the governor. Based on Johnston McCulley's novel The Curse of Capistrano, The Mark of Zorro was a remake of the 1921 silent film and by far superior to all the Zorro incarnations. Interspersed with humor and one-liners but still keeping up with the highest of swashbuckling traditions, it is an action-packed story of one man standing against a corrupt, oppressive government on behalf of those less able to bear their burdens. ~ Tana Hobart, All Movie Guide

Promoted as a follow-up to the popular 1939 western Dodge City (which, indeed, was left wide open for a sequel in its closing scenes), Virginia City bears only surface resemblance to the earlier film. Indeed, the only discerning links between the two pictures are the western setting and the presence in the cast of Errol Flynn, Frank McHugh, Alan Hale and Guinn "Big Boy" Williams. After escaping from a Confederate prison during the Civil War, Union officer Flynn vows to stop a $5,000,000 gold shipment from reaching the South. He is challenged by Southern sympathizer Randolph Scott, whose interest in the gold is patriotic, and by outlaw Humphrey Bogart (complete with a Mexican accent that wouldn't convince a cow), whose interests are purely mercenary. Adding spice to the proceedings is Miriam Hopkins as a dance hall chanteusse-cum-Confederate spy. Better in individual components than sum total, Virginia City pleased the crowds in 1940, assuring that the Tasmanian-born Errol Flynn would continue appearing in westerns in the future. ~ Hal Erickson, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

Though Rudyard Kipling's poem Gunga Din makes a swell recital piece, it cannot be said to have much of a plot. It's simply a crude cockney soldier's tribute to a native Indian water boy who remains at his job even after being mortally wounded. Hardly the sort of material upon which to build 118 minutes' worth of screen time-at least, it wasn't until RKO producer Pandro S. Berman decided to convert Gunga Din into an A-budgeted feature film. Now it became the tale of three eternally brawling British sergeants stationed in colonial India: Cutter (Cary Grant), McChesney (Victor McLaglen) and Ballantine (Douglas Fairbanks Jr.). Ballantine intends to break up the threesome by marrying lovely Emmy Stebbins (Joan Fontaine), while Cutter and McChesney begin hatching diabolical schemes to keep Ballantine in the army (if this plot element sounds a lot like something from the Ben Hecht and Charles MacArthur play The Front Page, bear in mind that Hecht and McArthur shared writing credit on Gunga Din with Joel Sayre and Fred Guiol; also contributing to the screenplay, uncredited, was William Faulkner). All three sergeants are kept occupied with a native revolt fomented by the Thuggees, a fanatical religious cult headed by a Napoleonic Guru (Eduardo Ciannelli). Unexpectedly coming to the rescue of our three heroes-not to mention every white man, woman and child in the region-is humble water carrier Gunga Din (Sam Jaffe), who aspires to become the regimental trumpeter. Originally slated to be directed by Howard Hawks, Gunga Din was taken out of Hawks' hands when the director proved to be too slow during the filming of Bringing Up Baby. His replacement was George Stevens, who proved to be slower and more exacting than Hawks had ever been! ~ Hal Erickson, All Movie Guide

Basil Rathbone and Nigel Bruce make their second screen appearances as Sherlock Holmes and Dr. Watson in The Adventures of Sherlock Holmes. Ostensibly based on the stage play by William Gillette, the film owes nothing to the play beyond the characters of Holmes, Watson, Billy the page boy and Professor Moriarty. Played with relish (and a bit of pickle) by George Zucco, Moriarty plots to steal the Crown Jewels, and also to confound Holmes by obliging the Great Detective to be in two places at once. Ida Lupino costars as an imperiled young woman who is seemingly plagued by an ancient family curse--a plot development that has been carefully stage-managed by the malevolent Moriarty. Basil Rathbone is excellent not only as Holmes but also in the guise of a cockney music-hall entertainer (if indeed that is Rathbone performing a buck-and-wing in longshot). The second of Twentieth Century-Fox's Holmes films (Hound of the Baskervilles was the first), The Adventures of Sherlock Holmes was the last in which Rathbone and Bruce were seen in a 19th century setting. In the subsquent Sherlock Holmes series at Universal, the exploits of Holmes and Watson were updated to the World War II years. ~ Hal Erickson, All Movie Guide

