Phillip Reed Movies

Elvis Presley plays singer/actor Johnny Tyronne in this formulated quickie directed by Gene Nelson. While on a promotional tour of Pakistan, Johnny is drugged, kidnapped, and whisked away to a mythical Middle East country. Jay Novello plays the scheming Zacha who vows (for a price) to help Johnny in a world that is 2,000 years behind the times and sealed off from the outside world. With the help of Baba (Billy Barty), they hope to get Johnny back to the comforts of the modern world. Elvis shows off some neat karate moves, but he looks bored and resigned to the fact no one in Hollywood (or Colonel Tom Parker) will give him a serious screen role. Filmed on sets that were originally used for Kismet (1944) and Cecile B. DeMille's silent classic The Ten Commandments. As for the songs, only Mirage and Hey Little Girl are memorable. The generous Presley, perhaps feeling nostalgic, donated $50,000 to the motion picture relief fund after completing the film. On hand at the celebrity press conference were such luminaries as Frank Sinatra, Bud Abbott, and silent-screen veteran Chester Conklin. ~ Dan Pavlides, All Movie Guide

Suicidal Sylvia (Ann Todd) desperately wants to be reunited with Peter, the callous fortune-hunter whom she'd married after a whirlwind courtship, and whom she was forced to divorce by her wealthy father John Leeds (John McIntire). Aware of Sylvia's ardor, Peter approaches John and offers to leave for good if he is paid off. Upon finding this out, Sylvia pulls out a gun -- but whom will she shoot, herself or Peter? This episode is based on a short story by Ira Levin, of Rosemary's Baby fame. ~ Hal Erickson, All Movie Guide

Fired after decades of loyal service to an investment firm, mousy Benjamin Stepp (John Qualen) retaliates by murdering his boss Mr. Baldwin (Sebastian Cabot). Imagine Stepp's astonishment when, the day after the murder, Mr. Baldwin shows up in the office alive and well -- and not only rehires Stepp, but gives him a raise and a promotion. Not surprisingly, Stepp cannot rely upon the evidence of his own eyes...but what happens after he has gotten over his initial shock is quite a surprise indeed. ~ Hal Erickson, All Movie Guide

Evelyn Nesbit Thaw, the real-life personality so brilliantly (albeit briefly) portrayed by Elizabeth McGovern in Ragtime (1981), is given the full biopic treatment in 20th Century Fox's The Girl in the Red Velvet Swing. Since the real Mrs. Thaw served as technical advisor for the film, it isn't surprising that the controversial Evelyn comes across as being more sinned against that sinning. Joan Collins stars as Evelyn, the gorgeous chorine and original "Gibson Girl" who becomes the romantic bone of contention between ageing architect Stanford White (Ray Milland) and slightly unbalanced young millionaire Harry K. Thaw. Setting up Evelyn in a plush apartment, the lecherous White insists that she "perform" for him on the red velvet swing of the title (allegedly, Evelyn swung naked above the slavering White, though she's fully clothed in the film). Eventually, Thaw marries Evelyn, but cannot prevent White from continuing his romantic overtures. Things come to a head in 1906, on the roof of Madison Square Garden. As Evelyn sings and dances in a stage musical, the insanely jealous Thaw walks up to White, pulls out a pistol, and, in full view of the audience, pumps several bullets into the older man. Though Thaw manages to avoid the gallows by pleading insanity (he was eventually released), Evelyn's reputation is permanently besmirched, leaving her little choice but to capitalize upon her notoriety on the vaudeville stage (actually, Evelyn pursued a moderately successful film career before losing all her money to bad investments in the 1920s). By purifying the character of Evelyn Nesbit and thoroughly vilifying Stanford White, The Girl in the Red Velvet Swing is hardly 100 percent accurate; still, the film is immensely entertaining, thanks to the enthusiastic performances of the three stars. ~ Hal Erickson, All Movie Guide

Long before she became a TV cosmetic-commercial spokeswoman, Barbara Britton essayed the title role in Bandit Queen. Britton plays Lola, daughter of a American father and Spanish-aristocrat mother. When her parents are murdered, Lola forms an outlaw band, dedicated to reclaiming those portions of California illegally seized from her fellow Spaniards. She is aided in this endeavor by dashing bandit Joaquin Murietta (Philip Reed). The film really comes to life whenever Lola settles an argument by wielding her bull-whip! Bandit Queen was Lippert Studios' final release for 1950. ~ Hal Erickson, All Movie Guide

Martha Vickers was given a rare leading-role opportunity in Daughter of the West. Vickers plays Lolita Moreno, a part-Native American girl who falls in love with college-educated Navajo Navo (Philip Reed). The film's Indian characters are depicted in a dignified, respectful manner: not so the white villains, headed by crooked Indian agent Ralph Connors (Donald Wood). When Connors and his flunkies try to cheat the Navajos out of their land, Navo gets wise to their scheme and nips it in the bud. The film's highlight is an authentically staged Indian harvest sequence, lensed in Cinecolor. ~ Hal Erickson, All Movie Guide

