Ralph Reed Movies

Poised to receive a huge inheritance on her 21st birthday, mixed-up Merle Telford (Jana Taylor) plans to free herself from her domineering Aunt Olivia (Jorja Curtwright) and elope with boyfriend Danny Pierce (Jack Ging). Correctly sizing up Danny as a fortune hunter--indeed, he intends to swipe the inheritance and run off with his real sweetheart Gina Gilbert (Joan Staley)--Olivia hires detective Paul Drake (William Hopper) to prevent Merle from ruining her life. But it appears as if Drake will be too late when Merle is accused of murdering Olivia during a party. Lucky for Merle that Drake is a close friend of defense attorney Perry Mason (Raymond Burr). This is the final episode of Perry Mason's fifth season. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

The LAPD receives a tip about an imminent turf war between five different teenage gangs. Friday (Jack Webb) and Smith (Ben Alexander) have ample evidence that principal agitator behind this war is seventeen-year-old Robert Barson (Dee Pollock). Unfortunately, the detective are unable to head off Barson because of the interference of his overprotective mother Edith (Natalie Masters), who insists that her "Bobby" is both innocent and misunderstood. The tragic climax only serves to prove once again that "denial" is not a river in Egypt. This episode is based on the Dragnetradio broadcast of January 17, 1952, originally titled "The Big Juvenile Division". ~ Hal Erickson, All Movie Guide

This odd drama features Jack Nicholson, then only 21-years old, in his first feature film. He plays a young delinquent who thinks he may have killed one of the two thugs who were pursuing him. He hides out in a local drive-in where he takes three hostages and barricades himself and them in a storeroom. Police surround the place and try to negotiate with the frightened boy but even his friends cannot reach him. Meanwhile, the media has learned of the situation and soon a TV news crew arrives followed by a crowd of spectators. Soon concessions are being sold, and the event becomes a circus. ~ Sandra Brennan, All Movie Guide

One of Roger Corman's finest science-fiction endeavors of the 1950s, Not of This Earth is an excellent film by any standards. Paul Birch stars as Johnson, a taciturn gentleman in a dark business suit who hires nurse Nadine (Beverly Garland) to care for him. Curious that Johnson needs constant blood transfusions, Dr. Rochelle (William Roerick), Nadine's boss, discovers to his horror that Johnson has no blood of his own! Before he can make this information public, Rochelle is telepathically enslaved by the emotionless Johnson. It soon develops that Johnson is a space alien, sent from his home planet to see if the blood of earthlings can be used by his dying race -- the first step in their ultimate takeover of the world. The scenes involving hyperkinetic vacuum salesman Piper (Dick Miller) are the film's highlights, simultaneously hilarious and horrifying. Originally released on a double bill with Attack of the Crab Monsters, Not of This Earth was indifferently remade twice, in 1988 and 1996. ~ Hal Erickson, All Movie Guide

The Enemy Below is a study of submarine warfare from the vantage point of both sides. Robert Mitchum plays the captain of an American destroyer, who despite having lost his family in the war endeavors to let his head rule his heart in combat. Curt Jurgens co-stars as a German U-boat commander, depicted as being as honorable and compassionate as Mitchum. The two men develop a grudging mutual respect as they pursue one another throughout the North Atlantic. Based on a novel by D. A. Rayner, The Enemy Below was the last theatrical film directed by Dick Powell, who hereafter concentrated on his extensive television work. ~ Hal Erickson, All Movie Guide

Mark Stevens stars as a Navy pilot named Bingham in this paean to the modern-day submarine service. Covering the years 1941 to 1952, Torpedo Alley details Bingham's training as a sub commander. Feeling guilty for the deaths of several of his fellow pilots, he signs up for submarine service at the end of WW II. He proves equal to his task, though it takes a great deal of soul searching, coupled with the tender ministrations of his lady friend Susan (Dorothy Malone), before Bingham is able to overcome his guilt complex and assume a command position again. Torpedo Alley was co-written by Sam Roeca (who later supervised such above-average children's programs as Valley of the Dinosaurs and Land of the Lost) and actor Warren Douglas. The film was intended as the vanguard of "quality filmmaking" from Allied Artists, which in 1952 finally shed itself of its earlier existence as low-budget Monogram Pictures. ~ Hal Erickson, All Movie Guide

The distinctive stamp of action-film director Phil Karlson is very much in evidence in Scandal Sheet. Broderick Crawford plays tabloid editor Mark Chapman, whose burgeoning success is threatened by the arrival of his wife Charlotte (Rosemary DeCamp), whom he deserted 20 years earlier. Hoping to keep Charlotte's mouth shut, Chapman accidentally kills her. He does his best to cover his tracks, but his best is none too good, and another murder follows. Meanwhile, Chapman's star reporter Steve McCleary (John Derek) is busy investigating the still-unsolved murder of Charlotte. Though Steve holds no grudge against his boss, the same cannot be said of feature writer Julie Allison (Donna Reed), who resents Chapman's sensationalist methods. Slowly but surely, the noose tightens around Chapman's neck, thanks to the diligence of McCleary and, indirectly, the inquiries of Julie. Scandal Sheet was based on a novel by former newspaperman Samuel Fuller, an excellent film director in his own right. ~ Hal Erickson, All Movie Guide

Richard Widmark plays a firefighter for the US Forestry Service, a brave man who nevertheless does not believe in taking foolish risks. Widmark is branded a coward by a rookie fireman (Jeffrey Hunter) who holds Widmark responsible for the forest-fire death of the rookie's father. All passions are swept aside when a particularly brutal fire strands Widmark and his men in the middle of unprotected forest. Widmark then realizes that he must attempt to lead the others to well-being. Red Skies of Montana represents the film debut (in an unbilled role) of future TV and film star Richard Crenna. ~ Hal Erickson, All Movie Guide

Dependable supporting actor John Litel is top-billed in the independently produced Two Dollar Bettor. Litel plays John Hewitt, a respectable widower who takes the first step on the road to depravation when he makes his first-ever bet at the race track. Consumed by gambling fever, Hewitt is reduced to committing embezzlement to satisfy his urge. Things don't end too well for Our Hero, but redemption of sorts is provided from an unexpected corner. Marie Windsor steals the show in the atypical role of a con artist who is willing to take the hapless Hewitt for everything he's got. Two Dollar Bettor was directed by Edward L. Cahn with his usual ten-day-schedule efficiency. ~ Hal Erickson, All Movie Guide