Myrna Loy stars in Clarence Brown's sumptuous and exotic romance, based upon the novel by Louis Bromfield. Loy plays Lady Edwina Esketh, the unhappily married wife of Lord Albert Esketh (Nigel Bruce), a dumpy middle-aged English businessman. Edwina escapes her loneliness by engaging in ephemeral love affairs. When Lord Albert travels to the Indian province of Ranchipur, Edwina encounters one of her past lovers, Tom Ransome (George Brent). Tom wants to renew his acquaintance with Edwina, but she has set her sights on a young Indian doctor, Major Rama Safti (Tyrone Power), the court favorite of the reigning maharajah (H.B. Warner) who may inherit the throne one day. Rama is dedicated to helping the poor and, as Edwina falls deeply in love with him, she begins to notice of the plight of the poverty stricken. When a terrible earthquake decimates Ranchipur, Edwina joins with Rama to help tend to the victims of this tragedy. ~ Paul Brenner, All Movie Guide

Directed by Richard Thorpe, this costume drama stars Luise Rainer as 16-year-old southern belle Gilberta, who, upon her return to Louisiana after a brief stay in France, discovers her sister Louise Barbara O'Neil) has recently gotten engaged. Gilberta (Rainer) quickly finds herself attracted to her sister's fiance George (Melvyn Douglas), and eventually steals him for herself. Though they marry and have a son together, Gilberta is unable to to cope with the stress and responsibility involved in running a plantation and raising a child at the same time. At Gilberta's request, Louise (O'Neill) agrees to take over the duties of the plantation. Meanwhile, Gilberta begins an affair with a former suitor of hers, Andre Vallane (Robert Young), and agrees to go to New York with him. Upon their return, George (ouglas and Andre (oung) have a duel, which proves fatal for Andre. Shortly after, Gilberta catches a fatal disease. Though much strife had been created due to her sordid affairs, Gilberta comes to terms with her behavior and makes peace with her family shortly before she died. ~ Tracie Cooper, All Movie Guide

In this fourth of 20th Century-Fox's "Mr. Moto" series, a beautiful young aviatrix (Rochelle Hudson) on a secret diplomatic mission crash-lands in a remote Indochinese jungle province ruled by a despotic potentate (J. Edward Bromberg). Japanese adventurer Mr. Moto (Peter Lorre) is in the vicinity on an archeological expedition, while two hotshot American newsreel cameramen (Robert Kent, Chick Chandler) also stumble upon the scene. The aviatrix tries to get the potentate to help quell an insurrection led by a maniacal high priest (George Regas), but it turns out that the duplicitous ruler is in on the rebellion as a means of increasing his own wealth and power. Moto takes charge by posing as the high priest; he rescues the aviatrix and the newsreel men, vanquishes the villains and destroys a munitions site. And all this in 63 minutes! ~ Hal Erickson, All Movie Guide

Arrest Bulldog Drummond was the last of Paramount's "B" film series based on Sapper's two-fisted soldier of fortune, and also the final appearance by John Howard as Drummond. In this one, Drummond's honeymoon with his beloved Phyllis (Heather Angel) is postponed for the umpteenth time when Drummond is framed for the theft of a new ray-gun device (which looks like a reconditioned movie projector). Though designed for "the good of mankind", the gun will be a deadly force if it falls into "the wrong hands"--which in this case belong to goggle-eyed reprobate George Zucco and his gang. Still a fugitive, Drummond gives chase to the real crooks, with the help of several friends and associates, as well as the unofficial approval of Scotland Yard inspector Nielsen (H.B. Warner). Drummond narrowly escapes being dunked into a slime pit before he brings the crooks to justice. ~ Hal Erickson, All Movie Guide

In this detective adventure, a young woman is accused of stealing a valuable necklace from her boss and takes off for Spain just before the Civil War. She is trailed by a detective form Scotland Yard. He finds her and soon falls in love and the two try to flee on a British ship. The story does not reveal whether the girl was innocent or not. ~ Sandra Brennan, All Movie Guide

Also released as The Gentleman from California, this budget-conscious swashbuckler is strongly reminiscent of The Mark of Zorro. Nineteenth-century California aristocrat Ramon Escobar (Ricardo Cortez) returns after several years' schooling in Spain to discover that his native land is in the hands of corrupt politicians. The villains are systematically forcing the "old" Californian families from their property, using a variety of legal but highly unethical maneuvers. In retaliation, Escobar adopts the guise of a mystery avenger to right all wrongs and re-establish justice. Based on a story by Harold Bell Wright, The Californians was directed by Gus Meins, heretofore most closely associated with Hal Roach's "Our Gang" comedies. ~ Hal Erickson, All Movie Guide