Robert Reed Movies

Directed with crisp efficiency by Dick Powell, The Hunters is a romantic melodrama with an aviation angle. Robert Mitchum plays veteran Air Force pilot Maj. Cleve Saville, in charge of a group of young flyboys in 1952 Korea. Among the men under Saville's command are cocksure Lt. Ed Peil (Robert Wagner) and timorous Lt. Abbott (Lee Phillips). Much against his better judgment, Saville falls in love with Abbott's gorgeous wife Kris (Mai Britt). When Abbott crashes behind enemy lines, Saville and Peil are sent out to rescue the downed pilot-and Peil has an inkling of the Major's feelings towards Mrs. Abbott. During their grueling journey back to their own lines, both Peil and Abbott benefit from the military expertise of the no-nonsense Saville, who knows where and when to separate his private life from his responsibilities. Distinguished by excellent aerial sequences, The Hunters is adapted from the novel by James Salter. ~ Hal Erickson, All Movie Guide

Future Brady Bunch paterfamilias Robert Reed guest stars as high school psychology teacher Julian Hill. Idolizing the "deep-thinking" Mr. Hill, Cissy (Kathy Garver) endeavors to extend his lofty, erudite philosophy to the Davis household. But when Bill (Brian Keith) invites Mr. Hill to dinner, Cissy is shocked by the realization that her idol is merely another human being--and a petty, ill-tempered one at that! ~ Hal Erickson, All Movie Guide

Recently blinded in an accident, Norma Wales (Katherine Crawford) finds herself the wrong person at the wrong place--namely a murder scene. Inasmuch as the killer believes that Norma witnessed his crime, Ironside (Raymond Burr) decides to use her as bait to trap the miscreant. In the process, Ironside also endeavors to help the terrified woman readjust to her new world of darkness. Watch for future Brady Bunch patriarch Robert Reed in an unusual characterization. ~ Hal Erickson, All Movie Guide

Those who worried that the Disney studio would collapse without the presence of the late Uncle Walt were put at ease when the profits starting rolling in for The Love Bug. The "star" is Herbie, a lovable little Volkswagen with a personality all its own. Abused by a bad guy race-car driver (David Tomlinson), Herbie is rescued by a good guy racer (Dean Jones). Out of gratitude, Herbie enables the luckless good guy to win one race after another. The real fun begins when the ruthless hot-rodder connives to get Herbie back through fair means or foul. Based on a story by Gordon Buford, The Love Bug inspired two equally lucrative sequels, Herbie Rides Again and Herbie Goes to Monte Carlo. ~ Hal Erickson, All Movie Guide

Touted by 20th Century-Fox as a follow-up to their enormously successful The Sound of Music, Star! reteams that earlier film's leading lady Julie Andrews and director Robert Wise. Andrews plays legendary musical comedy star Gertrude Lawrence, while Daniel Massey appears as Lawrence's friend, co-worker and severest critic Noel Coward (Massey's real-life godfather). The film jumps back and forth in continuity at times, its transitions bridged by fabricated newsreel footage; essentially, however, William Fairchild's script traces Lawrence's progress from ambitious bit actress to the toast of London and Broadway. Her success is offset by a stormy private life, which is given some ballast when she falls in love with an American financier (Richard Crenna). The film is way too long for its own good, though the musical set pieces -- especially the Andrews-Massey duets -- are superb. Julie Andrews welcomed the chance of playing a character as far removed from her goody-two-shoes heroine in Sound of Music as possible; Gertrude Lawrence was temperamental, sarcastic, profane and at times self-destructive, and Andrews makes a meal of the role. Unfortunately, Andrews' fans, conditioned by the Fox publicity machine to expect a continuation of Sound of Music, rejected her outright in this "new" characterization. Star! was a huge box-office bomb, so much so that Fox desperately attempted a shortened re-release under a misleading new title, Those Were The Happy Times. They weren't: it remained a financial disaster, though it has developed a loyal cult following in recent years. ~ Hal Erickson, All Movie Guide

Season one of The Brady Bunch opens famously with the wedding of widow Carol Martin (Florence Henderson) and widower Mike Brady (Robert Reed), attended by Carol's daughters, Marcia (Maureen McCormick), Jan (Eve Plumb), and Cindy (Susan Olsen) and by Mike's sons, Greg (Barry Williams), Peter (Christopher Knight), and Bobby (Mike Lookinland). This occasion also serves as the first -- and last -- appearance of the girls' pet cat, Fluffy, and is quickly followed by a chaotic "family honeymoon." Certainly an auspicious start for five years' worth of warm-hearted hilarity. The first season's best-remembered episodes include "Alice Doesn't Live Here Anymore," in which Alice the housekeeper (Ann B. Davis) gets the mistaken notion that her services are no longer required; "A Clubhouse Is Not a Home," the first of many episodes in which the Brady kids build an elaborate prop; "A-Camping We Will Go," the contents of which should be self-explanatory; and "Sorry, Right Number," in which Mike installs a pay phone to teach his family a lesson in economizing (this episode also marks the first appearance of Alice's off-and-on beau Sam [Allan Melvin]). Other memorable episodes include "Vote for Brady," a cautionary tale of campaign promises unfulfilled; "Is There a Doctor in the House?," dramatizing a medical "turf war" arising from the kids' measles; "The Undergraduate," wherein Greg Brady develops a crush on his attractive teacher; "Brace Yourself," the story of Marcia's dental misfortunes; "The Possible Dream," with guest star Desi Arnaz Jr.; and "The Grass Is Always Greener," the one where Mike and Carol switch jobs for a day. ~ All Movie Guide