Granite-jawed Lawrence Tierney is the Bodyguard in this second-echelon noir thriller. Invited to resign from the LA police, short-tempered Mike Carter (Tierney) hires on to protect wealthy dowager Eugenia Dyson (Elizabeth Risdon). Before the film has reached its halfway point, Carter has been accused of murder, and is being hunted down by his former fellow officers. Only his file-clerk fiancee Doris Brewster (Priscilla Lane) believes in Carter's innocence, and it is she who is instrumental in cornering the actual killer. After a few more films like Bodyguard and The Narrow Margin, it was obvious that director Richard O. Fleischer had outgrown B pictures and was ready for more prestigious assignments. ~ Hal Erickson, All Movie Guide

Pine-Thomas Productions' "Big Town" film series, based on the radio program of the same name, came to an end with Big Town Scandal. Returning for their fourth go-round are Philip Reed as Steve Wilson, crusading editor of the Illustrated Daily Press, and Hillary Brooke as Lorelei Kilbourne, Wilson's super-efficient Girl Friday. When a group of unruly teenagers are paroled in Wilson's custody, he tries to reform them by setting up a Youth Center. Unfortunately a group of crooked gamblers begin hiding their ill-gotten gains at the Center, thanks to the assistance of fast-lipped punk Tommy Malone (Stanley Clements). Only after one of his young friends is killed does Tommy wise up and help Wilson expose the crooks. Among the juvenile performers in Big Town Scandal are Carl Switzer and Tommy Bond, formerly "Alfalfa" and "Butch" in the Our Gang comedies. ~ Hal Erickson, All Movie Guide

Pirates of Monterey is set during the early 19th century, at a time when California was asserting its independence from Mexico. Rod Cameron plays Phillip Kent, a devil-may-care mercenary hired to transport a shipment of rifles to the American army detachment at Monterey. Along the way, he is forced to do battle with Mexicans, Indians and various and assorted thieves. Somehow, he finds time to pitch woo with the tempestuous Marguerita (Maria Montez), whose fiery Mexican dance routines are something to behold. Less exciting to watch than it is to read about, Pirates of Monterey at least has the advantage of Technicolor. ~ Hal Erickson, All Movie Guide

Big Town was the first of a series of Pine-Thomas productions inspired by the radio series of the same name--which in turn was spun off into a long-running TV series. Philip Reed stars as crusading newspaper editor Steve Wilson, while Hillary Brooke portrays Wilson's ever-loving, ever-efficient "Girl Friday" Lorelei Kilbourne. Vowing to rid his community of the stench of Yellow Journalism, Wilson assumes command of the Illustrated Daily Press, utilizing his tabloid as a bastion of truth and a weapon against big-city corruption. Crusading against a local crime ring, Wilson unfortunately goes "too far", and is nearly destroyed by lawsuits before he can redeem himself. To avoid confusion with the teleivision series, Big Town was retitled Guilty Assignment for its earliest TV showings. ~ Hal Erickson, All Movie Guide

Bearing little resemblance to reality, this musical biography of 19th century Russian composer Nikolai Rimsky-Korsakov takes liberal poetic license with the truth. Jeanne-Pierre Aumont stars as Nicky, a Naval Academy cadet assigned to a vessel undergoing a world cruise. On shore leave in Morocco, Nicky goes in search of a piano intending to pursue his true passion, music. Accompanied by the ship's singing doctor, Klin (Charles Kullmann), Nicky makes the acquaintance of a cabaret dancer named Cara de Talavera (Yvonne De Carlo). The daughter of a Spanish colonial family that was once prominent but has fallen upon difficult times, Cara now dances in secret as Scheherazade in a revue at the nightclub. Inspired by her, Nicky sets about composing his most famous song for inclusion in a ballet. Although fate conspires to keep Cara and Nicky apart for a time, his piece is a success and is scheduled for a performance at the St. Petersburg Opera House, where none other than Cara turns up as the lead dancer. ~ Karl Williams, All Movie Guide

An unusually elaborate film from the bargain-basement PRC studios, Her Sister's Secret is set in New Orleans at Mardi Gras time. The "secret" involves an illegitimate child. Nancy Coleman is impregnated by a soldier on leave, and when she fears that he'll never return, she persuades her married sister (Margaret Lindsay) to raise the child. The better-than-usual cast includes Phillip Reed as the soldier, along with Regis Toomey, Felix Bressart and Henry Stephenson. Her Sister's Secret was the sort of B-plus fare that PRC would specialize in when it reorganized in 1947 and changed its name to Eagle-Lion. ~ Hal Erickson, All Movie Guide