The City was the pilot film for the brief Anthony Quinn TV series Man and the City. Quinn joined such movie luminaries as Jimmy Stewart and Shirley MacLaine in migrating to the small screen for the 1971-72 season--unsuccessfully, as it turned out. He portrays Thomas Jefferson Alcala, the progressive mayor of an unspecified Southwestern city (the film was shot in Albuquerque). Future MASH regular Mike Farrell is also on hand as Mayor Alcala's conservative aide. The City finds Hizzoner tackling urban problems, a theme carried over to the Man and the City series itself. ~ Hal Erickson, All Movie Guide

In this made-for-television crime drama a trio of kidnapped wives struggle with their ordeal. Real trouble begins when one of their wealthy husbands refuses to pay the ransom and one of the wives goes into insulin shock. ~ Sandra Brennan, All Movie Guide

Although he is locked up in prison on a tax-evasion charge, Syndicate boss Sam Dexter (Dane Clark) is still running his criminal operation with the outside assistance of his silent partner, a shadowy figure known only as The General. The IMF must determine the identity of the General, and also prove that Dexter murdered his mistress --- and to do that, another of the Force's celebrated prison breakouts is called for. Barbara Anderson again appears as on-and-off IMF agent Mimi Davis, who as an ex-thief is no stranger to life behind bars. First telecast on November 11, 1972, "Hit" was written by Douglas Weir. ~ Hal Erickson, All Movie Guide

Not to be confused with the similarly titled British series of the late '60s, Whodunnit? was a semi-satirical panel show, in which celebrities were asked to solve a variety of fictional mysteries, usually homicidal in nature. The series was created by Jeremy Lloyd and Lance Percival, both of whom had solid credentials as gag writers and comic performers. Among the regular panelists were Doctor Who's Jon Pertwee and future Equalizer star Edward Woodward, but the most famous of the celebrity participants was Patrick Mower -- who, according to British TV folklore, was dismissed from the series because he provided far too many correct solutions (nobody likes a wise guy). Introduced with a pilot episode on August 15, 1972, Whodunnit? officially premiered on June 25, 1973, remaining on the air until 1978. ~ Hal Erickson, All Movie Guide

The fifth and final season of The Brady Bunch finds a newcomer amidst the familiar faces. Joining stars Robert Reed and Florence Henderson as Mike and Carol Brady, Barry Williams, Maureen McCormick, Christopher Knight, Eve Plumb, Mike Lookinland, and Susan Olsen as the various and sundry Brady kids, and Ann B. Davis as Alice the housekeeper, is child actor Robbie Rist as the infamous Cousin Oliver, whose addition to the family was a gimmick to "freshen up" the then five-year-old series. There are thousands upon thousands of Brady Bunch fans who are of the opinion that the world would be no worse off with one less Cousin Oliver, but thankfully (for these fans) the kid showed up in only six episodes. No matter what one's opinion of the estimable Oliver, it cannot be denied that several of the fifth-season Brady Bunch episodes are among the series' best and most memorable. These include "Adios, Johnny Bravo," in which Greg Brady adopts a new name in preparation for a showbiz career; "Mail Order Hero," distinguished by football legend Joe Namath in a guest appearance as himself; "Never Too Young," featuring a pre-Little House on the Prairie Melissa Sue Anderson as little Bobby Brady's first major crush; "Marcia Gets Creamed," a textbook example of the venerable adage "Never hire your relatives"; "The Elopement," wherein the Brady kids labor under the false assumption that Alice is about to marry her erstwhile beau Sam (Allan Melvin); "Two Petes in a Pod," with series regular Christopher Knight in a dual role; "The Cincinnati Kid," an episode built around the real-life opening of the Kings' Island amusement park in Cincinnati; and the series' final episode, "The Hair-Brained Scheme," the one in which Greg's hair turns orange. Also worth mentioning is the episode titled "Kelly's Kids," the story of a husband (Ken Berry) and wife (Brooke Bundy) who adopt a trio of interracial kids, which was filmed as the pilot for a series that never sold. ~ All Movie Guide

Peter Boyle plays a social worker who deals with "special needs" children. Most of Boyle's energies are devoted to communicating with an emotionally disturbed teen (Scott Jacoby). The difficulty of the job is doubled by the fact that the boy is alienated from his anguished parents (Robert Reed, Collin Wilcox-Horne), who may unknowingly be part of the problem. Filmed in semi-documentary fashion, The Man Who Could Talk to Kids transcends its "disease of the week" earmarks to become a TV movie of lasting value. The film also helped Peter Boyle shake his bullheaded Joe screen image. ~ Hal Erickson, All Movie Guide